Kelly > Kelly's Quotes

“Love is a striking example of how little reality means to us.”
― Marcel Proust, In Search of Lost Time

“Be kind, aim for my heart.”
― Alexandre Dumas, The Three Musketeers

“Was that what was so painful: that nobody had ever come so close to me- nobody had ever seen me, and come right up to me, and kept going, and looked into my eyes so seriously, with so little fear?”
― Elif Batuman, Either/Or

“There was something abstract and gentle about the experience of being ignored—a feeling of being spared, a known impossibility of anything happening—that was consonant with my understanding of love. In theory, of course, I knew that love could be reciprocated. It was a thing that happened, often, to other people. But I was unlike other people in so many ways.”
― Elif Batuman, Either/Or

“When I woke up in the morning, there was a second or two when I felt light and free, unaware of any reason to feel upset. Then all my knowledge and memories rushed back and a weight descended on my sternum and the creaking started behind my eyes.”
― Elif Batuman, Either/Or

“I kept thinking about the uneven quality of time--the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed. But then time passed and unthinkably grew dead again, and it turned out that that fullness had been an aberration and might never come back.”
― Elif Batuman, The Idiot

“In my heart, I knew that Whorf was right. I knew I thought differently in Turkish and English - not because thought and language were the same, but because different languages forced you to think about different things. Turkish, for example, had a suffix, -mis, that you put on verbs to report anything you didn't witness personally. You were always stating your degree of subjectivity. You were always thinking about it, every time you opened your mouth.

The suffix -mis had not exact English equivalent. It could be translated as "it seems" or "I heard" or "apparently." I associated it with Dilek, my cousin on my father's side - tiny, skinny, dark-complexioned Dilek, who was my age but so much smaller. "You complained-mis to your mother," Dilek would tell me in her quiet, precise voice. "The dog scared-mis you." "You told-mis your parents that if Aunt Hulya came to America, she could live in your garage." When you heard -mis, you knew that you had been invoked in your absence - not just you but your hypocrisy, cowardice, and lack of generosity. Every time I heard -mis, I felt caught out. I was scared of the dogs. I did complain to my mother, often. The -mis tense was one of the things I complained to my mother about. My mother thought it was funny.”
― Elif Batuman, The Idiot

“At the same time, it seemed certain to me that someday I would really want to hear his voice and wouldn't be able to, and I would think back to the time that he had invited me to call him, and it would seem as incomprehensible as an invitation to speak to the dead.”
― Elif Batuman, The Idiot

“I just wanted to write to tell you that I have been happy during these months together, that I have never been so happy, and that I already know I will never be so happy again.”
― Philippe Besson, Lie With Me

“Nothing touches me more than cracks in the armor and the person who reveals them.”
― Philippe Besson, Lie With Me

“We are rare in goodness, and rarer still in joy.”
― Ocean Vuong, Time Is a Mother

“Each time you happen to me all over again.”
― Edith Wharton, The Age of Innocence

“It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.”
― E.M. Forster, A Room with a View

“I now know that some people feel unhappiness the way others love: privately, intensely, and without recourse.”
― Khaled Hosseini, And the Mountains Echoed

“The cities, the roads, the countryside, the people I meet - they all begin to blur. I tell myself I am searching for something. But more and more, it feels like I am wandering, waiting for something to happen to me, something that will change everything, something that my whole life has been leading up to.”
― Khaled Hosseini, And the Mountains Echoed

“But then it passed, as all things do.”
― Khaled Hosseini, And the Mountains Echoed

“And that's the thing about people who mean everything they say. They think everyone else does too.”
― Khaled Hosseini, The Kite Runner

“A man's heart is a wretched, wretched thing. It isn't like a mother's womb. It won't bleed. It won't stretch to make room for you.”
― Khaled Hosseini, A Thousand Splendid Suns

“I know that loneliness cannot be fully eradicated by the presence of another; but I also know that a companion is a shield, and without another person, loneliness steals in, a phantom seeping through the windows and down your throat, filling you with a sorrow nothing can answer. I cannot promise that my granddaughter won't be lonely, but I have prevented her from being alone. I have made certain that her life will have a witness.”
― Hanya Yanagihara, To Paradise

“And so I try to be kind to everything I see, and in everything I see, I see him.”
― Hanya Yanagihara, A Little Life

“I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.”
― Donna Tartt, The Goldfinch

“But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.”
― Donna Tartt, The Goldfinch

“I read Ivan's messages over and over, thinking about what they meant. I felt ashamed, but why? Why was it more honorable to reread and interpret a novel like Lost Illusions than to reread and interpret some email from Ivan? Was it because Ivan wasn't as good a writer as Balzac? (But I thought Ivan was a good writer.) Was it because Balzac's novels had been read and analyzed by hundreds of professors, so that reading and interpreting Balzac was like participating in a conversation with all these professors, and was therefore a higher and more meaningful activity than reading an email only I could see? But the fact that the email had been written specifically to me, in response to things I had said, made it literally a conversation, in the way that Balzac's novels—written for a general audience, ultimately in order to turn a profit for the printing industry—were not; and so wasn't what I was doing in a way more authentic, and more human?”
― Elif Batuman, The Idiot

“How did you separate where someone was from, from who they were?”
― Elif Batuman, The Idiot

“The heart of man is very much like the sea, it has its storms, it has its tides and in its depths it has its pearls too”
― Vincent van Gogh, The Letters of Vincent van Gogh

“Admire as much as you can. Most people do not admire enough.”
― Vincent van Gogh, The Letters of Vincent van Gogh

“Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
― Donna Tartt, The Secret History

“Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
― Donna Tartt, The Secret History

“Stop acting so small. You are the universe in ecstatic motion.”
― Rumi

“It was the kind of love that, sooner or later, cornered you into a choice: either you tore free or you stayed and withstood its rigor even as it squeezed you into something smaller than yourself.”
― Khaled Hosseini, And the Mountains Echoed