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The Yellow Wallpaper Quotes

Quotes tagged as "the-yellow-wallpaper" Showing 1-8 of 8
Charlotte Perkins Gilman
“Nobody would believe what an effort it is to do what little I am able, - to dress and entertain, and order things”
Charlotte Perkins Gilman, The Yellow Wall-Paper

Charlotte Perkins Gilman
“I am glad my case is not serious! But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him.”
Charlotte Perkins Gilman, The Yellow Wall-Paper

Charlotte Perkins Gilman
“John laughs at me, of course, but one expects that in marriage.”
Charlotte Perkins Gilman, The Yellow Wall-Paper

Lucy  Carter
“Yeah,” I agreed, “the author just immediately tries to write down as many emotions as possible. Initially, I thought that the method of writing was ineffective, but eventually, I realized how the structure potently manifested her passion for her own thoughts about mental illness and the restrictions of herself and the woman in the yellow wallpaper. First off, the experience-oriented writing was relevant to the conveyance of the author’s ideas, because since the writing was, well, about experiences, the issues the author was addressing appeared to be more based on the reality of society, not a hypothetical model of it, and the issues really were based on the reality of society, since some of the events in the book were actually based on events in the author’s life. Also, the spontaneity and honesty of the writing was an effective choice of the author. I observed that the narrator’s silence in the presence of her husband and her spontaneous and expressive writing were juxtaposed, which emphasized the restrictions the narrator was put in and also her progressive views on mental health and her ability to stay true to herself. Also, this way of writing exemplifies that the narrator had to hold in so much thought because of her restrictions. She wrote without hesitation! In other words, her spontaneous writing and the lack of thematic structure in her writing showed her ability to stay true to her own beliefs.”
Lucy Carter, The Reformation

Lucy  Carter
“However, there was one crucial difference between the narrator and myself: the narrator, as you mentioned, stayed true to her beliefs, even when no one would listen to them, and even though her husband did not approve of her writing, she still kept writing all her thoughts about that resting cure in her diary. On the other hand, I always thought I was hopeless, and although I was aware that my desires and my cousin’s and uncle’s desires are polar opposites, I never internally believed that my thoughts were well-justified, like you and the narrator have done. I even had an empty journal with me, and I was tempted to write down all my thoughts, but I felt so ashamed of my own beliefs that I could not write them down at all---another difference between me and the narrator. But now, you gave this lesson for the C.I.L. where the main character stayed true to herself and was unafraid of writing down her thoughts and experiences---she wrote spontaneously and unreluctantly, while I suffered from severe writer’s block.”
Lucy Carter, The Reformation

Suzanne Scanlon
“The Yellow Wallpaper" seemed to me now to be the story of what can happen when you listen to a doctor-when you buy into your "case-history construction." When you don't listen to yourself, when you place your trust and authority elsewhere. The narrator loses her mind completely, becomes the madwoman, the identity they've given her. The "rationale" for their treatment of her is now confirmed; she is sick, indeed. This is what can happen: You are seen as mad, you begin acting mad.”
Suzanne Scanlon, Committed: On Meaning and Madwomen

Charlotte Perkins Gilman
“Of course I never mention it to them anymore - I am too wise - but I keep watch of it all the same.

There are things in that paper that nobody knows but me, or ever will.

Behind that outside pattern the dim shapes get clearer every day.

It is always the same shape, only very numerous.

And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit.”
Charlotte Perkins Gilman, "The Yellow Wall-Paper" by Charlotte Perkins Gilman: A Dual-Text Critical Edition

Charlotte Perkins Gilman
“Of course I never mention it to them any more, - I am too wise, - but I keep watch of it all the same.

There are things in that paper that nobody knows but me, or ever will.”
Charlotte Perkins Gilman, "The Yellow Wall-Paper" by Charlotte Perkins Gilman: A Dual-Text Critical Edition