Lisa See
I get so lost with Goodreads. I didn't see your question until today. So sorry about that.
I get up early and work on my e-mail for an hour or two. Then I write 1,000 words a day. That’s only four pages. Some days I write more, but I try never to write less. I usually have an outline, and I write from beginning to end without stopping to edit. Some writers won’t move forward until they get one page absolutely perfect, but I think you can spend a lot of time questioning yourself and making things perfect before going on. Also, if you write straight through, you allow magic to happen.
A good example of that was when I was working on The Interior. (Spoiler alert! If you’re about to read that book, don’t read the rest of this paragraph.) It’s a mystery, so a body was discovered up around page three and the identity of the killer and the conspiracy were going to be revealed around page 400. I was working one day—typing and minding my own business—when all of a sudden it turned out the killer was someone completely different than who I’d planned. I knew I’d have to go back and add some clues and bits and pieces so that readers wouldn’t be upset that the killer had just popped out of nowhere. So I went back to the beginning and there he was in the first scene! In fact, he’d done everything he’d needed to do. I didn’t need to add a single word. That, to me, is the magic of writing, and it was something I never could have planned.
I get up early and work on my e-mail for an hour or two. Then I write 1,000 words a day. That’s only four pages. Some days I write more, but I try never to write less. I usually have an outline, and I write from beginning to end without stopping to edit. Some writers won’t move forward until they get one page absolutely perfect, but I think you can spend a lot of time questioning yourself and making things perfect before going on. Also, if you write straight through, you allow magic to happen.
A good example of that was when I was working on The Interior. (Spoiler alert! If you’re about to read that book, don’t read the rest of this paragraph.) It’s a mystery, so a body was discovered up around page three and the identity of the killer and the conspiracy were going to be revealed around page 400. I was working one day—typing and minding my own business—when all of a sudden it turned out the killer was someone completely different than who I’d planned. I knew I’d have to go back and add some clues and bits and pieces so that readers wouldn’t be upset that the killer had just popped out of nowhere. So I went back to the beginning and there he was in the first scene! In fact, he’d done everything he’d needed to do. I didn’t need to add a single word. That, to me, is the magic of writing, and it was something I never could have planned.
More Answered Questions
Dolen Perkins-Valdez
asked
Lisa See:
Hi Lisa! I am loving #HistoricalFictionWeek here on Goodreads. I'm a rookie historical fiction author (two books) and I have long admired your work and career. What advice do you have for writers who are just beginning to shape their careers and hope to continue writing books for a long time?
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