Beth > Beth's Quotes

“If I waited till I felt like writing, I'd never write at all.”
― Anne Tyler

“You can always edit a bad page. You can't edit a blank page.”
― Jodi Picoult

“You can't use up creativity. The more you use, the more you have.”
― Maya Angelou

“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”
― Stephen King, On Writing: A Memoir of the Craft

“Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work.”
― Stephen King

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“You never have to change anything you got up in the middle of the night to write.”
― Saul Bellow

“The difference between the almost right word and the right word is really a large matter. ’tis the difference between the lightning bug and the lightning.”
― Mark Twain, The Wit and Wisdom of Mark Twain: A Book of Quotations

“Don't tell me the moon is shining; show me the glint of light on broken glass.”
― Anton Chekhov

“Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.”
― Neil Gaiman

“This is how you do it: you sit down at the keyboard and you put one word after another until its done. It's that easy, and that hard.”
― Neil Gaiman

“You can't wait for inspiration. You have to go after it with a club.”
― Jack London

“Write the kind of story you would like to read. People will give you all sorts of advice about writing, but if you are not writing something you like, no one else will like it either.”
― Meg Cabot

“The concept of good versus evil is a handy construct for framing a narrative. When you see someone applying that concept to real-world events, however, be aware that you're in the presence of a peddler of fiction.”
― Stewart Stafford

“Don't get it right, get it written.”
― Ally Carter

“If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.”
― Anne Lamott, Bird by Bird

“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”
― Neil Gaiman

“A man's grammar, like Caesar's wife, should not only be pure, but above suspicion of impurity.”
― Edgar Allan Poe

“Let grammar, punctuation, and spelling into your life! Even the most energetic and wonderful mess has to be turned into sentences.”
― Terry Pratchett

“Far and away the greatest menace to the writer—any writer, beginning or otherwise—is the reader. . . . The reader is, in fact, the writer’s only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. . . . It is, of course, the writer’s job to reach out and grab this reader: If he is a reader who cannot endure a love story, it is the writer’s job, no more and no less, to make him read a love story and like it. Using any device that might possibly work, the writer has to snare the reader’s attention and keep it.”
― Shirley Jackson

“Mental illness

People assume you aren’t sick
unless they see the sickness on your skin
like scars forming a map of all the ways you’re hurting.

My heart is a prison of Have you tried?s
Have you tried exercising? Have you tried eating better?
Have you tried not being sad, not being sick?
Have you tried being more like me?
Have you tried shutting up?

Yes, I have tried. Yes, I am still trying,
and yes, I am still sick.

Sometimes monsters are invisible, and
sometimes demons attack you from the inside.
Just because you cannot see the claws and the teeth
does not mean they aren’t ripping through me.
Pain does not need to be seen to be felt.

Telling me there is no problem
won’t solve the problem.

This is not how miracles are born.
This is not how sickness works.”
― Emm Roy, The First Step

“I like living in my head because in there, everyone is kind and innocent. Once you start integrating yourself into the world, you realize that people are nasty, mean creatures. They're worse than zombies. People try to crush your soul and destroy your happiness, but zombies just want to have a little nibble of your brain.”
― J. Cornell Michel, Jordan's Brains: A Zombie Evolution

“You can't blame a writer for what the characters say.”
― Truman Capote

“One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.”
― Annie Dillard, The Writing Life

“All the best writers take risks, offend people often and say fuck you to the critics.”
― Carla H. Krueger

“But it is a writer's duty to write and speak and record the truth, always the truth, no matter whom may be offended.”
― Edward Abbey, Postcards from Ed: Dispatches and Salvos from an American Iconoclast

“Don't worry about offending people. Any time you write something thought provoking, some idiots will complain, because they hate it when you make them think.”
― Oliver Markus Malloy, The Ugly Truth About Self-Publishing: Not another cookie-cutter contemporary romance

“It is best, in fact, to assume that every verbal illustration you write will offend someone, somewhere, at some point.”
― Kory Stamper, Word by Word: The Secret Life of Dictionaries

“Still I Rise
You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.”
― Maya Angelou

“Self-censorship can be very damaging to a story. When our chief goal is not to offend someone, we are not likely to write a book that will deeply affect someone.”
― Katherine Paterson, Places I Never Meant to Be: Original Stories by Censored Writers