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“Within the aesthetic system of the High Renaissance, pointed noses and fine lips were typically associated with a refined facial beauty. At the same time, well-formed, proportionate figures represented the height of bodily beauty. This aesthetic pairing led to the degradation of the African face and the exaltation of the African body.”

Sabrina Strings, Fearing the Black Body: The Racial Origins of Fat Phobia
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Fearing the Black Body: The Racial Origins of Fat Phobia Fearing the Black Body: The Racial Origins of Fat Phobia by Sabrina Strings
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