Roxie Roehrig > Roxie's Quotes

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  • #1
    Sara Pascoe
    “Suddenly, an idea swooshed into his marsupial brain like a small propeller plane buzzing a crowd. ‘Why didn’t I think of that?”
    Sara Pascoe, Oswald the Almost Famous Opossum

  • #2
    Ashby Jones
    “
It was a letter that described someone’s misfortunes so vividly that the recipient of the letter would feel better about his or her own misfortunes.”
    Ashby Jones, The Little Bird

  • #3
    Theasa Tuohy
    “Flipping through, the first thing she came across was a restaurant menu featuring animals and rodents in a reference to the starvation of residents during the Siege of Paris of 1870-71 − horse soup, dog cutlets, ragout of cat, roast ostrich, fricassee of rats and mice? The French and their obsession with food presentation.”
    Theasa Tuohy, Mademoiselle le Sleuth

  • #4
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #5
    Sybrina Durant
    “Teach a child a useful skill. Build confidence and self-esteem that lasts a lifetime.”
    Sybrina Durant, Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces

  • #6
    Max Nowaz
    “Every night I dream a lot. Every day I live a little.”
    Max Nowaz, Get Rich or Get Lucky

  • #7
    “He turned and saw Becky, crying in the doorway of her house. What was he doing here? Turning back he saw flashing blue lights at the end of the road, and realised the ringing in his ears was the sound of approaching sirens.”
    R.D. Ronald, The Zombie Room

  • #8
    Robert         Reid
    “As Audun detached the orb from the staff he heard the old alchemist’s words echo in his mind. “Your anger is good Audun, your power lies in your anger.” Audun opened his eyes again and lay back down in the wet grass as the words repeated themselves.
    Robert Reid – The Son”
    Robert Reid, The Son

  • #9
    Sherman Alexie
    “How can you tell the difference between the good guys and the bad guys when they say the same things?”
    Sherman Alexie, Flight

  • #10
    John Grisham
    “We cuss them because we're not good enough for them. We hate them because they wouldn't look at us, couldn't be bothered to give us an interview. I guess there's a Trent & Brent in every city, in every field. I didn't make it and I don't belong, so I'll just go through life hating them.”
    John Grisham, The Rainmaker

  • #11
    Elizabeth Kostova
    “As you know, human history is full of evil deeds, and maybe we ought to think of them with tears, not fascination.”
    Elizabeth Kostova, The Historian

  • #12
    Wallace Stegner
    “Wherever you find the greatest good, you will find the greatest evil, because evil loves paradise as much as good.”
    Wallace Stegner, All the Little Live Things

  • #13
    Aldous Huxley
    “Never put off till tomorrow the fun you can have today.”
    Aldous Huxley, Brave New World

  • #14
    Jostein Gaarder
    “كيف يستطيع الناس أن يركضوا يميناً وشمالاً بدون ان يسألوا أنفسهم أبداً من هُم ومن أين جاؤوا؟”
    Jostein Gaarder



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