Olivia > Olivia's Quotes

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  • #1
    George R.R. Martin
    “Woman?” She chuckled. “Is that meant to insult me? I would return the slap, if I took you for a man.” Dany met his stare. “I am Daenerys Stormborn of House Targaryen, the Unburnt, Mother of Dragons, khaleesi to Drogo’s riders, and queen of the Seven Kingdoms of Westeros.”
    George R.R. Martin, A Storm of Swords

  • #2
    Philip K. Dick
    “This is a mournful discovery.
    1)Those who agree with you are insane
    2)Those who do not agree with you are in power.”
    Philip K. Dick, VALIS

  • #3
    Spider Robinson
    “Sometimes I think I must have a Guardian Idiot. A little invisible spirit just behind my shoulder, looking out for me...only he's an imbecile.”
    Spider Robinson, Off the Wall at Callahan's

  • #4
    George R.R. Martin
    “All the color had been leached from Winterfell until only grey and white remained. The Stark colors. Theon did not know whether he ought to find that ominous or reassuring. Even the sky was grey. The eyes of the bride were brown. Big and brown and full of fear.
    George R.R. Martin, A Dance with Dragons

  • #5
    George R.R. Martin
    “We had to throw rocks," she said miserably. "I told her to run, to go be free, that I didn't want her anymore. There were other wolves for her to play with, we heard them howling, and Jory said the woods were full of game, so she'd have deer to hunt. Only she kept following and finally we had to throw rocks. I hit her twice. She whined and looked at me and I felt so 'shamed, but it was right, wasn't it? The queen would have killed her."
    "It was right," her father said. "And even the lie was... not without honour.”
    George R.R. Martin, A Game of Thrones

  • #6
    George R.R. Martin
    “Desmond ushered the man inside. He was stooped and ugly, with an unkempt beard and unwashed clothes, yet Father greeted him pleasantly and asked his name.

    “Yoren, as it please m’lord. My pardons for the hour.” He bowed to Arya. “And this must be your son. He has your look.”

    “I’m a girl,” Arya said, exasperated. If the old man was down from the Wall, he must have come by way of Winterfell. “Do you know my brothers?” she asked excitedly. “Robb and Bran are at Winterfell, and Jon’s on the Wall. Jon Snow, he’s in the Night’s Watch too, you must know him, he has a direwolf, a white one with red eyes. Is Jon a ranger yet? I’m Arya Stark.” The old man in his smelly black clothes was looking at her oddly, but Arya could not seem to stop talking. “When you ride back to the Wall, would you bring Jon a letter if I wrote one?” She wished Jon were here right now. He’d believe her about the dungeons and the fat man with the forked beard and the wizard in the steel cap.”
    George R.R. Martin, A Game of Thrones

  • #7
    George R.R. Martin
    “The Red Keep was full of cats: lazy old cats dozing in the sun, cold-eyed mousers twitching their tails, quick little kittens with claws like needles, ladies’ cats all combed and trusting, ragged shadows prowling the midden heaps. One by one Arya had chased them down and snatched them up and brought them proudly to Syrio Forel … all but this one, this one-eared black devil of a tomcat. “That’s the real king of this castle right there,” one of the gold cloaks had told her. “Older than sin and twice as mean. One time, the king was feasting the queen’s father, and that black bastard hopped up on the table and snatched a roast quail right out of Lord Tywin’s fingers. Robert laughed so hard he like to burst. You stay away from that one, child.”

    He had run her halfway across the castle; twice around the Tower of the Hand, across the inner bailey, through the stables, down the serpentine steps, past the small kitchen and the pig yard and the barracks of the gold cloaks, along the base of the river wall and up more steps and back and forth over Traitor’s Walk, and then down again and through a gate and around a well and in and out of strange buildings until Arya didn’t know where she was.

    Now at last she had him. High walls pressed close on either side, and ahead was a blank windowless mass of stone. Quiet as a shadow, she repeated, sliding forward, light as a feather.

    When she was three steps away from him, the tomcat bolted. Left, then right, he went; and right, then left, went Arya, cutting off his escape. He hissed again and tried to dart between her legs. Quick as a snake, she thought.”
    George R.R. Martin, A Game of Thrones

  • #8
    George R.R. Martin
    “It's just a stupid sword," she said, aloud this time...
    ... but it wasn't.
    Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile.”
    George R.R. Martin, A Feast for Crows

  • #9
    George R.R. Martin
    “An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?"
    For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ."
    "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be."
    The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend.
    "Why did you say that?" Arya hopped to her feet, "You're not my brother."
    "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high."
    Arya was taken aback by the fury in his voice. "That's not the way I mean it."
    "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her."
    "But . . ."
    "I said, go away. M'lady."
    Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.”
    George R. R. Martin, A Storm of Swords

  • #10
    George R.R. Martin
    “She went to the window seat and sat there, sniffling, hating them all, and herself most of all. It was all her fault, everything bad that had happened.”
    George R.R. Martin, A Game of Thrones

  • #11
    Neil Gaiman
    “When you are seven, beauty is an abstraction, not an imperative.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #12
    Haruki Murakami
    “If you remember me, then I don't care if everyone else forgets.”
    Haruki Murakami, Kafka on the Shore

  • #13
    Haruki Murakami
    “Silence, I discover, is something you can actually hear.”
    Haruki Murakami, Kafka on the Shore

  • #14
    Haruki Murakami
    “Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.”
    Haruki Murakami, Kafka on the Shore

  • #15
    Haruki Murakami
    “But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #16
    Haruki Murakami
    “Spend your money on the things money can buy. Spend your time on the things money can’t buy.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #17
    Haruki Murakami
    “When you are used to the kind of life -of never getting anything you want- you stop knowing what it is you want.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #18
    Haruki Murakami
    “Somewhere, far, far away, there's a shitty island. An island without a name. An island not worth giving a name. A shitty island with a shitty shape. On this shitty island grow palm trees that also have shitty shapes. And the palm trees produce coconuts that give off a shitty smell. Shitty monkeys live in the trees, and they love to eat these shitty-smelling coconuts, after which they shit the world's foulest shit. The shit falls on the ground and builds up shitty mounds, making the shitty palm trees that grown on them even shittier. It's an endless cycle.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #19
    Anthony Burgess
    “Is it better for a man to have chosen evil than to have good imposed upon him?”
    Anthony Burgess, A Clockwork Orange

  • #20
    Anthony Burgess
    “We can destroy what we have written, but we cannot unwrite it.”
    Anthony Burgess, A Clockwork Orange

  • #21
    Anthony Burgess
    “The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.”
    Anthony Burgess, A Clockwork Orange

  • #22
    Anthony Burgess
    “But what I do I do because I like to do.”
    Anthony Burgess, A Clockwork Orange

  • #23
    Anthony Burgess
    “Oh it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.”
    Anthony Burgess, A Clockwork Orange

  • #24
    Anthony Burgess
    “It's funny how the colors of the real world only seem really real when you watch them on a screen.”
    anthony burgess, A Clockwork Orange

  • #25
    Elena Ferrante
    “Children don’t know the meaning of yesterday, of the day before yesterday, or even of tomorrow, everything is this, now: the street is this, the doorway is this, the stairs are this, this is Mamma, this is Papa, this is the day, this the night.”
    Elena Ferrante, My Brilliant Friend

  • #26
    Elena Ferrante
    “She took the facts and in a natural way charged them with tension; she intensified reality as she reduced it to words, she injected it with energy.”
    Elena Ferrante, My Brilliant Friend

  • #27
    Elena Ferrante
    “I feel no nostalgia for our childhood: it was full of violence. Every sort of thing happened, at home and outside, every day, but I don't recall having ever thought that the life we had there was particularly bad. Life was like that, that's all, we grew up with the duty to make it difficult for others before they made it difficult for us.”
    Elena Ferrante, My Brilliant Friend

  • #28
    Charlotte Perkins Gilman
    “Now why should that man have fainted? But he did,and right across my path by the wall, so that I had to creep over him every time!”
    Charlotte Perkins Gilman, The Yellow Wall-Paper

  • #29
    Charlotte Perkins Gilman
    “John laughs at me, of course, but one expects that in marriage.”
    Charlotte Perkins Gilman, The Yellow Wall-Paper

  • #30
    Charlotte Perkins Gilman
    “I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin.”
    Charlotte Perkins Gilman, The Yellow Wall-Paper



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