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  • #1
    Joyce Carol Oates
    “-So you don't believe we have souls I guess?" and Legs laughed and said, "Yeah probably we do but why's that mean we're gonna last forever? Like a flame is real enough, isn't it, while it's burning?-even if there's a time it goes out?”
    Joyce Carol Oates, Foxfire: Confessions of a Girl Gang

  • #2
    Harper Lee
    “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
    Harper Lee, To Kill a Mockingbird

  • #3
    “DUM-de, went my trochaic heart.”
    Bethan Roberts, My Policeman

  • #4
    James Baldwin
    “We stared at each other across a narrow space that was full of danger, that almost seemed to roar, like flame.

    ‘Come,’ he said.”
    James Baldwin, Giovanni’s Room

  • #5
    Hanya Yanagihara
    “Who am I? Who am I?”
    “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.”

    "And who are you?"
    "I'm Willem Ragnarsson. And I will never let you go.”
    Hanya Yanagihara, A Little Life

  • #6
    “I laughed. ‘For a policeman, you’re very romantic.’
    ‘For an artist, you’re very afraid,’ he said.”
    Bethan Roberts, My Policeman

  • #7
    “En död poet skriver inte mer. Därför är det viktigt att hålla sig vid liv.”
    Michel Houllebecq

  • #8
    Allen Ginsberg
    “Democracy! Bah! When I hear that I reach for my feather boa!”
    Allen Ginsberg

  • #9
    Charles Bukowski
    “my beerdrunk soul is sadder than all the dead christmas trees of the world.”
    Charles Bukowski

  • #10
    James Baldwin
    “Perhaps home is not a place but simply an irrevocable condition.”
    James Baldwin, Giovanni’s Room

  • #11
    Tage Danielsson
    “Alla –ismer där vi stannat
    är sekunda, inte störst.
    Freden måste komma först.
    Gör den inte det, min vän,
    kommer inget efter den.”
    Tage Danielsson

  • #12
    James Baldwin
    “...for nothing is more unbearable, once one has it, than freedom.”
    James Baldwin, Giovanni’s Room

  • #13
    James Baldwin
    “Nobody can stay in the garden of Eden," Jacques said. And then: "I wonder why.”
    James Baldwin, Giovanni’s Room

  • #14
    Hanya Yanagihara
    “Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?”
    And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs.
    “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen.
    “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way.
    “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it.
    “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again.
    “You were treated horribly. You came out on the other end. You were always you.”
    Hanya Yanagihara, A Little Life

  • #15
    Ocean Vuong
    “The one good thing about national anthems is that we’re already on our feet, and therefore ready to run.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #16
    Ocean Vuong
    “All freedom is relative—you know too well—and sometimes it’s no freedom at all, but simply the cage widening far away from you, the bars abstracted with distance but still there, as when they “free” wild animals into nature preserves only to contain them yet again by larger borders. But I took it anyway, that widening. Because sometimes not seeing the bars is enough”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #17
    Werner Aspenström
    “Förnuftets näsduk torkar inte känslans gråt.”
    Verner Aspenström

  • #18
    J.R.R. Tolkien
    “Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot."
    'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"'
    'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.'
    'So was I,' said Frodo, 'and so I am.”
    J.R.R. Tolkien, The Two Towers

  • #19
    André Aciman
    “Perhaps, says the genius, music doesn't change us that much, nor does great art change us. Instead, it reminds us of who, despite all our claims or denials, we've always known we were and are destined to remain. It reminds us of the mileposts we've buried and hidden and then lost, of the people and things that mattered despite our lies, despite the years. Music is no more than the sound of our regrets put to a cadence that stirs the illusion of pleasure and hope. It's the surest reminder that we're here for a very short while and that we've neglected or cheated or, worse yet, failed to live our lives. Music is the unlived life. You've lived the wrong life, my friend, and almost defaced the one you were given to live.”
    André Aciman, Find Me

  • #20
    Gwendolyn Brooks
    “What, what am I to do with all of this life?”
    Gwendolyn Brooks, Maud Martha

  • #21
    Gwendolyn Brooks
    “Tragedy.
    She considered that word. On the whole, she felt, life was more comedy than tragedy. Nearly everything that happened had its comic element, not too well buried, either. Sooner or later one could find something to laugh at in almost every situation. That was what, in the last analysis, could keep folks from going mad. The truth was, if you got a good Tragedy out of a lifetime, one good, ripping tragedy, thorough, unridiculous, bottom-scraping, not the issue of human stupidity, you were doing, she thought, very well, you were doing very well.”
    Gwendolyn Brooks, Maud Martha

  • #22
    Heraclitus
    “Many who have learned
    from Hesiod the countless names
    of gods and monsters
    never understand
    that night and day are one”
    Heraclitus, Fragments

  • #23
    Heraclitus
    “No man ever steps in the same river twice, for it's not the same river, and it's not the same man.”
    Heraclitus

  • #24
    Epicurus
    “Is God willing to prevent evil, but not able? Then he is not omnipotent.
    Is he able, but not willing? Then he is malevolent.
    Is he both able and willing? Then whence cometh evil?
    Is he neither able nor willing? Then why call him God?”
    Epicurus

  • #25
    Mikhail Bulgakov
    “But would you kindly ponder this question: What would your good do if
    evil didn't exist, and what would the earth look like if all the shadows
    disappeared? After all, shadows are cast by things and people. Here is the
    shadow of my sword. But shadows also come from trees and living beings.
    Do you want to strip the earth of all trees and living things just because
    of your fantasy of enjoying naked light? You're stupid.”
    Mikhail Bulgakov, The Master and Margarita

  • #26
    Friedrich Nietzsche
    “I'm not upset that you lied to me, I'm upset that from now on I can't believe you.”
    Friedrich Nietzsche

  • #27
    Friedrich Nietzsche
    “There is always some madness in love. But there is also always some reason in madness.”
    Friedrich Nietzsche

  • #28
    Kate DiCamillo
    “There are those hearts, reader, that never mend again once they are broken. Or if they do mend, they heal themselves in a crooked and lopsided way, as if sewn together by a careless craftsman. Such was the fate of Chiaroscuro. His heart was broken. Picking up the spoon and placing it on his head, speaking of revenge, these things helped him to put his heart together again. But it was, alas, put together wrong.”
    Kate DiCamillo, The Tale of Despereaux

  • #29
    T.S. Eliot
    “I have heard the key
    Turn in the door once and turn once only
    We think of the key, each in his prison
    Thinking of the key, each confirms a prison”
    T.S. Eliot, The Waste Land

  • #30
    Erin Morgenstern
    “I am tired of trying to hold things together that cannot be held. Trying to control what cannot be controlled. I am tired of denying myself what I want for fear of breaking things I cannot fix. They will break no matter what we do.”
    Erin Morgenstern, The Night Circus



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