Karthika > Karthika's Quotes

Showing 1-30 of 37
« previous 1
sort by

  • #1
    Adam Silvera
    “You may be born into a family, but you walk into friendships. Some you’ll discover you should put behind you. Others are worth every risk.”
    ― Adam Silvera, They Both Die at the End

  • #2
    Norton Juster
    “The most important reason for going from one place to another is to see what's in between.”
    ― Norton Juster, The Phantom Tollbooth

  • #3
    John  Green
    “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.”
    ― John Green, The Fault in Our Stars

  • #4
    Emily X.R. Pan
    “Colors flash like promises and black flickers like static, like memories, and everything is falling, falling, remembering, falling, remembering, the two words synonymous.”
    ― Emily X.R. Pan, The Astonishing Color of After

  • #5
    Emily X.R. Pan
    “Hold your finger to the sky with so much force it lengthens like a spine. Look up to the point of it and beyond. There. That tiny patch of the world, no bigger than the tip of your finger. At first glance, it might look like one flat color. Blue, or gray, or maybe even orange.

    But it's much more complex than that. Squint. See the daubs of lilac. The streak of sage no wider than a hyphen. That butterscotch smear and the faint wash of carnelian. All of them coming together to swirl at the point just above your finger.

    Breathe them in. Let them settle in your lungs. Those are the colors of right now.”
    ― Emily X.R. Pan, The Astonishing Color of After

  • #6
    Douglas Adams
    “The Answer to the Great Question... Of Life, the Universe and Everything... Is... Forty-two,' said Deep Thought, with infinite majesty and calm.”
    ― Douglas Adams, The Hitchhiker's Guide to the Galaxy
    tags: 42

  • #7
    Douglas Adams
    “For a moment, nothing happened. Then, after a second or so, nothing continued to happen.”
    ― Douglas Adams, The Hitchhiker's Guide to the Galaxy

  • #8
    Sarah Kay
    “If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”

    She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.

    And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”

    But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.

    I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.

    You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.

    And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.

    “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”

    Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.

    Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.”
    ― Sarah Kay

  • #9
    Sarah Kay
    “Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.”
    ― Sarah Kay

  • #10
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.
    If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
    As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
    “Patroclus,” he said. He was always better with words than I.”
    ― Madeline Miller, The Song of Achilles

  • #11
    Madeline Miller
    “That is — your friend?"
    "Philtatos," Achilles replied, sharply. Most beloved.”
    ― Madeline Miller, The Song of Achilles

  • #12
    Madeline Miller
    “Odysseus inclines his head. "True. But fame is a strange thing. Some men gain glory after they die, while others fade. What is admired in one generation is abhorred in another." He spread his broad hands. "We cannot say who will survive the holocaust of memory. Who knows?" He smiles. "Perhaps one day even I will be famous. Perhaps more famous than you.”
    ― Madeline Miller, The Song of Achilles

  • #13
    Madeline Miller
    “Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.”

    “But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?”

    “You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?”

    We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard.

    He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all.

    I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.”
    ― Madeline Miller, The Song of Achilles

  • #14
    Jennifer Niven
    “I’ve always thought you should be able to freeze time. This way you could hit the Pause button at a really good point in your life so that nothing changes”
    ― Jennifer Niven, Holding Up the Universe

  • #15
    Jennifer Niven
    “This is what I know about loss:

    - It doesn't get better. You just (somewhat) get used to it.
    - You never stop missing the people who go away.
    - For something that isn't there anymore, it weighs a ton.”
    ― Jennifer Niven, Holding Up the Universe

  • #16
    Adam Silvera
    “People have their time stamps on how long you should know someone before earning the right to say it, but I wouldn't like to you no matter how little time we have. People waste time and wait for the right moment and we don't have that luxury. If we had our entire lives ahead of us I bet you'd get tired of me telling you how much I love you because I'm positive that's thepath we were heading on. But because we're about to die, I want to say it as many times as I want--I love you, I love you, I love you, I love you.”
    ― Adam Silvera, They Both Die at the End

  • #17
    Adam Silvera
    “Two dudes met. They fell in love. They lived. That's our story.”
    ― Adam Silvera, They Both Die at the End

  • #18
    Lucy Christopher
    “I ate the roll, and forced down some more sparkling wine. When your eyes closed against the sun again, and I had nothing else to look at I glanced quickly at your chest, curious, really. I'd only seen chests like that in magazines. I wondered if that's how you'd got all your money . . . modeling. I looked down at my stomach. I grabbed at it, seeing how much fat I could lift up in a roll.

    "Don't worry," you said, one eye open again like a crocodile, watching me. "You're beautiful." You tipped your head back again "Beautiful," you murmured. "Perfect."

    "You wouldn't know. You're built like some sort of supermodel." I bit my lip, wishing I hadn't complimented you like that. "Or a stripper," I added. "Prostitute."

    "I wouldn't want you to think I'm repulsive," you said, half smiling.

    "Too late."

    You opened your other eye to squint at me. "Will you ever give me a break?”
    ― Lucy Christopher, Stolen

  • #19
    Lucy Christopher
    “Lets face it, you did steal me. But you saved my life too. And somewhere in the middle, you showed me a place so different and beautiful, I can never get it out of my mind. And I can't get you out of there either. You're stuck in my brain like my own blood vessels.”
    ― Lucy Christopher, Stolen

  • #20
    Jandy Nelson
    “I gave up practically the whole world for you,” I tell him, walking through the front door of my own love story. “The sun, stars, ocean, trees, everything, I gave it all up for you.”
    ― Jandy Nelson, I'll Give You the Sun

  • #21
    Jandy Nelson
    “what is bad for the heart is good for art. The terrible irony of our lives as artists.”
    ― Jandy Nelson, I'll Give You the Sun

  • #22
    Jandy Nelson
    “He was the kind of man who walks into a room and all the walls fall down.”
    ― Jandy Nelson, I'll Give You the Sun

  • #23
    Emily X.R. Pan
    “Here, in two dimensions, they looked so happy. But then, didn’t everyone, in pictures? That was almost the point, wasn’t it? To be able to look back and see yourself smiling, even if the camera had shuttered and clicked while you were standing there thinking about all the things that were wrong?”
    ― Emily X.R. Pan, The Astonishing Color of After

  • #24
    Anthony Doerr
    “It's embarrassingly plain how inadequate language is.”
    ― Anthony Doerr, All the Light We Cannot See

  • #25
    Anthony Doerr
    “There has always been a sliver of panic in him, deeply buried, when it comes to his daughter: a fear that he is no good as a father, that he is doing everything wrong. That he never quite understood the rules. All those Parisian mothers pushing buggies through the Jardin des Plantes or holding up cardigans in department stores—it seemed to him that those women nodded to each other as they passed, as though each possessed some secret knowledge that he did not. How do you ever know for certain that you are doing the right thing?”
    ― Anthony Doerr, All the Light We Cannot See

  • #26
    Anthony Doerr
    “Marie-Laure smiles, and he laughs a pure, contagious laugh, one she will try to remember all her life, father and daughter turning in circles on the sidewalk in front of their apartment house, laughing together while snow sifts through the branches above.”
    ― Anthony Doerr, All the Light We Cannot See

  • #27
    Casey McQuiston
    “History, huh?”
    ― Casey McQuiston, Red, White & Royal Blue

  • #28
    Arundhati Roy
    “The first step towards reimagining a world gone terribly wrong would be to stop the annihilation of those who have a different imagination–an imagination that is outside of capitalism as well as communism. An imagination which has an altogether different understanding of what constitutes happiness and fulfilment. To gain this philosophical space, it is necessary to concede some physical space for survival of those who may look like the keepers of our past but who may really be the guides to our future. To do this, we have to ask our rulers: Can you leave the water in the rivers, the trees in the forest? Can you leave the bauxite in the mountain?”
    ― Arundhati Roy, Broken Republic: Three Essays

  • #29
    Ned Vizzini
    “I can't eat and I can't sleep. I'm not doing well in terms of being a functional human, you know?”
    ― Ned Vizzini, It's Kind of a Funny Story

  • #30
    Lancali
    “Just because the stars fell doesn't mean they weren't worth wishing on.”
    ― Lancali ., I Fell in Love With Hope



Rss
« previous 1