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  • #1
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #2
    Madeline Miller
    “Name one hero who was happy."
    I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
    "You can't." He was sitting up now, leaning forward.
    "I can't."
    "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
    "Tell me." I loved it when he was like this.
    "I'm going to be the first." He took my palm and held it to his. "Swear it."
    "Why me?"
    "Because you're the reason. Swear it."
    "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
    "I swear it," he echoed.
    We sat like that a moment, hands touching. He grinned.
    "I feel like I could eat the world raw.”
    Madeline Miller, The Song of Achilles

  • #3
    Madeline Miller
    “We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
    Madeline Miller, The Song of Achilles

  • #4
    Madeline Miller
    “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.”
    Madeline Miller, The Song of Achilles

  • #5
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken

  • #6
    Richard Siken
    “Tell me how all this, and love too, will ruin us.
    These, our bodies, possessed by light.
    Tell me we'll never get used to it.”
    Richard Siken, Crush

  • #7
    Richard Siken
    “Sorry about the blood in your mouth. I wish it was mine.

    I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
    Richard Siken, Crush

  • #8
    Richard Siken
    “A man takes his sadness down to the river and throws it in the river
                        but then he’s still left
    with the river. A man takes his sadness and throws it away
                                                                            but then he’s still left with his hands.”
    Richard Siken, Crush

  • #9
    Richard Siken
    “The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right into through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isn’t a kingdom then I don’t know what is.”
    Richard Siken, Crush

  • #10
    Richard Siken
    “The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.”
    Richard Siken, Crush

  • #11
    Richard Siken
    “Here is the repeated image of the lover destroyed.”
    Richard Siken, Crush

  • #12
    “Who said 'please' that made you hate the word so much?"
    Andrew gazed at him in silence for a minute. "I did.”
    Nora Sakavic, The King's Men

  • #13
    “Remember this feeling. This is the moment you stop being the rabbit.”
    Nora Sakavic, The Foxhole Court

  • #14
    Ilya Kaminsky
    “At the trial of God, we will ask: why did you allow all this?
    And the answer will be an echo: why did you allow all this?”
    Ilya Kaminsky, Deaf Republic

  • #15
    Richard Siken
    “I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling.
    The enormity of my desire disgusts me.”
    Richard Siken, War of the Foxes

  • #16
    Hélène Cixous
    “For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence.
    The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption.

    At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching.

    Eat me up, my love, or else I’m going to eat you up.

    Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me.

    Sign my death with your teeth”
    Hélène Cixous, Stigmata: Escaping Texts
    tags: love

  • #17
    Marcel Proust
    “The bonds between ourselves and another person exists only in our minds. Memory as it grows fainter loosens them, and notwithstanding the illusion by which we want to be duped and which, out of love, friendship, politeness, deference, duty, we dupe other people, we exist alone. Man is the creature who cannot escape from himself, who knows other people only in himself, and when he asserts the contrary, he is lying.”
    Marcel Proust, In Search of Lost Time

  • #18
    Ocean Vuong
    “You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #19
    Ocean Vuong
    “I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #20
    Ocean Vuong
    “In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

    I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #21
    Ocean Vuong
    “When does a war end? When can I say your name and have it mean only your name and not what you left behind?”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #22
    Ocean Vuong
    “& so what–if my feathers
    are burning. I
    never asked for flight.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #23
    Ocean Vuong
    “Tell me it was for the hunger
    & nothing less. For hunger is to give
    the body what it knows

    it cannot keep. That this amber light
    whittled down by another war
    is all that pins my hand to your chest.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #24
    Virginia Woolf
    “Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.”
    Virginia Woolf

  • #25
    Friedrich Nietzsche
    “Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”
    Friedrich Nietzsche

  • #26
    Tom Stoppard
    “We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.”
    Tom Stoppard, Rosencrantz and Guildenstern Are Dead

  • #27
    “The gods envy us. They envy us because we’re mortal, because any moment may be our last. Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.”
    Brad Pitt

  • #28
    F. Scott Fitzgerald
    “Show me a hero, and I'll write you a tragedy.”
    F. Scott Fitzgerald

  • #29
    Natalie Díaz
    “I confuse instinct for desire—isn’t bite also touch?”
    Natalie Diaz, Postcolonial Love Poem

  • #30
    Madeleine L'Engle
    “When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.”
    Madeleine L'Engle



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