Jade Harrel > Jade's Quotes

“It is in the healing of self-blame and judgement, that the self is liberated from the constraints of binding emotions...And you come to remember your true authentic self." © 2015 W.E. Slater”
― Wendy E. Slater, Into the Hearth, Poems-Volume 14

“Yea, I know, Fallen Angel got your tongue; it happens to the best of us.”
― Carl Novakovich, The Watchers: The Tomb

“Adam offered her a heart-melting smile and a wink, then headed for the door. With his hand on the door, he paused and turned back.
Heidi’s eyes jumped up from his butt to his face.”
― Kirsten Fullmer, Trouble on Main Street

“What is it that inspires you? What do you love to do? What would you do for free? At the beginning of my busi-ness career, my why was to become a millionaire, not a good why! And why not? Because that is an aspiration rather than a why. Aspirations, I have found, won’t fuel me when the going gets tough. But a true “why” will.”
― Richard Polak

“The usual warmth of his hands wasn’t there. They chilled my skin as they slipped to my waist, and I realized he was scared.”
― M. R. Noble, Karolina Dalca, Dark Eyes

“Black magic never stops. What goes from you comes to you. Once you start this shit, you gotta keep it up. Just like the utility bill. Just like the grocery store. Or they kill you. You got to keep it up. Two, five, ten, twenty years.”
― John Berendt, Midnight in the Garden of Good and Evil

“En su exclamación palpitaba todo el caudal de celos rabiosos que pueda caber en el pecho de un amante abandonado.”
― Stendhal, Rojo y Negro

“An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.”
― Bill Bryson, A Short History of Nearly Everything

“A SURGING, SEETHING, MURMURING CROWD of beings that are human only in name, for to the eye and ear they seem naught but savage creatures, animated by vile passions and by the lust of vengeance and of hate. The hour, some little time before sunset, and the place, the West Barricade, at the very spot where, a decade later, a proud tyrant raised an undying”
― Baroness Emma Orczy, The Scarlet Pimpernel

“Non è certo dalla benevolenza del macellaio, del birraio o del fornaio che ci aspettiamo il nostro pranzo, ma dal fatto che essi hanno cura del proprio interesse.”
― Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations

“I wish we had loved Johnny more when he was alive. Of course we loved Johnny very much. Johnny knew that. Everybody knew it. Loving Johnny more. What does it mean, now?

Parents all over the earth who lost sons in the war have felt this kind of question, and sought an answer. To me, it means loving life more, being more aware of life, of one's fellow human beings, of the earth.

It means obliterating, in a curious but real way, the ideas of evil and hate and the enemy, and transmuting them, with the alchemy of suffering, into ideas of clarity and charity.

It means caring more and more about other people, at home and abroad, all over the earth. It means caring more about God.”
― John Gunther, Death Be Not Proud

“Many Introverts are also "highly sensitive," which sounds poetic, but is actually a technical term in psychology. If you are a sensitive sort, then you're more apt than the average person to feel pleasantly overwhelmed by Beethoven's "Moonlight Sonata" or a well-turned phrase or an act of extraordinary kindness. You may be quicker than others to feel sickened by violence and ugliness, and you likely have a very strong conscience.”
― Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

“The moral universe had not so much decayed here. It had been inverted, like some black hole, under the pressure of all the earth’s malice—a place where tribes and histories were sucked in and vaporized, and language flew inside out. The underground chambers were named “disinfection cellars,” the aboveground chambers “bathhouses,”
― Thomas Keneally, Schindler's List

“I know the devices of a demon. I was taught as a child about the demon lover. I was told about a beautiful temptress who came to a young man's room. And he, if he were wise, would demand that she turn around, because demons and witches have no back, only what they wish to present to you.”
― Michael Ondaatje, The English Patient

“We Are brothers, tied by blood, in our veins, what we spill. But it is a deadly secret that will forever bind us.”
― Tina Traverse, Destiny of the Vampire

“It is luck to love someone who is free to love you in return.”
― Philippa Gregory, The Other Boleyn Girl

“The symptoms of a writer who hasn’t found their way clear of the needs of Self yet are easy to spot. I should say the symptoms are easy for everyone else to spot, that is, and not so easy for the writer themself to see. You’ll see a writer who does not trust the characters to speak and move on their own, but has to puppeteer them; a writer who does not trust the reader to understand what’s written. One who must insert parentheticals in various forms to explain the work to the reader; flashbacks to explain; big black blocks of text on the page to explain; question-and-answer dialog between characters who aren’t in a courtroom; walk-and-talk characters with their mouths full of dialog of what the story is about; too many stage directions that make the script read like a novel…”
― Dan Joseph Decker, ANATOMY OF A SCREENPLAY THIRD EDITION

“I’ll test the station the day after tomorrow. If it’s good, we’ll make the jump the day after that. So three days. I need three days.”
― Steven Decker, The Balance of Time

“Focusing on and prioritizing civil discourse ensures that you don’t miss great opportunities to learn and grow with others.”
― Milan Kordestani, I'm Just Saying: A Guide to Maintaining Civil Discourse in an Increasingly Divided World

“True to course, he didn’t know the nature of the assignment; true to course, he didn’t ask. That was probably for the best. Preparation for the Iranian hostage extraction had been difficult, and its execution life-threatening, but that was child’s play compared to what was coming.”
― Chad Boudreaux

“Sometimes the worst thing that happens to you, the thing you think you can't survive...it's the thing that makes you better than you used to be.”
― Jennifer Weiner, Fly Away Home

“  “I am running back my tent to get my sub-machinegun. There are too many Noggies to kill using a pistol!” He then ran to where his scrape was and returned with the weapon.”
― Michael G. Kramer

“Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
 “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
            I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
 I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
  I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
  So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master

“This acute, “a selfdissolving contradiction,” Marx had very precisely seen and foreseen that “it establishes a monopoly in certain spheres and thereby requires state interference.” This contradiction “reproduces a new financial aristocracy” (how much Marx was right!), no matter it will call itself Communist Party of Soviet Union or DuPont Financial Circle. It reproduces “a new variety of parasites . . . , a whole system of swindling and cheating by means of corporation promotion, stock issuance, and stock speculation.”
― Todor Bombov, Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face

“You don’t think he’s our man?” asked Adam. It occurred to him that Ramsbottom was not exactly forthcoming with information.
“I didn’t say that,” Ramsbottom said. “In fact he is behaving very cautiously indeed, which makes me feel very suspicious.”
“He has probably figured out that you are following him,” said Adam. “One can hardly fail to notice you hanging around all the time.”
“That may be so,” said Ramsbottom.
“Can’t you get a disguise or something?” asked Adam. “So he does not recognise you.”
― Max Nowaz, Get Rich or Get Lucky

“We all matter - maybe less then a lot but always more than none.”
― John Green

“Unconditional Love conquers all!”
― Aimee Cabo Nikolov, Love is the Answer God is the Cure

“stuff and nonsense”
― Lewis Carroll

“Basically, kid, what this all means is that life is a lot tougher than it used to be, in the Good Old Days, back before you were born. Things used to be awesome, but now they’re kinda terrifying. To be honest, the future doesn’t look too bright. You were born at a pretty crappy time in history. And it looks like things are only gonna get worse from here on out. Human civilization is in ‘decline.’ Some people even say it’s ‘collapsing.”
― Ernest Cline, Ready Player One

“There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.”
― Ernest Hemingway, A Moveable Feast