Tom Pieper > Tom's Quotes

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  • #1
    Gabriel F.W. Koch
    “It was as if we played chess after denying me both bishops and knights.”
    Gabriel F.W. Koch, Death Leaves a Shadow

  • #2
    Barry Kirwan
    “Beef had hit $300 a kilo. Not that he could recall the last time he’d tasted real beef.”
    Barry Kirwan, The Eden Paradox

  • #3
    “The enemy has setups, but we have God’s Word and His promises and principles to fight the good fight of faith.”
    John Ramirez, Conquer Your Deliverance: How to Live a Life of Total Freedom

  • #4
    Tracy Kidder
    “To understand Russia, to understand Cuba, the Dominican Republic, Boston, identity politics, Sri Lanka, and Life Savers, you have to be on top of this hill,” he announced in a light tone as we studied the view together. But there was a serious point to his words. The sight of the drowned farmland, the result of a dam that had made his patients some of the poorest on this earth, was Farmer’s lens on the world. Look through it and you could see the billions of impoverished people in the world, and the many linked causes of their misery. I looked at him. He seemed to think I knew exactly what he meant, and I realized, with some irritation, that I didn’t dare say anything just then, for fear of disappointing him.”
    Tracy Kidder, Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World

  • #5
    Voltaire
    “The man who leaves money to charity in his will is only giving away what no longer belongs to him”
    Voltaire

  • #6
    “The man who has never desired or experienced anything base and bad is not a man of restraint, because he has never had to master anything to compose himself.”
    Robin Waterfield, The First Philosophers: The Presocratics and Sophists

  • #7
    Bram Stoker
    “Is it possible that love is all subjective, or all objective?”
    Bram Stoker, Dracula

  • #8
    V.C. Andrews
    “No habiamos dicho ya un millon de oraciones, siempre en espera de una liberacion que no llegaba nunca? Y si las lagrimas no servian de nada y las oraciones no las oia nadie, como ibamos a llegar hasta Dios para obligarle a que hiciera algo?”
    V.C. Andrews, Flowers in the Attic

  • #9
    Jojo Moyes
    “There are things you don’t notice until you accompany someone with a wheelchair. One is how rubbish most pavements are, pockmarked with badly patched holes, or just plain uneven. Walking slowly next to Will as he wheeled himself along, I noticed how every uneven slab caused him to jolt painfully, or how often he had to steer carefully round some potential obstacle. Nathan pretended not to notice, but I saw him watching too. Will just looked grim-faced and resolute. The other thing is how inconsiderate most drivers are. They park up against the cutouts on the pavement, or so close together that there is no way for a wheelchair to actually cross the road. I was shocked, a couple of times even tempted to leave some rude note tucked into a windscreen wiper, but Nathan and Will seemed used to it. Nathan pointed out a suitable crossing place and, each of us flanking Will, we finally crossed.”
    Jojo Moyes, Me Before You

  • #10
    William L. Shirer
    “In Berlin, Stauffenberg and his confederates had at last perfected their plans. They were lumped under the code name “Valkyrie”—an appropriate term, since the Valkyrie were the maidens in Norse-German mythology, beautiful but terrifying, who were supposed to have hovered over the ancient battlefields choosing those who would be slain. In this case, Adolf Hitler was to be slain. Ironically enough, Admiral Canaris, before his fall, had sold the Fuehrer the idea of Valkyrie, dressing it up as a plan for the Home Army to take over the security of Berlin and the other large cities in case of a revolt of the millions of foreign laborers toiling in these centers. Such a revolt was highly unlikely—indeed, impossible—since the foreign workers were unarmed and unorganized, but to the suspicious Fuehrer danger lurked everywhere these days, and, with almost all the able-bodied soldiers absent from the homeland either at the front or keeping down the populace in the far-flung occupied areas, he readily fell in with the idea that the Home Army ought to have plans for protecting the internal security of the Reich against the hordes of sullen slave laborers.”
    William L. Shirer, The Rise and Fall of the Third Reich: A History of Nazi Germany

  • #11
    Arthur Conan Doyle
    “When once your point of view is changed, the very thing which was so damning becomes a clue to the truth.”
    Arthur Conan Doyle, The Case-Book of Sherlock Holmes
    tags: logic

  • #12
    Yann Martel
    “science can only take you so far and then you have to leap”
    Yann Martel, Life of Pi

  • #13
    Donna Tartt
    “I blinked at her. My shades were down and the hall was dark and to me, half-drugged and reeling, she seemed not at all her bright unattainable self but rather a hazy and ineffably tender apparition, all slender wrists and shadows and disordered hair, the Camilla who resided, dim and lovely, in the gloomy boudoir of my dreams.”
    Donna Tartt, The Secret History

  • #14
    Hubert Selby Jr.
    “(mistaking in his dull, never to be matured mind, her loneliness for respect of his strength and virility)”
    Hubert Selby Jr., Last Exit to Brooklyn

  • #15
    Chaim Potok
    “In Russia I went to a great yeshiva, and in America I work in a carnival.”
    Chaim Potok

  • #16
    Albert Camus
    “I hadn't understood how days could be both long and short at the same time: long to live through, maybe, but so drawn out that they ended up flowing into one another. They lost their names. Only 'yesterday' and 'tomorrow' still had any meaning for me.”
    Albert Camus

  • #17
    Jung Chang
    “I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing.

    Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure.

    I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode.

    I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same?

    Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.”
    Jung Chang, Wild Swans: Three Daughters of China

  • #18
    Władysław Szpilman
    “The workers went along with the Nazis, the Church stood by and watched, the middle classes were too cowardly to do anything, and so were the leading intellectuals. We allowed the unions to be abolished, the various religious denominations to be suppressed, there was no freedom of speech in the press or on the radio. Finally we let ourselves be driven into war. We were content for Germany to do without democratic representation and put up with pseudo-representation by people with no real say in anything. Ideals can’t be betrayed with impunity, and now we must all take the consequences.”
    Władysław Szpilman, The Pianist: The Extraordinary Story of One Man's Survival in Warsaw, 1939-45

  • #19
    Julio Cortázar
    “In quoting others, we cite ourselves.”
    Julio Cortázar, Around the Day in Eighty Worlds

  • #20
    Trevor Alan Foris
    “... but it didn’t change the fact that the conscious mind remained the same for a Regen and you just couldn’t go through several lifetimes and retain the innocence of youth; some things you just could not unsee, unfeel or undo.”
    Trevor Alan Foris, The Octunnumi Fosbit Files Prologue

  • #21
    Pat Frank
    “none of this talk. A week or so later, thinking about Mark’s words, Randy had decided to go into”
    Pat Frank, Alas, Babylon

  • #22
    Tim O'Brien
    “Продумывая детали, Уэйд неожиданно проникся новым, угрюмым сочувствием к отцу. Вот, значит, как оно было. Ходишь, делаешь свои дела. Несешь эту ношу, замуровываешь себя в молчание, прячешь адскую правду от всех остальных и большую часть времени от себя тоже. Никакой театральности. Гребешь снег, околачиваешься в политике или торгуешь в ювелирном магазине; периодически ищешь забвения», предаешь настоящее каждым вдохом из пузыря с прогнившим прошлым. А потом в один прекрасный день обнаруживаешь бельевую веревку. Изумляешься. Подтаскиваешь мусорный бак, влезаешь и подцепляешь себя к вечности, словно включаешься в электрическую сеть. Ни записок, ни схем – никаких объяснений. В чем искусство и состоит – искусство отца, искусство Кэти: величественный переход в область чистой, всеобъемлющей Тайны. Не надо путать, подумал он, абсолютное зло с несчастливым детством. Узнать – значит разочароваться. Понять – значит быть преданным. Все жалкие «как» и «почему», все низменные мотивы, все абсцессы души, все отвратительные мелкие уродства личности и истории – не более чем реквизит, который ты прячешь до самого конца Пусть публика завывает во тьме, потрясает кулаками, пусть одни кричат – Как? , другие – Почему?”
    Tim O'Brien, In the Lake of the Woods

  • #23
    E.L. Konigsburg
    “Talk was like the vitamins of our friendship: Large daily doses kept it healthy.”
    E.L. Konigsburg, Silent to the Bone

  • #24
    Azar Nafisi
    “Chi sa ballare alla persiana?” domando. Tutte si voltano a guardare Sanaz. Lei si schermisce, fa di no con la tessta. Cominciamo ad insistere, a incoraggiarla, formiamo un cerchio intorno a lei. Quando inizia a ballare, piuttosto a disagio, battiamo le mani e ci mettiamo a canticchiare. Nassrin ci chiede di fare più piano. Sanaz riprende, quasi vergognandosi, a piccoli passi, muovendo il bacino con grazia sensuale. Continuiamo a ridere e a scherzare, e lei si fa più ardita; muove la testa a destra e sinistra, e ogni parte del suo corpo vibra; balla anche con le dita e le mani. Sul suo volto compare un'espressione particolare, spavalda, ammicante, che attrae, cattura, e al tempo stesso sfugge e si nasconde. Appena smette di ballare, tuttavia, il suo potere svanisce.
    Esistono varie forme di seduzione, ma quella che emana dalle danze tradizionali persiane è unica, una miscela di impudenza e sottigliezza di cui non mi pare esistano eguali nel mondo occidentale. Ho visto donne di ogni estrazione sociale assumere lo stesso sguardo di Sanaz, sornione, seducente e l'ho ritrovato anni dopo sul viso di Leyly, una mia amica molto sofisticata che aveva studiato in Francia, vedendola ballare al ritmo di una musica piena di parole come naz e eshveh e kereshmeh, che potremmo tradurre con “malizia”, “provocazione”, “civetteria”, senza però riuscire a rendere l'idea.
    QUesto tipo di seduzione è al tempo stesso elusiva, vigorosa e tangibile. Il corpo si contorce, ruota su se stesso, si annoda e si snoda. Le mani si aprono e si chiudono, i fianchi sembrano avvitarsi e poi sciogliersi. Ed è tutto calcolato: ogni passo ha il suo effetto, e così il successivo. È un ballo che seduce in un modo che Daisy Miller non si sognava neanche. È sfacciato, ma tutt'altro che arrendevole. Ed è tutto nei gesti di Sanaz. La veste nera e il velo - che ne incorniciano il volto scavato, gli occhi grandi e il corpo snello e fragile - conferiscono uno strano fascino ai suoi movimenti. Con ogni mossa, Sanaz sembra liberarsene: la vesta diventa sempre più leggera, e aggiunge mistero all'enigma della danza.”
    Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books

  • #25
    Hilary Mantel
    “The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines.”
    Hilary Mantel, Giving Up the Ghost

  • #26
    Neil Gaiman
    “Not only are there no happy endings,' she told him, 'there aren't even any endings.”
    Neil Gaiman, American Gods

  • #27
    Lotchie Burton
    “You arrogant, insufferable asshole; you scared me to death. If I hadn’t been so afraid that you were already dead, I’d have killed you myself.”
    Lotchie Burton, Gabriel's Fire

  • #28
    Rebecca Harlem
    “We don’t know yet if this girl is going to have sex tonight or not?”
                       “She will for sure. I can smell the desire. And it is getting stronger as the time is passing.”
    Rebecca Harlem, The Pink Cadillac

  • #29
    “It is working for God, not a boss. Maybe you will get a raise in consciousness.”
    Tom Hillman, Digging for God

  • #30
    Max Nowaz
    “You can’t escape me, I’m coming for you soon,” shrieked his hellish voice. Whether the beast was a man in a mask or a demon of his imagination, made little difference to Adam, He was petrified.”
    Max Nowaz, The Three Witches and the Master



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