Carylon Deasis > Carylon's Quotes

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  • #1
    Sophia R. Tyler
    “But when I heard that you were feeling the same way, I wanted to do something to help you.”
    Sophia R. Tyler, The Friendly Mouse

  • #2
    Sophia R. Tyler
    “He knew that something had to change if he was going to be able to keep his job. Mouse decided to pray and ask for help.”
    Sophia R. Tyler, The Friendly Mouse

  • #3
    Ray Bradbury
    “Stuff your eyes with wonder," he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that," he said, "shake the tree and knock the great sloth down on his ass.”
    Ray Bradbury, Fahrenheit 451

  • #4
    Seth Godin
    “Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator.

    What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artists who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.

    An artists is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artists takes it personally.

    That's why Bob Dylan is an artist, but an anonymous corporate hack who dreams up Pop 40 hits on the other side of the glass is merely a marketer. That's why Tony Hsieh, founder of Zappos, is an artists, while a boiler room of telemarketers is simply a scam.

    Tom Peters, corporate gadfly and writer, is an artists, even though his readers are businesspeople. He's an artists because he takes a stand, he takes the work personally, and he doesn't care if someone disagrees. His art is part of him, and he feels compelled to share it with you because it's important, not because he expects you to pay him for it.

    Art is a personal gift that changes the recipient. The medium doesn't matter. The intent does.

    Art is a personal act of courage, something one human does that creates change in another.”
    Seth Godin, Linchpin: Are You Indispensable?

  • #5
    Johnny Cash
    “I wore black because I liked it. I still do, and wearing it still means something to me. It's still my symbol of rebellion -- against a stagnant status quo, against our hypocritical houses of God, against people whose minds are closed to others' ideas.”
    Johnny Cash

  • #6
    Sharon Carter
    “It was strange how he’d made a 180-degree change. Not sure what to make of that curly, bigheaded, bozo yet, she thought, other than fruitcake nuts!
    “Blah, I’m not sure about your other big brother,” Savanna said, wiggling her nose upward. “I’d rather not chat about him. Do you come to the museum often?” she asked, quickly changing the topic. “I love unusual old history,” she divulged.”
    Sharon Carter, Love Auction II: Love Designs

  • #7
    Sharon Carter
    “Yep, that's the right place. His cousin is loaded. He told me it was one of his daddy's properties," he whispered. "Don't go doing anything foolish, Sam. You drop those prisoners off and hightail it out of there. We've been paid for delivery only," he cautioned. ”
    Sharon Carter, Love Auction II: Love Designs

  • #8
    Sharon Carter
    “Oh my God, kidnapped!" she roared. "Now she's gone from missing to kidnapped. Who would want to take her? She's such a sweet person. Vanna wouldn't hurt a fly.”
    Sharon Carter, Love Auction II: Love Designs

  • #9
    Sharon Carter
    “Sounds to me you just haven’t found the right man, is all,” Sage proposed. “When the time comes, it will be when you least expect it. My late husband died three years ago, and Nick and Niki came into my life unexpectedly. My husband ran a background check on me before we met, which was understandable. He had been through a messy divorce. He tried to stay away from me but couldn’t. I’m blessed to have them, including this bundle of joy,” she shone with pleasure.”
    Sharon Carter, Love Auction II: Love Designs

  • #10
    Sharon Carter
    “You know, you could meet Mr. Right or It-Guy tonigh; she communicated with a wicked grin. "Bite your tongue, honie chawld. I'm not looking for difficulities tonight.”
    Sharon Carter, Love Auction II: Love Designs

  • #11
    Sharon Carter
    “Aiden i'm not willing to explore a relationship with you other than work. I will consider a one-night stand with you. Preferably tonight as you wanted," she sounded softly, nibbling her bottom lip.”
    Sharon Carter, Love Auction II: Love Designs

  • #12
    Sharon Carter
    “ "We took the surveillance footage from the apartment given by the nightwatchman. He stated that a kid delivered flowers to Savanna, which was accurate. What he didn't know was the kid had taken Savanna by force.”
    Sharon Carter, Love Auction II: Love Designs

  • #13
    Sharon Carter
    “I'm damn sure Matt can do about anything once he gets his mind set on somehting," he boasted. "Now let's get inside, boys.”
    Sharon Carter, Love Auction II: Love Designs

  • #14
    Karen Marie Moning
    “Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.”

    He smiles faintly. “I’ll be damned. You have a crush on Barrons.”

    “I do not have a crush—“

    “You do, too. It’s all over your face. Anybody could see it.”

    “Sometimes, boss, you’re just wrong.”

    “I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ”

    “He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.”

    “No one but me is ever going to teach you, Dani.”

    He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable.

    “That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.”
    Karen Marie Moning, Iced

  • #15
    Karen Marie Moning
    “Distinguish yourself [...] in an age where girls often make themselves too available to boys, by making him work a little for your attention. He'll think he's won a prize when he gets it, and he'll work that much harder to keep it. Boys turn into men and men put a premium on what's hard to get.”
    Karen Marie Moning, Darkfever

  • #16
    Karen Marie Moning
    “I can see you are a fine lady, but this boy is randy as a goat around you and it's plain to see. If he seeks the joys of wedded bliss, he can wed you. Without a weddin' he'll be havin' no bliss.”
    Karen Marie Moning, To Tame a Highland Warrior

  • #17
    Karen Marie Moning
    “There are currently three places to obtain food in Dublin, where the prices vary according to whim: Chester’s, the Fae, and the black market. If you ask me, they’re all black. Of course nobody does ask me because nobody sees me because I lay low all the time and I’ve got a boyfriend who isn’t much for talking.

    I snort. I just thought of Jericho Barrons as my “boyfriend.” I doubt that cataclysm was ever a boy and he certainly can’t be called friendly.

    It’s official. I’m losing it.”
    Karen Marie Moning, Burned

  • #18
    Michael G. Kramer
    “  “I am running back my tent to get my sub-machinegun. There are too many Noggies to kill using a pistol!” He then ran to where his scrape was and returned with the weapon.”
    Michael G. Kramer

  • #19
    Michael G. Kramer
    “As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas.
    This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training.
    So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems.
    The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam.
    Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists.
    The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done.
    The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s.
    On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rouge’s navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.”
    Michael G. Kramer, A Gracious Enemy

  • #20
    Michael G. Kramer
    “After World War Two, the Australian army had been re-organised into its peace-time army status. The army was primarily three battalions which together with supporting units, formed a regiment and the battalions making up the regiment were identified by both their number and the title of the regiment. This meant that the First Battalion Royal Australian Regiment was identified by the initials of 1RAR. The two other battalions were identified as 2RAR or 3RAR. At the height of Australia’s commitment to the Vietnam War (Second Indochina War) Australia had a total of nine battalions which were later called the First Division.”
    Michael G. Kramer, A Gracious Enemy

  • #21
    Michael G. Kramer
    “Although enemy forces had overrun the mortar and some gun positions, they did not have everything their own way.”
    Michael G. Kramer, A Gracious Enemy

  • #22
    Michael G. Kramer
    “The Minister of Army answered, “Bob, I thought that you would have been an astute and clever enough a politician to think of this yourself, but seeing how you have asked me, I suggest that you wait until eight in the night on Thursday 29/April/1965 to announce that Australia will send the First Battalion Royal Australian Regiment to fight in South Vietnam. By you waiting until the evening of 29/April/1965 to announce this in Parliament, the labour opposition leader of Arthur Caldwell and his deputy leader of Gough Whitlam should be absent, as will be most of the entire parliament, because the following day is the beginning of a long week-
    end. You are legally not required to give advanced warning to the house, so you can easily get away with this!”
    Michael G. Kramer, A Gracious Enemy & After the War Volume One

  • #23
    Michael G. Kramer
    “One thing that became very clear during my own war service is that those who are actively taking part in war-like activities very seldom hate their former enemies. The reverse is the case with a great respect developing among the veterans, even if they happened to be on opposing sides.”
    Michael G. Kramer, A Gracious Enemy & After the War Volume One

  • #24
    Michael G. Kramer
    “A French lieutenant was asked by the commander of the French forces, “Jean, it seems to me that many people are only saying the things they think that I want to hear. Accordingly, what I am getting is not information, it is fucking bullshit!”
    Michael G. Kramer, A Gracious Enemy & After the War Volume One

  • #25
    Michael G. Kramer
    “            It was stated by an Australian Army Officer, “Phuoc Tuy offers the perfect terrain for guerrilla warfare. It has a long coastline with complex areas of mangrove swamps, isolated ranges of very rugged mountains and a large area of uninhabited jungle containing all of the most loathsome combinations of thorny bamboos, poisonous snakes, insects, malaria, dense underbrush, swamps and rugged ground conditions that the most dedicated guerrilla warfare expert could ask for.”
    Michael G. Kramer, A Gracious Enemy

  • #26
    Michael G. Kramer
    “The American generals could only think in terms of large armies and huge battles. They believed or hoped that an enemy who chose to hide in jungles and tunnels would quickly be flushed out by American fire-power and then die in open battle.”
    Michael G. Kramer, A Gracious Enemy

  • #27
    Sarah J. Maas
    “They joined hands.
    So the world ended.
    And the next one began.”
    Sarah J. Maas, Queen of Shadows

  • #28
    Sarah J. Maas
    “Chaol kept his sword drawn. “I will not go to Anielle,” he growled. “And I will not serve you a moment longer. There is one true king in this room—­there always has been. And he is not sitting on that throne.”
    Dorian stiffened.
    But Chaol went on. “There is a queen in the north, and she has already beaten you once. She will beat you again. And again. Because what she represents, and what your son represents, is what you fear most: hope. You cannot steal it, no matter how many you rip from their homes and enslave. And you cannot break it, no matter how many you murder.”
    Sarah J. Maas, Heir of Fire

  • #29
    Sarah J. Maas
    “Then Celaena and the King of Adarlan smiled at each other, and it was the most terrifying thing Dorian had ever seen.”
    Sarah J. Maas, Crown of Midnight

  • #30
    Sarah J. Maas
    “They were infinite. They were the beginning and the ending; they were eternity. The king standing before them gaped as the shield of flame died out to reveal Aelin and Dorian, hand in hand, glowing like newborn gods as their magic entwined.”
    Sarah J. Maas, Queen of Shadows



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