Grace Radice > Grace's Quotes

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  • #1
    M.L. Rio
    “For someone who loved words as much as I did, it was amazing how often they failed me.”
    M.L. Rio, If We Were Villains

  • #2
    M.L. Rio
    “One thing I'm sure Colborne will never understand is that I need language to live, like food—lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.”
    M.L. Rio, If We Were Villains

  • #3
    M.L. Rio
    “Were you in love with him?'
    'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
    M.L. Rio, If We Were Villains

  • #4
    M.L. Rio
    “The things about Shakespeare is, he's so eloquent...he speaks the unspeakable. He turns grief and triumph and rapture and rage into words, into something we can understand. He renders the whole mystery of humanity comprehensible.”
    M.L. Rio, If We Were Villains

  • #5
    M.L. Rio
    “How tremendous the agony of unmade decisions.”
    M.L. Rio, If We Were Villains

  • #6
    M.L. Rio
    “The real sky was enormous overhead, making our mirrors and twinkling stage lights seem ridiculous- Man’s futile attempt to imitate God”
    M.L. Rio, If We Were Villains

  • #7
    M.L. Rio
    “I never asked where he went, worried he wouldn’t ask me to follow.”
    M.L. Rio, If We Were Villains
    tags: fear

  • #8
    Amal El-Mohtar
    “I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #9
    Amal El-Mohtar
    “I want to be a body for you. I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victorious—I want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand. Flowers grow far away on a planet they’ll call Cephalus, and these flowers bloom once a century, when the living star and its black-hole binary enter conjunction.I want to fix you a bouquet of them, gathered across eight hundred thousand years, so you can draw our whole engagement in a single breath, all the ages we’ve shaped together.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #10
    Amal El-Mohtar
    “But when I think of you, I want to be alone together. I want to strive against and for. I want to live in contact. I want to be a context for you, and you for me.

    I love you, and I love you, and I want to find out what that means together.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #11
    Amal El-Mohtar
    “I want to meet you in every place I have loved.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #12
    Amal El-Mohtar
    “There’s a kind of time travel in letters, isn’t there? I imagine you laughing at my small joke; I imagine you groaning; I imagine you throwing my words away. Do I have you still? Do I address empty air and the flies that will eat this carcass? You could leave me for five years, you could return never—and I have to write the rest of this not knowing.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #13
    Amal El-Mohtar
    “I have built a you within me, or you have. I wonder what of me there is in you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #14
    Amal El-Mohtar
    “I love you and I love you and I love you, on battlefields, in shadows, in fading ink, on cold ice splashed with the blood of seals. In the rings of trees. In the wreckage of a planet crumbling to space. In bubbling water. In bee stings and dragonfly wings, in stars. In the deapths of lonely woods where I wandered in my youth, staring up - and even then you watched me. You slid back through my life, and I have known you since before I knew you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #15
    Amal El-Mohtar
    “At the end as at the start, and through all the in-betweens, I love you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #16
    Sally Rooney
    “Was I kind to others? It was hard to nail down an answer. I worried that if I did turn out to have a personality, it would be one of the unkind ones. Did I only worry about this question because as a woman I felt required to put the needs of others before my own? Was “kindness” just another term for submission in the face of conflict? These were the kind of things I wrote about in my diary as a teenager: as a feminist I have the right not to love anyone.”
    Sally Rooney, Conversations with Friends

  • #17
    Sally Rooney
    “Gradually the waiting began to feel less like waiting and more like this was simply what life was: the distracting tasks undertaken while the thing you are waiting for continues not to happen.”
    Sally Rooney, Conversations with Friends

  • #19
    Sally Rooney
    “Is it possible we could develop an alternative model of loving each other?”
    Sally Rooney, Conversations with Friends

  • #20
    Sally Rooney
    “She slipped out of my grasp like a thought.”
    Sally Rooney, Conversations with Friends

  • #22
    Sally Rooney
    “I didn’t feel with her, like I did with many other people, that while I was talking she was just preparing the next thing she wanted to say.”
    Sally Rooney, Conversations with Friends

  • #23
    Sally Rooney
    “I was appropriating my fear of total disappearance as a spiritual practice. I was inhabiting disappearance as something that could reveal and inform, rather than totalise and annihilate.”
    Sally Rooney, Conversations with Friends

  • #24
    Sally Rooney
    “I liked to sit in the library to write essays, allowing my sense of time and personal identity to dissolve as the light dimmed outside the windows.”
    Sally Rooney, Conversations with Friends

  • #25
    Sally Rooney
    “My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all.”
    Sally Rooney, Mr Salary

  • #26
    Sally Rooney
    “She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
    You should go, she says. I’ll always be here. You know that.”
    Sally Rooney, Normal People

  • #27
    Sally Rooney
    “Generally I find men are a lot more concerned with limiting the freedoms of women than exercising personal freedom for themselves.”
    Sally Rooney, Normal People

  • #28
    Jennifer Niven
    “You make me lovely, and it’s so lovely to be lovely to the one I love.…”
    Jennifer Niven, All the Bright Places

  • #29
    F. Scott Fitzgerald
    “Angry, and half in love with her, and tremendously sorry, I turned away.”
    F. Scott Fitzgerald, The Great Gatsby

  • #30
    F. Scott Fitzgerald
    “So we beat on, boats against the current, borne back ceaselessly into the past.”
    F. Scott Fitzgerald, The Great Gatsby

  • #31
    F. Scott Fitzgerald
    “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”
    F. Scott Fitzgerald, The Great Gatsby

  • #32
    F. Scott Fitzgerald
    “You see I usually find myself among strangers because I drift here and there trying to forget the sad things that happened to me.”
    F. Scott Fitzgerald, The Great Gatsby



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