Francesca > Francesca's Quotes

“One never reaches home,' she said. 'But where paths that have an affinity for each other intersect, the whole world looks like home, for a time.”
― Hermann Hesse, Demian: Die Geschichte von Emil Sinclairs Jugend

“I really like you, Midori. A lot.”
“How much is a lot?”
“Like a spring bear,” I said.
“A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”
“You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”
“Yeah. Really nice.”
“That’s how much I like you.”
― Haruki Murakami, Norwegian Wood

“You don’t get it, do you?" I said. “It’s not a question of ‘what then’. Some people get a kick out of reading railroad timetables and that’s all they do all day. Some people make huge model boats out of matchsticks. So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?”
― Haruki Murakami, Norwegian Wood

“Do you know what a poem is, Esther?'
No, what?' I would say.
A piece of dust.'
Then, just as he was smiling and starting to look proud, I would say, 'So are the cadavers you cut up. So are the people you think you're curing. They're dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together.'
And of course Buddy wouldn't have any answer to that, because what I said was true. People were made of nothing so much as dust, and I couldn't see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick or couldn't sleep.”
― Sylvia Plath, The Bell Jar

“I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next day had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue.”
― Sylvia Plath, The Bell Jar

“The waves after waves of suffering that came in upon him had never been something to be evaded. The origin of those waves of suffering, each different in each onslaught, existed in his very flesh, had been there from the beginning. He had decided to taste this suffering as the tongue tastes sugar, to scrutinize it with the total light of his senses. Which would taste best in the end? My body is a scientific flask; the most important thing is absolute clarity.”
― Yokomitsu Riichi

“He always had to end things up like that, because she was sensitive to each motion of his face, to every half-shadow that might drift across it, and he needed to baffle and cancel out what she perceived there. Yet also there were times when this kind of response of hers would outwit him, suddenly slip through to where it hurt and completely unbalance him.”
― Yokomitsu Riichi

“But there was his mind going round and round in circles tied up to the bars of her cage, and here was her mind inside its mental cage, and this cage mentality of hers with all her physical irritability kept on at him all the time, hardly allowing him a moment to breathe.”
― Yokomitsu Riichi

“I have never wanted to look back. The idea of looking deep inside myself I don't mind at all, but I am determined not to have to grope about in the past to dig out some reason to carry on living. No matter how narrow or indistinct the world around me becomes, I am determined to keep looking ahead. Even if I end up completely blind, the last thing I want to do is wallow in nostalgia.”
― Enchi Fumiko

“Now that you're old and gray, surely you're pleased to have the memory of that young man's infatuation. The same goes for all those other incidents which you hated for their lasciviousness: that time a love letter was slipped into your sleeve by an anonymous student in the bus, or the afternoon you were followed home after your lessons by a strange man. Surely you think back on those incidents with pleasure now that you're in your dotage, as proof that once you were as pretty as a pink, that even you were once 'sweet sixteen'.”
― Enchi Fumiko

“She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.”
― Vladimir Nabokov, Lolita

“I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.”
― Vladimir Nabokov, Lolita

“Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"

At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.

Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.

Of course I told him about you," Liesel said.”
― Markus Zusak, The Book Thief

“Hitoshi:

I'll never be able to be here again. As the minutes slide by, I move on. The flow of time is something I cannot stop. I haven't a choice. I go.

One caravan has stopped, another starts up. There are people I've yet to meet, others I'll never see again. People who are gone before you know it, people who are just passing through. Even as we exchange hellos, they seem to grow transparent. I must keep living with the flowing river before my eyes.

I earnestly pray that a trace of my girl-child self will always be with you.

For waving good-bye, I thank you.”
― Banana Yoshimoto, Kitchen

“You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--”
― Hermann Hesse, Steppenwolf

“I thought of nothing but her. I expected everything from her. I was ready to lay everything at her feet. I was not in the least in love with her. Yet I had only to imagine that she might fail to keep the appointment, or forget it, to see where I stood. Then the world would be a desert once more, one day as dreary and worthless as the last, and the deathly stillness and wretchedness would surround me once more on all sides with no way out from this hell of silence except the razor.”
― Hermann Hesse, Steppenwolf