Miriam > Miriam's Quotes

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  • #1
    Anton Chekhov
    “Any idiot can face a crisis; it's this day-to-day living that wears you out.”
    Anton Chekhov

  • #2
    Seneca
    “Non est ad astra mollis e terris via" - "There is no easy way from the earth to the stars”
    Seneca

  • #3
    Henry James
    “Summer afternoon—summer afternoon; to me those have always been the two most beautiful words in the English language.”
    Henry James

  • #4
    Italo Calvino
    “A classic is a book that has never finished saying what it has to say.”
    Italo Calvino, The Uses of Literature

  • #5
    Henry James
    “I call people rich when they're able to meet the requirements of their imagination.”
    Henry James, The Portrait of a Lady

  • #6
    Italo Calvino
    “Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust.”
    Italo Calvino, If on a Winter’s Night a Traveler

  • #7
    Italo Calvino
    “What harbor can receive you more securely than a great library?”
    Italo Calvino, If on a Winter’s Night a Traveler

  • #8
    Italo Calvino
    “One reads alone, even in another's presence.”
    Italo Calvino, If on a Winter’s Night a Traveler

  • #9
    Italo Calvino
    “Memory's images, once they are fixed in words, are erased," Polo said. "Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little.”
    Italo Calvino, Invisible Cities

  • #10
    Italo Calvino
    “The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.”
    Italo Calvino

  • #11
    Joseph Brodsky
    “In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.”
    Joseph Brodsky

  • #12
    Paul Auster
    “Reading was my escape and my comfort, my consolation, my stimulant of choice: reading for the pure pleasure of it, for the beautiful stillness that surrounds you when you hear an author's words reverberating in your head.”
    Paul Auster, The Brooklyn Follies

  • #13
    Mahatma Gandhi
    “When I despair, I remember that all through history the way of truth and love have always won. There have been tyrants and murderers, and for a time, they can seem invincible, but in the end, they always fall. Think of it--always.”
    Mahatma Gandhi

  • #14
    William Shakespeare
    “If music be the food of love, play on;
    Give me excess of it, that, surfeiting,
    The appetite may sicken, and so die.
    That strain again! it had a dying fall:
    O, it came o'er my ear like the sweet sound,
    That breathes upon a bank of violets,
    Stealing and giving odour! Enough; no more:
    'Tis not so sweet now as it was before.
    O spirit of love! how quick and fresh art thou,
    That, notwithstanding thy capacity
    Receiveth as the sea, nought enters there,
    Of what validity and pitch soe'er,
    But falls into abatement and low price,
    Even in a minute: so full of shapes is fancy
    That it alone is high fantastical.”
    William Shakespeare, Twelfth Night

  • #15
    Kahlil Gibran
    “If you love somebody, let them go, for if they return, they were always yours. If they don't, they never were.”
    Kahlil Gibran

  • #16
    J.R.R. Tolkien
    “All that is gold does not glitter,
    Not all those who wander are lost;
    The old that is strong does not wither,
    Deep roots are not reached by the frost.

    From the ashes a fire shall be woken,
    A light from the shadows shall spring;
    Renewed shall be blade that was broken,
    The crownless again shall be king.”
    J.R.R. Tolkien, The Fellowship of the Ring

  • #17
    F. Scott Fitzgerald
    “That is part of the beauty of all literature. You discover that your longings are universal longings, that you're not lonely and isolated from anyone. You belong.”
    F. Scott Fitzgerald

  • #18
    Ludwig Wittgenstein
    “The limits of my language means the limits of my world.”
    Ludwig Wittgenstein

  • #19
    Groucho Marx
    “Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.”
    Groucho Marx, The Essential Groucho: Writings For By And About Groucho Marx

  • #20
    Italo Calvino
    “Renouncing things is less difficult than people believe: it's all a matter of getting started. Once you've succeeded in dispensing with something you thought essential, you realize you can also do without something else, then without many other things.”
    Italo Calvino, If on a Winter’s Night a Traveler

  • #21
    William Faulkner
    “Here I am I am tired I am tired of running of having to carry my life like it was a basket of eggs”
    William Faulkner, Light in August

  • #22
    Thomas Mann
    “Tolerance becomes a crime when applied to evil.”
    Thomas Mann, The Magic Mountain

  • #23
    Thomas Mann
    “There are so many different kinds of stupidity, and cleverness is one of the worst.”
    Thomas Mann, The Magic Mountain

  • #24
    Giorgio Bassani
    “Papà," domandò ancora Giannina, "perché le tombe antiche fanno meno malinconia di quelle più nuove?".
    Una brigata più numerosa delle altre, che occupava buona parte della carrozzabile, e cantava in coro senza darsi pensiero di cedere il passo, aveva costretto l'automobile quasi a fermarsi. L'interpellato ingranò la seconda.
    "Si capisce," rispose. "I morti da poco sono più vicini a noi, e appunto per questo gli vogliamo più bene. Gli etruschi, vedi, è tanto tempo che sono morti" - e di nuovo stava raccontando una favola -, "che é come se non siano mai vissuti, come se siano sempre stati morti.”
    Giorgio Bassani, Garden of the Finzi Continis

  • #25
    George Eliot
    “I am not imposed upon by fine words; I can see what actions mean.”
    George Eliot, The Mill on the Floss

  • #26
    George Eliot
    “What do we live for, if it is not to make life less difficult for each other?”
    George Eliot

  • #27
    George Eliot
    “It is never too late to be what you might have been.”
    George Eliot

  • #28
    Joseph Brodsky
    “Local fog in Venice has a name: nebbia. It obliterates all reflections ... and everything that has a shape: buildings, people, colonnades, bridges, statues. Boat services are canceled, airplanes neither arrive, nor take off for weeks, stores are closed and mail ceases to litter one’s threshold. The effect is as though some raw hand had turned all those enfilades inside out and wrapped the lining around the city... the fog is thick, blinding, and immobile... this is a time for reading, for burning electricity all day long, for going easy on self-deprecating thoughts of coffee, for listening to the BBC World Service, for going to bed early. In short, a time for self-oblivion, induced by a city that has ceased to be seen. Unwittingly, you take your cue from it, especially if, like it, you’ve got company. Having failed to be born here, you at least can take some pride in sharing its invisibility...”
    Joseph Brodsky, Watermark

  • #29
    Joseph Brodsky
    “The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.”
    Joseph Brodsky, Watermark

  • #30
    Henry James
    “Obstacles are those frightening things you see when you take you eyes off your goal.”
    Henry James



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