Kaoutar > Kaoutar's Quotes

“Life is what happens to us while we are making other plans.”
― Allen Saunders

“To live is the rarest thing in the world. Most people exist, that is all.”
― Oscar Wilde

“We like companionship, see, but we can't stand to be around people for very long. So we go get ourselves lost, come back for a while, then get the hell out again.”
― Jon Krakauer, Into the Wild

“It is easy, when you are young, to believe that what you desire is no less than what you deserve, to assume that if you want something badly enough, it is your God-given right to have it.”
― Jon Krakauer, Into the Wild

“It is true that I miss intelligent companionship, but there are so few with whom I can share the things that mean so much to me that I have learned to contain myself. It is enough that I am surrounded with beauty...”
― Jon Krakauer, Into the Wild

“He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.”
― Jon Krakauer, Into the Wild

“That's what was great about him. He tried. Not many do.”
― Jon Krakauer, Into the Wild

“On July 2, McCandless finished reading Tolstoy's "Family Happiness", having marked several passages that moved him:
"He was right in saying that the only certain happiness in life is to live for others...

I have lived through much, and now I think I have found what is needed for happiness. A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books , music, love for one's neighbor - such is my idea of happiness. And then, on top of all that, you for a mate, and children, perhaps - what more can the heart of a man desire?" ...”
― Jon Krakauer, Into the Wild

“The most important decision you make is to be in a good mood.”
― Voltaire

“Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
― Donna Tartt, The Secret History

“Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is a catastrophe. The basic fact of existence – of walking around trying to feed ourselves and find friends and whatever else we do – is a catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me – and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death.”
― Donna Tartt, The Goldfinch

“—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
― Donna Tartt, The Goldfinch

“Sometimes it's about playing a poor hand well.”
― Donna Tartt, The Goldfinch

“...as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch.”
― Donna Tartt, The Goldfinch

“One likes to think there's something in it, that old platitude amor vincit omnia. But if I've learned one thing in my short sad life, it is that that particular platitude is a lie. Love doesn't conquer everything. And whoever thinks it does is a fool.”
― Donna Tartt, The Secret History

“Some things are too terrible to grasp at once. Other things - naked, sputtering, indelible in their horror - are too terrible to really grasp ever at all. It is only later, in solitude, in memory that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself - quite to one's surprise - in an entirely different world.”
― Donna Tartt, The Secret History

“Voices and faces aren't manifestations
of good or bad.”
― Gail Carson Levine, Fairest

“The moon is a loyal companion.
It never leaves. It’s always there, watching, steadfast, knowing us in our light and dark moments, changing forever just as we do. Every day it’s a different version of itself. Sometimes weak and wan, sometimes strong and full of light. The moon understands what it means to be human.
Uncertain. Alone. Cratered by imperfections.”
― Tahereh Mafi, Shatter Me

“I only know now that the scientists are wrong.

The world is flat.

I know because I was tossed right off the edge and I've been trying to hold on for 17 years. I've been trying to climb back up for 17 years but it's nearly impossible to beat gravity when no one is willing to give you a hand.”
― Tahereh Mafi, Shatter Me

“His smile is laced with dynamite. "Go to sleep"
"Go to hell."
He works his jaw. Walks to the door. "I'm working on it.”
― Tahereh Mafi, Shatter Me

“Someone picked up the sun and pinned it to the sky again, but every day it hangs a little lower than the day before. It's like a negligent parent who only knows one half of who you are. It never sees how its absence changes people. How different we are in the dark.”
― Tahereh Mafi, Shatter Me

“Killing time isn't as difficult as it sounds.

I can shoot a hundred numbers through the chest and watch them bleed decimal points in the palm of my hand. I can rip the numbers off a clock and watch the hour hand tick tick tick its final tock just before I fall asleep. I can suffocate seconds just by holding my breath. I've been murdering minutes for hours and no one seems to mind.”
― Tahereh Mafi, Shatter Me

“Adam stares at me so long I begin to blush. He tips my chin up so I meet his eyes. Blue blue blue boring into me. His voice is deep, steady. "I don't think I've ever heard you laugh."

He's so excruciatingly correct I don't know how to respond except with the truth. My smile is tucked into a straight line. "Laughter comes from living." I shrug, try to sound indifferent. "I've never really been alive before.”
― Tahereh Mafi, Shatter Me

“My life is four walls of missed opportunities poured in concrete molds.”
― Tahereh Mafi, Shatter Me

“Knowledge is dangerous. Once you know something, you can't get rid of it. You have to carry it. Always.”
― Samantha Shannon, The Bone Season

“I think if you cheat in a ethics class then there's really no hope for you.”
― Joe Hill, Locke & Key, Vol. 3: Crown of Shadows

“Don't ever have children, Tyler, unless you're ready to be afraid everyday for the rest of your life.”
― Joe Hill, Locke & Key, Vol. 3: Crown of Shadows

“It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.”
― Gillian Flynn, Gone Girl

“For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.

It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.

And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.

It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.

I would have done anything to feel real again.”
― Gillian Flynn, Gone Girl

“A lot of people lacked that gift: knowing when to fuck off.”
― Gillian Flynn, Gone Girl