Buford Egel > Buford's Quotes

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  • #1
    Michael G. Kramer
    “The April forced ‘Resettlement’ of the villages of Long Phuoc, and Long Tan inflamed the already seething hatred of foreigners by the local Vietnamese people. They had only recently removed the French yoke after almost a century of cruel and repressive French rule. Now here were the Americans and their allies who in the Vietnamese eyes were continuing to do as the French had done before them. Into this sort of environment of hate, the Australian soldiers were sent to complete what the Americans had started.”
    Michael G. Kramer, A Gracious Enemy

  • #2
    Alan    Bradley
    “Magic is hard on our world. Pulling it in is really violent and damaging. The more we use it, the more we stretch out the membrane between this world and the one we draw it in from. And the other side…' She looked at Maldonado and he nodded. 'Well, it’s toxic.”
    Alan Bradley, The Sixth Borough

  • #3
    Mike  Martin
    “You speak rabbit?” asked Princess Sophie.
    “Of course,” said Lady Ariana. “And cat, dog, mouse, pig, and chicken. Fish, too. I am a magician, after all.”
    Mike Martin, Princess Sophie and the Christmas Elixir

  • #4
    Andri E. Elia
    “He totally lost it. Here comes the apoplexy.”
    Andri E. Elia, Yildun: Worldmaker of Yand

  • #5
    Sherman Kennon
    “A lie is still a lie
    even if it’s disguised
    as the truth.”
    Sherman Kennon, Chase The Wind: A Book Of Poetry

  • #6
    Susan  Rowland
    “We’re so very sorry about this latest murder. Ignore Simon’s levity.”
    Susan Rowland, Murder on Family Grounds

  • #7
    Steven Decker
    “Please explain to me why the people here on World 2B can hate one another when it comes to differences in religion, yet put religion aside when pursuing other matters of self-interest.”
    Steven Decker, Child of Another Kind

  • #8
    Jody    Summers
    “An interesting note to this novel is the fact that not only are a number
    of the experiences related herein ones to which I am intimately familiar,
    one is particularly unusual.
    I wracked my brain for quite some time to come up with a suitable
    near-death experience to use in the opening scene. As it turns out I had
    an “AHA” moment, or more appropriately a “DUH” moment when it
    occurred to me that I had actually survived the perfect experience to use.
    As a result, the first scene and the near-death experience described here
    was drawn, almost in its entirety from my OWN life, and I still retain
    the scar.
    I guess sometimes truth really is stranger than fiction.”
    Jody Summers, The Mayan Legacy

  • #9
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #10
    Virgil
    “No other evil we know is faster than Rumor, thriving on speed and becoming stronger by running. Small and timid at first, then borne on a light air, she flits over ground while hiding her head on a cloud-top.”
    Virgil, The Aeneid
    tags: rumor

  • #11
    Audrey Niffenegger
    “Love the world and yourself in it, move through it as though it offers no resistance, as though the world is your natural element.”
    Audrey Niffenegger, The Time Traveler's Wife

  • #12
    Erik Larson
    “Wilson was outraged but chose not to see the declaration itself as sufficient justification for war. What he did not yet know was that there was a second, very secret message appended to the telegram Bernstorff had received and that both telegrams had been intercepted and relayed to Blinker Hall’s intelligence division in the Old Admiralty Building in London, which by now oversaw a second, and singularly sensitive, component of Room 40’s operations—the interception of diplomatic communications, both German and, incidentally, American.”
    Erik Larson, Dead Wake: The Last Crossing of the Lusitania

  • #13
    Jon Krakauer
    “Lisak and Miller examined a random sample of 1,882 men, all of whom were students at the University of Massachusetts Boston between 1991 and 1998. Their average age was twenty-four. Of these 1,882 students, 120 individuals—6.4 percent of the sample—were identified as rapists, which wasn’t a surprising proportion. But 76 of the 120—63 percent of the undetected student rapists, amounting to 4 percent of the overall sample—turned out to be repeat offenders who were collectively responsible for at least 439 rapes, an average of nearly 6 assaults per rapist. A very small number of men in the population, in other words, had raped a great many women with utter impunity. Lisak’s study also revealed something equally disturbing: These same 76 individuals were also responsible for 49 sexual assaults that didn’t rise to the level of rape, 277 acts of sexual abuse against children, 66 acts of physical abuse against children, and 214 acts of battery against intimate partners. This relative handful of male students, as Lisak put it, “had each, on average, left 14 victims in their wake….And the number of assaults was almost certainly underreported.”
    Jon Krakauer, Missoula: Rape and the Justice System in a College Town

  • #14
    James   McBride
    “You could see him coming from a distance, appearing out of nowhere like an angel, his silhouette seeming to rise from the ground in the simmering heat . . .”
    James McBride, The Color of Water: A Black Man's Tribute to His White Mother



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