Madu > Madu's Quotes

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  • #1
    Anaïs Nin
    “I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anais Nin

  • #2
    Anaïs Nin
    “I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living.”
    Anais Nin

  • #3
    Anaïs Nin
    “There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don't work.”
    Anaïs Nin, HENRY AND JUNE

  • #4
    “Love is like a brick. You can build a house, or you can sink a dead body.”
    Lady Gaga

  • #5
    Anaïs Nin
    “There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.”
    Anais Nin

  • #6
    Anaïs Nin
    “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.”
    Anais Nin

  • #7
    Anaïs Nin
    “I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ”
    Anais Nin

  • #8
    Anaïs Nin
    “I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
    Anais Nin

  • #9
    Anaïs Nin
    “Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anaïs Nin, Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934

  • #10
    Anaïs Nin
    “I hate men who are afraid of women's strength.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #11
    Anaïs Nin
    “Luxury is not a necessity to me, but beautiful and good things are.”
    Anais Nin

  • #12
    Anaïs Nin
    “Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.”
    Anais Nin

  • #13
    Anaïs Nin
    “You don't find love, it finds you. It's got a little bit to do with destiny, fate, and what's written in the stars.”
    Anaïs Nin

  • #14
    Anaïs Nin
    “You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #15
    Anaïs Nin
    “Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic.”
    Anais Nin

  • #16
    Anaïs Nin
    “Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #17
    Anaïs Nin
    “From the backstabbing co-worker to the meddling sister-in-law, you are in charge of how you react to the people and events in your life. You can either give negativity power over your life or you can choose happiness instead. Take control and choose to focus on what is important in your life. Those who cannot live fully often become destroyers of life.”
    Anais Nin

  • #18
    Anaïs Nin
    “I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.”
    Anais Nin

  • #19
    Anaïs Nin
    “Music melts all the separate parts of our bodies together.”
    Anais Nin

  • #20
    Anaïs Nin
    “You cannot save people. You can only love them.”
    Anaïs Nin

  • #21
    Anaïs Nin
    “Sometimes we reveal ourselves when we are least like ourselves.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #22
    Anaïs Nin
    “I will always be the virgin-prostitute, the perverse angel, the two-faced sinister and saintly woman.”
    Anais Nin, Henry & June

  • #23
    Anaïs Nin
    “Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"

    Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.

    You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.”
    Anais Nin

  • #24
    Anaïs Nin
    “We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.”
    Anais Nin

  • #25
    Anaïs Nin
    “What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.”
    Anais Nin, Henry & June

  • #26
    Anaïs Nin
    “Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality....I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #27
    Anaïs Nin
    “Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.”
    ANAIS NIN



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