Ellina > Ellina's Quotes

“The day you stop listening to your chaos,
it will start transforming into catharsis.”
― Chandrama Deshmukh, A Teaspoon Of Stars

“Sometimes it’s good for you to be spectacularly stupid.”
― Jennifer E. Smith, Field Notes on Love

“Shaving is always cathartic, much like showering, changing out of clothes, anything where what once was carried during a moment or period of distress is purged.”
― A.D. Aliwat, In Limbo

“How do you circumvent a mind bent upon lying to get away from the truth?”
― Noorilhuda, Catharsis

“What I've always taken away from his words is the sense that we all have something that confines us, that seeks to define us, label us, belittling us in the process, shortchanging our potential. Can it be that that is our sanctuary, our refuge, our way to liberty?”
― Noorilhuda, Catharsis

“Because it is dangerous to ignore the existence of the irrational. The more cultivated a person is, the more intelligent, the more repressed, then the more he needs some method of channeling the primitive impulses he's worked so hard to subdue. Otherwise those powerful old forces will mass and strengthen until they are violent enough to break free, more violent for the delay, often strong enough to sweep the will away entirely.”
― Donna Tartt, The Secret History

“The heart is the center of the human microcosm, at once the center
of the physical body, the vital energies, the emotions, and the soul,
as well as the meeting place between the human and the celestial
realms where the spirit resides. How remarkable is this reality of the heart, that mysterious center which from the point of view of our earthly existence seems so small, and yet as the Prophet has said it is the Throne (al-‘arsh) of God the All-Merciful (ar-Rahmân), the Throne that encompasses the whole universe. Or as he uttered in another saying, “My Heaven containeth Me not, nor My Earth, but the heart of My faithful servant doth contain Me.”
It is the heart, the realm of interiority, to which Christ referred
when he said, “The kingdom of God is within you” (Lk 17:21), and it is the heart which the founders of all religions and the sacred scriptures advise man to keep pure as a condition for his salvation and deliverance. We need only recall the words of the Gospel, “Blessed are the pure in heart, for they shall see God” (Mt 5:8)

[…]

In Christianity the Desert Fathers articulated the spiritual, mystical, and symbolic meanings of the reality of the heart, and these teachings led to a long tradition in the Eastern Orthodox Church known as Hesychasm, culminating with St Gregory Palamas, which is focused on the “prayer of the heart” and which includes the exposition of the significance of the heart and the elaboration of the mysticism and theology of the heart. In Catholicism another development took place, in which the heart of the faithful became in a sense replaced by the heart of Christ, and a new spirituality developed on the basis of devotion to the Sacred Heart of Jesus. Reference to His bleeding heart became common in the writings of such figures as St Bernard of Clairvaux and St Catherine of Sienna. The Christian doctrines of the heart, based as they are on the Bible, present certain universal theses to be seen also in Judaism, the most important of which is the association of the heart with the inner soul of man and the center of the human state. In Jewish mysticism the spirituality of the heart was further developed, and some Jewish mystics emphasized the idea of the “broken or contrite heart” (levnichbar) and wrote that to reach the Divine Majesty one had to “tear one’s heart” and that the “broken heart” mentioned in the Psalms sufficed. To make clear the universality of the spiritual significance of the heart across religious boundaries, while also emphasizing the development of the “theology of the heart” and methods of “prayer of the heart” particular to each tradition, one may recall that the name of Horus, the Egyptian god, meant the “heart of the world”. In Sanskrit the term for heart, hridaya, means also the center of the world, since, by virtue of the analogy between the macrocosm and the microcosm, the center of man is also the center of the universe. Furthermore, in Sanskrit the term shraddha, meaning faith, also signifies knowledge of the heart, and the same is true in Arabic, where the word îmân means faith when used for man and knowledge when used for God, as in the Divine Name al-Mu’min. As for the Far Eastern tradition, in Chinese the term xin means both heart and mind or consciousness. – Seyyed Hossein Nasr (Chapter 3: The Heart of the Faithful is the Throne of the All-Merciful)”
― James S. Cutsinger, Paths to the Heart: Sufism and the Christian East

“Did perpetual happiness in the Garden of Eden maybe get so boring that eating the apple was justified?”
― Chuck Palahniuk, Survivor

“Knowing was a temptation. What you don't know won't tempt you.”
― Margaret Atwood, The Handmaid’s Tale

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
― Ingmar Bergman

“Truth came home one day, naked and wounded, having been beaten and cursed by the people who did not wish to hear, while his brother Falsehood went dressed in the brightest garments and feasted with every household.
“What shall I do?” cried Truth to the gods. “No man wishes to hear me and all beat me and throw things at me; look, I am covered with dung.”
“You are naked” said the goddess Maat, sympathetically. “No naked one can command respect. Therefore take these robes and you will walk without fear and all men will sit at your feet to hear your stories.” And she dressed Truth in Fable’s garments, and he was welcome at every house.”
― Kerry Greenwood, Out of the Black Land

“What they teach you as history is mythology, and true mythology is far from fantasy - every kind reveals true fragments of our real history. A bulk of our real history can be found in Egyptian and Greek mythology. Yes, myths reveal to us worlds of other dimensions that make up our true reality. History books teach us that the minds of the past operated on the same frequency, dimension, or level of consciousness as we do now. Not true at all.”
― Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem

“The Egyptians had what might to us seem a strange attitude to their gods. While they were happy to sing praises to their deities in order to coerce them into manifestation, they were not able threatening them either. Many spells have survived that promise all manner of dire consequences if the deity concerned does not fulfil the practioner’s wishes. These threats included the destruction of temples, the slaughter of sacred beasts, and perhaps worst of all, the deliberate refusal to acknowledge a god’s existence.”
― Storm Constantine, Bast and Sekhmet: Eyes of Ra

“Undertaking magical work should not a hasty decision. It is vital that people appreciate what it entails and have a basic understanding of magical principals before they are thrown in at the deep end.”
― Storm Constantine, Bast and Sekhmet: Eyes of Ra

“Everywhere you go, you shall find dramatic splendor and awe because your majestic soul is part of the vivid whole, and nothing about you is ignoble.”
― Kilroy J. Oldster, Dead Toad Scrolls

“A selfless person is never bored because there is too much splendor in the world – the ceaseless inspiration proffered from the exquisite images of nature – constantly to invoke ecstasy.”
― Kilroy J. Oldster, Dead Toad Scrolls

“Everything looks better with my eyes closed.”
― Rick Springfield

“We cover the Universe with the drawings we have lived.”
― Gaston Bachelard

“The poetic image […] is not an echo of the past. On the contrary: through the brilliance of any image, the distant past resounds with echoes.”
― Gaston Bachelard, The Poetics of Space

“How concrete everything becomes in the world of the spirit when an object, a mere door, can give images of hesitation, temptation, desire, security, welcome and respect. If one were to give an account of all the doors one has closed and opened, of all the doors one would like to re-open, one would have to tell the story of one's entire life.”
― Gaston Bachelard, The Poetics of Space

“Therefore, the places in which we have experienced day dreaming reconstitute themselves in a new daydream, and it is because our memories of former dwelling-places are relived as day-dreams these dwelling-places of the past remain in us for all the time.”
― Gaston Bachelard, The Poetics of Space

“All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof.

If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K."

Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children.

Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.”
― Gaston Bachelard, The Poetics of Space

“Now my aim is clear: I must show that the house is one of the greatest powers of integration for the thoughts, memories and dreams of mankind. The binding principle in this integration is the daydream. Past, present and future give the house different dynamisms, which often interfere, at times opposing, at others, stimulating one another. In the life of a man, the house thrusts aside contingencies, its councils of continuity are unceasing. Without it, man would be a dispersed being. It maintains him through the storms of the heavens and through those of life. It is body and soul. It is the human being's first world. Before he is "cast into the world," as claimed by certain hasty meta-physics, man is laid in the cradle of the house. And always, in our daydreams, the house is a large cradle. A concrete metaphysics cannot neglect this fact, this simple fact, all the more, since this fact is a value, an important value, to which we return in our daydreaming. Being is already a value. Life begins well, it begins enclosed, protected, all warm in the bosom of the house.”
― Gaston Bachelard, The Poetics of Space

“Inhabited space transcends geometrical space.”
― Gaston Bachelard, The Poetics of Space

“In my Paris apartment, when a neighbor drives nails into the wall at an undue hour, I "naturalize" the noise by imagining that I am in my house in Dijon, where I have a garden. And finding everything I hear quite natural, I say to myself: "That's my woodpecker at work in the acacia tree." This is my method for obtaining calm when things disturb me.”
― Gaston Bachelard, The Poetics of Space

“The early and relatively sophisticated Egyptians understood that their civilization would be threatened if they bred with the Negroes to their south, so pharaohs went so far as "to prevent the mongrelization of the Egyptian race" by making it a death penalty-eligible offense to bring blacks into Egypt. The ancient Egyptians even constructed a fort on the Nile in central Egypt to prevent blacks from immigrating to their lands. In spite of the efforts by the Egyptian government to defend their civilization, blacks still came to Egypt as soldiers, slaves, and captives from other nations. By 1,500 B.C., half of the population of southern Egypt was of mixed blood, and by 688 B.C., societal progress had ended in Egypt when Taharka became the first mulatto pharaoh. By 332 B.C., Egypt had fallen when Alexander the Great conquered the region.”
― Kyle Bristow, The Conscience of a Right-Winger

“it is only as an aesthetic phenomenon that existence and the world are eternally justified.”
― Friedrich Nietzsche, The Birth of Tragedy / The Case of Wagner

“How can unity and infinity share the same space?
There is only one way, as a fractal.”
― R.A. Delmonico

“There is only one miracle but it is a fractal.”
― R.A.Delmonico

“Freewill is fractal.”
― R.A.Delmonico