Martha > Martha's Quotes

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  • #1
    Wendell Berry
    “...And we pray, not for new
    earth or heaven, but to be quiet
    in heart, and in eye clear.
    What we need is here.”
    Wendell Berry

  • #2
    Wendell Berry
    “There are, it seems, two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say "It is yet more difficult than you thought." This is the muse of form. It may be then that form serves us best when it works as an obstruction, to baffle us and deflect our intended course. It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.”
    Wendell Berry

  • #3
    Wendell Berry
    “Let us have the candor to acknowledge that what we call "the economy" or "the free market" is less and less distinguishable from warfare.”
    Wendell Berry

  • #4
    Wendell Berry
    “Better than any argument is to rise at dawn and pick dew-wet red berries in a cup.”
    Wendell Berry

  • #5
    Wendell Berry
    “There are no unsacred places; there are only sacred places and desecrated places.”
    Wendell Berry, Given

  • #6
    Toni Morrison
    “I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.”
    Toni Morrison

  • #7
    Toni Morrison
    “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.”
    Toni Morrison

  • #8
    Toni Morrison
    “It was a fine cry - loud and long - but it had no bottom and it had no top, just circles and circles of sorrow.”
    Toni Morrison, Sula

  • #9
    Toni Morrison
    “All water has a perfect memory and is forever trying to get back to where it was.”
    Toni Morrison

  • #10
    Marilynne Robinson
    “You never bother me, Glory. It's remarkable how much you don't bother me. Almost unprecedented.”
    Marilynne Robinson, Home

  • #11
    Marilynne Robinson
    “There's so much to be grateful for, words are poor things.”
    Marilynne Robinson, Home

  • #12
    Marilynne Robinson
    “I have spent years of my life lovingly absorbed in the thoughts and perceptions of . . . people who do not exist.”
    Marilynne Robinson

  • #13
    Marilynne Robinson
    “The locus of the human mystery is perception of this world. From it proceeds every thought, every art.”
    Marilynne Robinson

  • #14
    David Foster Wallace
    “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #15
    David Foster Wallace
    “Fiction is one of the few experiences where loneliness can be both confronted and relieved. Drugs, movies where stuff blows up, loud parties -- all these chase away loneliness by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion -- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.”
    David Foster Wallace

  • #16
    David Foster Wallace
    “If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

    Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

    We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.

    You burn with hunger for food that does not exist.

    A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.”
    David Foster Wallace

  • #17
    David Foster Wallace
    “...in real life I always seem to have a hard time winding up a conversation or asking somebody to leave, and sometimes the moment becomes so delicate and fraught with social complexity that I'll get overwhelmed trying to sort out all the different possible ways of saying it and all the different implications of each option and will just sort of blank out and do it totally straight -- 'I want to terminate the conversation and not have you be in my apartment anymore' -- which evidently makes me look either as if I'm very rude and abrupt or as if I'm semi-autistic and have no sense of how to wind up a conversation gracefully...I've actually lost friends this way.”
    David Foster Wallace, Consider the Lobster and Other Essays

  • #18
    David Foster Wallace
    “The next suitable person you’re in light conversation with, you stop suddenly in the middle of the conversation and look at the person closely and say, “What’s wrong?” You say it in a concerned way. He’ll say, “What do you mean?” You say, “Something’s wrong. I can tell. What is it?” And he’ll look stunned and say, “How did you know?” He doesn’t realize something’s always wrong, with everybody. Often more than one thing. He doesn’t know everybody’s always going around all the time with something wrong and believing they’re exerting great willpower and control to keep other people, for whom they think nothing’s ever wrong, from seeing it.”
    David Foster Wallace, The Pale King

  • #19
    Natasha Trethewey
    “You can get there from here, though there's no going home.
    Everywhere you go will be somewhere you've never been.

    "Theories of Time and Space”
    Natasha Trethewey

  • #20
    John Updike
    “We do survive every moment, after all, except the last one.”
    John Updike

  • #21
    John Updike
    “How can you respect the world when you see it's being run by a bunch of kids turned old?”
    John Updike, Rabbit Is Rich

  • #22
    Annie Dillard
    “There is always the temptation in life to diddle around making itsy-bitsy friends and meals and journeys for years on end. It is all so self conscience, so apparently moral...But I won't have it. The world is wilder than that in all directions, more dangerous...more extravagant and bright. We are...raising tomatoes when we should be raising Cain, or Lazarus.”
    Annie Dillard

  • #23
    Annie Dillard
    “I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.”
    Annie Dillard, Pilgrim at Tinker Creek

  • #24
    Annie Dillard
    “The secret is not to write about what you love best, but about what you, alone, love at all.”
    Annie Dillard

  • #25
    Barry Hannah
    “The point is to strip down, get protestant, then even more naked. Walk over scorched bricks to find your own soul. Your heart a searching dog in the rubble.”
    Barry Hannah

  • #26
    Barry Hannah
    “Where is the angry machine of all of us? Why is God such a blurred magician? Why are you begging for your life if you believe those things? Prove to me that you’re better than the rabbits we ate last night.”
    Barry Hannah

  • #27
    Wendell Berry
    “Rats and roaches live by competition under the laws of supply and demand; it is the privilege of human beings to live under the laws of justice and mercy.”
    Wendell Berry

  • #28
    Wendell Berry
    “Do unto those downstream as you would have those upstream do unto you.”
    Wendell Berry

  • #29
    Wendell Berry
    “Especially among Christians in positions of wealth and power, the idea of reading the Gospels and keeping Jesus' commandments as stated therein has been replaced by a curious process of logic. According to this process, people first declare themselves to be followers of Christ, and then they assume that whatever they say or do merits the adjective "Christian".”
    Wendell Berry, Blessed are the Peacemakers: Christ's Teachings of Love, Compassion, and Forgiveness

  • #30
    Wendell Berry
    “You have been given questions to which you cannot be given answers. You will have to live them out - perhaps a little at a time.'
    And how long is that going to take?'
    I don't know. As long as you live, perhaps.'
    That could be a long time.'
    I will tell you a further mystery,' he said. 'It may take longer.”
    Wendell Berry, Jayber Crow



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