“But the maestro’s biggest project during the second half of the season was the first North American production of Paul Dukas’s Ariane et Barbe-bleue, on 29 March 1911. Ariane, a forward-looking, brilliantly orchestrated work, had had its premiere in Paris four years earlier, and had since been performed in Vienna, conducted by Alexander Zemlinsky and admired by Arnold Schoenberg, Alban Berg, and Anton Webern, among others. Toscanini,”
―
Toscanini: Musician of Conscience
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