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The Poetics of Space
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All Over But the ...
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To Begin Where I ...
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Elif Batuman
“Moreover, my policy at the time was that, when confronted by two courses of action, one should always choose the less conservative and more generous. I thought this was tantamount to a moral obligation for anyone who had any advantages at all, and especially for anyone who wanted to be a writer.”
― Elif Batuman, The Idiot

Elif Batuman
“At the same time, it seemed certain to me that someday I would really want to hear his voice and wouldn't be able to, and I would think back to the time that he had invited me to call him, and it would seem as incomprehensible as an invitation to speak to the dead.”
― Elif Batuman, The Idiot

Janisse Ray
“My homeland is about as ugly as a place gets. There's nothing in south Georgia, people will tell you, except straight, lonely roads, one-horse towns, sprawling farms, and tracts of planted pines. It’s flat, monotonous, used-up, hotter than hell in summer and cold enough in winter that orange trees won’t grow. No mountains, no canyons, no rocky streams, no waterfalls. The rivers are muddy, wide and flat, like somebody’s feet. The coastal plain lacks the stark grace of the desert or the umber panache of the pampas”
― Janisse Ray, Ecology of a Cracker Childhood

Ta-Nehisi Coates
“Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this.”
― Ta-Nehisi Coates, Between the World and Me

Sally Mann
“To identify a person as a Southerner suggests not only that her history is inescapable and formative but that it is also impossibly present. Southerners live uneasily at the nexus between myth and reality, watching the mishmash amalgam of sorrow, humility, honor, graciousness, and renegade defiance play out against a backdrop of profligate physical beauty.”
― Sally Mann, Deep South

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