Kathe Cucuta > Kathe's Quotes

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  • #1
    Susan  Rowland
    “Unbelievable and true. Anna Solokov is neither a frightened girl nor a criminal spider in the center of a huge web of drugs and god knows. No, that dangerous young woman could easily do both at different times, and to different people. No doubt that is part of George’s attraction to her. She is victim. Yet when necessary, or when it suits her, she is victimizer. Does he imagine he is battling for her soul?”
    Susan Rowland, Murder on Family Grounds

  • #2
    J. Rose Black
    “He grimaced and went after her. “I’m not a trainer. Just spent a lot of time working out.” 

    “Misspent youth, clearly.” She held the door open, standing just outside. 

    “My application to princess school was rejected.” Callan exited the building and fell into step alongside her. “Working out was how I coped.”

    Sunlight peeked out from behind striped clouds and lit the early-morning sky. Autumn weather chilled the perspiration on his skin. 

    “Such a shame.” Meridian glanced up at him out of the corner of her eye. 

    “What is?” 

    “That you didn’t go to princess school. Could have learned some manners.” Her blue-green eyes sparked in the sunlight. And her mouth . . . Her lips set in some smart-looking, lopsided grin, with a small dimple. 

    I should definitely kiss that look off her face.

    “Overrated. Inefficient. And I look terrible in a tiara.”
    J. Rose Black, Losing My Breath

  • #3
    “I knew exactly what kind of effort I was going to need to get where I wanted to go.”
    Vernon Davis

  • #4
    Max Nowaz
    “He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.
     ”
    Max Nowaz, The Three Witches and the Master

  • #5
    Ellen J. Lewinberg
    “I have a question for you Water. What happens to the water in my body if I get angry at someone or if someone gets angry with me?”

    “A very good question,” said Water. “In either case, the water in your body gets upset and causes you to not feel very well. You feel sad, or maybe you will cry. Crying is good because it puts good endorphins into your body, and you will start to feel better. They help the water in your body to recover.”
    Ellen J. Lewinberg, Joey and His Friend Water

  • #6
    “God’s love language is obedience.”
    Kathryn Krick, The Secret of the Anointing: Accessing the Power of God to Walk in Miracles

  • #7
    Anita Diamant
    “I was not afraid to hold that small death.”
    Anita Diamant, The Red Tent

  • #8
    John Berendt
    “rum-drinking pirates, strong-willed women, courtly manners, eccentric behavior, gentle words, and lovely music.”
    John Berendt, Midnight in the Garden of Good and Evil

  • #9
    Omar Farhad
    “Anything not understood is referred to God”
    Omar Farhad , Honor and Polygamy

  • #10
    Audrey Niffenegger
    “To world enough and time.”
    Audrey Niffenegger, The Time Traveler's Wife

  • #11
    Jojo Moyes
    “Push yourself. Don’t settle. Wear those stripy legs with pride. And if you insist on settling down with some ridiculous bloke, make sure some of this is squirreled away somewhere. Knowing you still have possibilities is a luxury. Knowing I might have given them to you has alleviated something for me.”
    Jojo Moyes, Me Before You

  • #12
    Toni Morrison
    “It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.”
    Toni Morrison, Jazz



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