Gianluca Cameron > Gianluca's Quotes

“The believer will fight another believer over a shade of difference; the doubter fights only with himself.”
― Graham Greene, Monsignor Quixote

“...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.”
― Bret Easton Ellis, American Psycho

“I had all the characteristics of a human being—flesh, blood, skin, hair—but my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning”
― Bret Easton Ellis, American Psycho

“My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.”
― Alan Moore

“I never cared so much about making perfect sense. I wanted to make perfect nonsense. I wanted to tell jokes, but I didn't give a fuck about the punchline. ”
― Harmony Korine

“After 100 years, films should be getting really complicated. The novel has been reborn about 400 times, but it's like cinema is stuck in the birth canal.”
― Harmony Korine

“The first time I hung out with [David Blaine], he took me to this condemned building, and it had a pizza oven and he crawled into the pizza oven and turned the heat on to 400 degrees or something like that, and he stayed in it for I guess a half hour. He came out, and except for one or two second-degree burns, he was unscathed. You meet a lot of musicians and filmmakers and actors, but it's rare to meet someone who can step inside a pizza oven and take the heat. I was intrigued by that.”
― Harmony Korine

“I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“Being rich is not about how much money you have or how many homes you own; it's the freedom to buy any book you want without looking at the price and wondering if you can afford it.”
― John Waters, Role Models

“Every miserable fool who has nothing at all of which he can be proud, adopts as a last resource pride in the nation to which he belongs; he is ready and happy to defend all its faults and follies tooth and nail, thus reimbursing himself for his own inferiority.”
― Arthur Schopenhauer, Essays and Aphorisms

“Happiness consists in getting enough sleep. Just that, nothing more.”
― Robert A. Heinlein, Starship Troopers

“Love is that condition in which the happiness of another person is essential to your own.”
― Robert A. Heinlein, Stranger in a Strange Land

“We are what we pretend to be, so we must be careful about what we pretend to be.”
― Kurt Vonnegut, Mother Night

“To my mind, a well-developed sense of humor is the surest indication of a person's humanity, no matter how black and bitter that humor may be.”
― Thomas Ligotti

“This is the great lesson the depressive learns: Nothing in the world is inherently compelling. Whatever may be really “out there” cannot project itself as an affective experience. It is all a vacuous affair with only a chemical prestige. Nothing is either good or bad, desirable or undesirable, or anything else except that it is made so by laboratories inside us producing the emotions on which we live. And to live on our emotions is to live arbitrarily, inaccurately—imparting meaning to what has none of its own. Yet what other way is there to live? Without the ever-clanking machinery of emotion, everything would come to a standstill. There would be nothing to do, nowhere to go, nothing to be, and no one to know. The alternatives are clear: to live falsely as pawns of affect, or to live factually as depressives, or as individuals who know what is known to the depressive. How advantageous that we are not coerced into choosing one or the other, neither choice being excellent. One look at human existence is proof enough that our species will not be released from the stranglehold of emotionalism that anchors it to hallucinations. That may be no way to live, but to opt for depression would be to opt out of existence as we consciously know it.”
― Thomas Ligotti, The Conspiracy Against the Human Race

“For the rest of the earth’s organisms, existence is relatively uncomplicated. Their lives are about three things: survival, reproduction, death—and nothing else. But we know too much to content ourselves with surviving, reproducing, dying—and nothing else. We know we are alive and know we will die. We also know we will suffer during our lives before suffering—slowly or quickly—as we draw near to death. This is the knowledge we “enjoy” as the most intelligent organisms to gush from the womb of nature. And being so, we feel shortchanged if there is nothing else for us than to survive, reproduce, and die. We want there to be more to it than that, or to think there is. This is the tragedy: Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are—hunks of spoiling flesh on disintegrating bones.”
― Thomas Ligotti, The Conspiracy Against the Human Race

“God knows I'm not perfect, either. I've made tons of stupid mistakes, and later I regretted them. And I've done it over and over again, thousands of times; a cycle of hollow joy and vicious self-hatred. But even so, every time I learned something about myself
-Misato Katsuragi”
― Hideaki Anno, Groundwork of Evangelion Vol.1

“This is roughly the worldview for Neon Genesis Evangelion. This is a worldview drenched in a vision of pessimism. A worldview where the story starts only after any traces of optimism have been removed.
[...]
They say, "To live is to change." I started this production with the wish that once the production complete, the world, and the heroes would change. That was my "true" desire. I tried to include everything of myself in Neon Genesis Evangelion-myself, a broken man who could do nothing for four years. A man who ran away for four years, one who was simply not dead. Then one thought. "You can't run away," came to me, and I restarted this production. It is a production where my only thought was to burn my feelings into film. I know my behavior was thoughtless, troublesome, and arrogant. But I tried. I don't know what the result will be. That is because within me, the story is not yet finished. I don't know what will happen to Shinji, Misato or Rei. I don't know where life will take them. Because I don't know where life is taking the staff of the production. I feel that I am being irresponsible. But... But it's only natural that we should synchronize ourselves with the world within the production. I've taken on a risk: "It's just an imitation." And for now I can only write this explanation. But perhaps our "original" lies somewhere within there.”
― Hideaki Anno

“I'll lock my heart away deeper ..
if I do that ..
I won't have to feel pain outside or inside .. or the fear
I won't have to feel anything at all !”
― Yoshiyuki Sadamoto, Neon Genesis Evangelion: 3-in-1 Edition, Vol. 1

“The only obsession everyone wants: 'love.' People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you're whole before you begin. And the love fractures you. You're whole, and then you're cracked open. ”
― Philip Roth, The Dying Animal

“Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise.”
― Philip Roth

“I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare.”
― Ned Vizzini, It's Kind of a Funny Story

“Your head's like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune's all we are.”
― Grant Morrison, The Invisibles, Volume 1: Say You Want a Revolution

“A hobo walks by in a suit made of today's newspaper. A guy chases him, shouting. "Wait! I haven't read the business section yet!"
Oh, the economic news. The most honest, trustworthy, freshest goods you can get—apart from ripe fish. With its gorgeous headlines it shakes out the mirror’s lost reflections: The fountains are lobbying for more water in this pyromaniac city. Buses with electric chairs are running through the streets. Passengers ask for tickets to Heaven, then take their seats. Eyeballs jump out of their smoking skulls. "No littering in the vehicle!" growls the driver, adjusting the hat on his horns.”
― Zoltán Komor, Flamingos in the Ashtray: 25 Bizarro Short Stories

“Life's single lesson: that there is more accident to it than a man can ever admit to in a lifetime and stay sane.”
― Thomas Pynchon, V.

“Why should things be easy to understand?”
― Thomas Pynchon

“She whipped her tentacles away from his fingers decapitating the dead lobster-dog and its body fell from the ceiling fan.”
― Athena Villaverde

“Painting reflects. It kills you in a colourful shower of emptiness. Flatness. Randomness. And beauty. Yes, it is the most pure beauty I have ever felt in my life.”
― Nigel Tomm

“Space echoes like an immense tomb, yet the stars still burn. Why does the sun take so long to die ?”
― Nick Land, The Thirst for Annihilation: Georges Bataille and Virulent Nihilism

“Whenever its name has been anything but a jest, philosophy has been haunted by a subterranean question: What if knowledge were a means to deepen unknowing?”
― Nick Land, Fanged Noumena: Collected Writings, 1987–2007