Francesca

“You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--”
― Hermann Hesse, Steppenwolf

“I have never wanted to look back. The idea of looking deep inside myself I don't mind at all, but I am determined not to have to grope about in the past to dig out some reason to carry on living. No matter how narrow or indistinct the world around me becomes, I am determined to keep looking ahead. Even if I end up completely blind, the last thing I want to do is wallow in nostalgia.”
― Enchi Fumiko

“The waves after waves of suffering that came in upon him had never been something to be evaded. The origin of those waves of suffering, each different in each onslaught, existed in his very flesh, had been there from the beginning. He had decided to taste this suffering as the tongue tastes sugar, to scrutinize it with the total light of his senses. Which would taste best in the end? My body is a scientific flask; the most important thing is absolute clarity.”
― Yokomitsu Riichi

“He always had to end things up like that, because she was sensitive to each motion of his face, to every half-shadow that might drift across it, and he needed to baffle and cancel out what she perceived there. Yet also there were times when this kind of response of hers would outwit him, suddenly slip through to where it hurt and completely unbalance him.”
― Yokomitsu Riichi