“While we can’t arrange the world with a camera, we have the ability to create significant associations between the things of the world and time in the photograph, and these purely pictorial correlations can help us to manifest and understand their ineffable counterparts of the within and the without.

The camera is all about creating relationships that are unreal (in that they never existed in the world) among things that are absolutely and recalcitrantly real. In fact that all it can do.”