Noella Grudem > Noella's Quotes

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  • #1
    “If your world is out there and you are in here then the only things that will gather within these walls are time and bitterness. Eventually, that bitterness will eat away at you and leave nothing behind but resentment and hate.”
    R.D. Ronald, The Zombie Room

  • #2
    Luke Rhinehart
    “Dealing dreams and destruction to a pattern plagued world.”
    Luke Rhinehart

  • #3
    Ken Kesey
    “The best of all possible cages.' Ben stepped back to regard the job with a sad smile. 'What more can one ask?”
    Ken Kesey, Sometimes a Great Notion

  • #4
    Craig Clevenger
    “كل عمل يتميز بنواياه وكل نية تتميز بعملها. كل شئ في الكون هو كل شئ آخر, والشيطان ليس سوي ملاك آراد المزيد.”
    Craig Clevenger, Dermaphoria

  • #5
    Marisha Pessl
    “...somewhere, nearby voices filled with dusk, cabs and panhandlers and one drunken girl screeching like a wounded bird - all of it flushed with a warmth and sad beauty I'd never noticed before.”
    Marisha Pessl, Night Film

  • #6
    Vladimir Nabokov
    “... one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do no have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous achievement of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is - a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed) - a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.”
    Vladimir Nabokov, Lectures on Literature

  • #7
    Boris Vian
    “Mieux vaudrait apprendre à faire l'amour correctement que de s'abrutir sur un livre d'histoire.”
    Boris Vian, L'Herbe rouge

  • #8
    Fyodor Dostoevsky
    “To care only for well-being seems to me positively ill-bred. Whether it’s good or bad, it is sometimes very pleasant, too, to smash things.”
    Fyodor Dostoevsky, Notes from Underground

  • #9
    Kelly Braffet
    “Human beings suck the life out of everything that's beautiful.”
    Kelly Braffet, Josie and Jack

  • #10
    Alissa Nutting
    “We pretend when we want to forget things are dangerous, she thought, though she immediately failed to apply this concept to herself”
    Alissa Nutting, Made for Love

  • #11
    Jim Thompson
    “He had never before realized the blessedness of silence - the freedom to be silent, rather, if one chose. He had never realized, somehow, that such blessedness might be his privilege. He was Doc Mc Coy, and Doc Mc Coy was born to the obligation of being one hell of a guy.”
    Jim Thompson, The Getaway

  • #12
    “He had done nothing on Christmas day, just wandered around outside in the frozen woods. Hard ground, chill winds and bare branches that looked like they'd been dipped in sugar. None of it seemed real, like walking around in a desolate dream, but one he didn't want to wake up from.”
    R.D. Ronald, The Elephant Tree

  • #13
    Tanya Thompson
    “In my case, intelligence was a disease that had led to a psychotic episode.”
    Tanya Thompson, Assuming Names: a con artist's masquerade

  • #14
    Ray Bradbury
    “Remember, the firemen are rarely necessary. The public itself stopped reading of its own accord.”
    Ray Bradbury, Fahrenheit 451

  • #15
    Edgar Allan Poe
    “I was a child and she was a child,
    In this kingdom by the sea,
    But we loved with a love that was more than love—
    I and my Annabel Lee—”
    Edgar Allan Poe, Annabel Lee

  • #16
    Iain Banks
    “As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.”
    Iain M. Banks

  • #17
    Fyodor Dostoevsky
    “The more stupid one is, the closer one is to reality. The more stupid one is, the clearer one is. Stupidity is brief and artless, while intelligence squirms and hides itself. Intelligence is unprincipled, but stupidity is honest and straightforward.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #18
    Kelly Braffet
    “It all began to seem unreal, the chairs and the waiting and the dead girl at home in the closet.”
    Kelly Braffet, Josie and Jack

  • #19
    Georges Bataille
    “My life only has a meaning insofar as I lack one: oh, but let me be mad! Make something of all this he who is able to, understand it he who is dying, and there the living self is, knowing not why, its teeth chattering in the lashing wind: the immensity, the night engulfs it and, all on purpose, that living self is there just in order … ‘not to know’. But as for GOD? What have you got to say, Monsieur Rhetorician? And you, Monsieur Godfearer? — GOD, if He knew, would be a swine. I said ‘GOD, if He knew, would be a swine.’ He (He would I suppose be, at that particular moment, somewhat in disorder, his peruke would sit all askew) would entirely grasp the idea … but what would there be of the human about him? Beyond, beyond everything … and yet farther, and even farther still … HIMSELF, in an ecstasy, above an emptiness … And now? I TREMBLE. O Thou my Lord [in my distress, I call out unto my heart], O deliver me, make them blind! The story — how shall I go on with it?
    But I am done.
    From out of the slumber which for so short a space kept us in the taxi, I awoke, the first to open his eyes … The rest is irony, long, weary waiting for death …”
    Georges Bataille, Madame Edwarda seguido de El muerto

  • #20
    Megan Abbott
    “Because they do burn leaves here, the older folks do, and I remember now that I love it and always have. The way fall feels at night because of it, because of the crackling sound and walking around the sidewalks, like when you’re a kid, and kicking those soft piles, and seeing smoke from backyards and Mr. Kilstrap standing over the metal drum with the holes in the top, the sparking embers at his feet.”
    Megan Abbott, Dare Me

  • #21
    M. Agueev
    “En ese estado febril, en el que otro, quizás, habría escrito versos, miraba atentamente los ojos de las mujeres con las que me cruzaba, esperando como respuesta esa misma mirada amplia y terrible. Nunca me acercaba a las mujeres que me contestaban con una sonrisa, pues sabía que a una mirada como la mía sólo podía contestar con una sonrisa una prostituta o una virgen.”
    M. Aguéiev

  • #22
    Émile Zola
    “Cependant Quenu se rappelait une phrase de Charvet, cette fois, qui déclarait que "ces bourgeois empâtés, ces boutiquiers engraissés, prêtant leur soutien à un gouvernement d' indigestion générale, devaient êtres jetés les premiers au cloaque." C' était grâce à eux, grâce à leur égoïsme du ventre, que le despotisme s' imposait et rongeait une nation.”
    Émile Zola, The Belly of Paris



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