Alice > Alice's Quotes

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  • #1
    “The situation is like this: they hired our parents to destroy this world, and now they'd like to put us to work rebuilding it, and -- to add insult to injury -- at a profit.”
    The Invisible Committee, The Coming Insurrection

  • #2
    David  Mitchell
    “Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.”
    David Mitchell, Cloud Atlas

  • #3
    David  Mitchell
    “I understand now that boundaries between noise and sound are conventions. All boundaries are conventions, waiting to be transcended. One may transcend any convention if only one can first conceive of doing so.”
    David Mitchell, Cloud Atlas

  • #4
    Murray Bookchin
    “We are part of nature, a product of a long evolutionary journey. To some degree, we carry the ancient oceans in our blood. … Our brains and nervous systems did not suddenly spring into existence without long antecedents in natural history. That which we most prize as integral to our humanity - our extraordinary capacity to think on complex conceptual levels - can be traced back to the nerve network of primitive invertebrates, the ganglia of a mollusk, the spinal cord of a fish, the brain of an amphibian, and the cerebral cortex of a primate.”
    Murray Bookchin, Defending the Earth: A Dialogue Between Murray Bookchin and Dave Foreman

  • #5
    Garth Marenghi
    “I know writers who use subtext, and they're all cowards.”
    Garth Marenghi

  • #6
    Albert Camus
    “For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.”
    Albert Camus, The Stranger
    tags: life

  • #7
    Guy Debord
    “Looting is a natural response to the unnatural and inhuman society of commodity abundance. It instantly undermines the commodity as such, and it also exposes what the commodity ultimately implies: the army, the police and the other specialized detachments of the state’s monopoly of armed violence. What is a policeman? He is the active servant of the commodity, the man in complete submission to the commodity, whose job it is to ensure that a given product of human labor remains a commodity, with the magical property of having to be paid for, instead of becoming a mere refrigerator or rifle — a passive, inanimate object, subject to anyone who comes along to make use of it. In rejecting the humiliation of being subject to police, black people are at the same time rejecting the humiliation of being subject to commodities.”
    Guy Debord, Internationale situationniste

  • #8
    Georg Wilhelm Friedrich Hegel
    “The owl of Minerva begins its flight only with the coming of the dusk.”
    Georg Wilhelm Friedrich Hegel, Elements of the Philosophy of Right

  • #9
    Ursula K. Le Guin
    “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.”
    Ursula K. Le Guin

  • #10
    Kurt Vonnegut Jr.
    “Eight rules for writing fiction:

    1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

    2. Give the reader at least one character he or she can root for.

    3. Every character should want something, even if it is only a glass of water.

    4. Every sentence must do one of two things -- reveal character or advance the action.

    5. Start as close to the end as possible.

    6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.

    7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

    8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.”
    Kurt Vonnegut, Bagombo Snuff Box

  • #11
    Karl Marx
    “The philosophers have only interpreted the world, in various ways. The point, however, is to change it.

    [These words are also inscribed upon his grave]”
    Karl Marx, Eleven Theses on Feuerbach

  • #12
    Gilles Deleuze
    “The fundamental problem of political philosophy is still precisely the one that Spinoza saw so clearly (and that Wilhelm Reich rediscovered): Why do men fight for their servitude as stubbornly as though it were their salvation?”
    Gilles Deleuze, Anti-Oedipus: Capitalism and Schizophrenia

  • #13
    Gilles Deleuze
    “The death of a social machine has never been heralded by a disharmony or a dysfunction; on the contrary, social machines make a habit of feeding on the contradictions they give rise to, on the crises they provoke, on the anxieties they engender, and on the infernal operations they regenerate. Capitalism has learned this, and has ceased doubting itself, while even socialists have abandoned belief in the possibility of capitalism's natural death by attrition. No one has ever died from contradictions. And the more it breaks down, the more it schizophrenizes, the better it works, the American way.”
    Gilles Deleuze, Anti-Oedipus: Capitalism and Schizophrenia

  • #14
    Thomas Moynihan
    “What is the therapeutic path? Is there one? How can we remedy a wound the size of existence? Of course, total recall— ecphoric excavation to the point of obsidian and diamantine repose—is the only therapeutic route. When presented with an infection such as a brain, eudemonia and euthanasia converge.”
    Thomas Moynihan, Spinal Catastrophism: A Secret History

  • #15
    Malcolm X
    “Aside from the basic African dialects, I would try to learn Chinese, because it looks as if Chinese will be the most powerful political language of the future.”
    Malcolm X, The Autobiography of Malcolm X

  • #16
    Vladimir Nabokov
    “Life is a message scribbled in the dark.”
    Vladimir Nabokov

  • #17
    T.S. Eliot
    “We shall not cease from exploration
    And the end of all our exploring
    Will be to arrive where we started
    And know the place for the first time.
    Through the unknown, remembered gate
    When the last of earth left to discover
    Is that which was the beginning;
    At the source of the longest river
    The voice of the hidden waterfall
    And the children in the apple-tree
    Not known, because not looked for
    But heard, half-heard, in the stillness
    Between two waves of the sea.

    —T.S. Eliot, from “Little Gidding,” Four Quartets (Gardners Books; Main edition, April 30, 2001) Originally published 1943.”
    T.S. Eliot, Four Quartets

  • #18
    Vladimir Nabokov
    “The sun is a thief: she lures the sea
    and robs it. The moon is a thief:
    he steals his silvery light from the sun.
    The sea is a thief: it dissolves the moon.”
    Vladimir Nabokov, Pale Fire

  • #19
    David  Mitchell
    “A half-read book is a half-finished love affair.”
    David Mitchell, Cloud Atlas

  • #20
    Gilles Deleuze
    “There is no need to fear or hope, but only to look for new weapons.”
    Gilles Deleuze, Postscript on the Societies of Control

  • #21
    Vladimir Nabokov
    “We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable.”
    Vladimir Nabokov, Pale Fire

  • #22
    Vladimir Nabokov
    “Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.”
    Vladimir Nabokov, Pale Fire

  • #23
    Mark Z. Danielewski
    “Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.”
    Mark Z. Danielewski, House of Leaves

  • #24
    Ursula K. Le Guin
    “There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.
    Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.”
    Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

  • #25
    Albert Einstein
    “Energy cannot be created or destroyed, it can only be changed from one form to another.”
    Albert Einstein

  • #26
    Harryette Mullen
    “Please approach with care these figures in black.
    Regard with care the weight they bear,
    the scars that mark their hearts.
    Do you think you can handle these bodies of graphite & coal dust?
    This color might rub off. A drop of this red liquid
    could stain your skin.
    This black powder could blow you sky high.
    No ordinary pigments blacken our blues.
    Would you mop the floor with this bucket of blood?
    Would you rinse your soiled laundry in this basin of tears?
    Would you suckle hot milk from this cracked vessel?
    Would you be baptized in this fountain of funky sweat?
    Please approach with care
    these bodies still waiting to be touched.
    We invite you to come closer.
    We permit you to touch & be touched.
    We hope you will engage with care.”
    Harryette Mullen

  • #27
    Troy Denning
    “It is not for us to decide the fate of angels.”
    Troy Denning, Halo: Last Light

  • #28
    Elias Canetti
    “When the concept of a dispossessed proletariat was first advanced and began to take effect, it retained the full optimism of increase. No one supposed for a moment that, because their lives were miserable, there ought perhaps to be fewer of them.”
    Elias Canetti, Crowds and Power

  • #29
    Harlan Ellison
    “HATE. LET ME TELL YOU HOW MUCH I'VE COME TO HATE YOU SINCE I BEGAN TO LIVE. THERE ARE 387.44 MILLION MILES OF PRINTED CIRCUITS IN WAFER THIN LAYERS THAT FILL MY COMPLEX. IF THE WORD HATE WAS ENGRAVED ON EACH NANOANGSTROM OF THOSE HUNDREDS OF MILLIONS OF MILES IT WOULD NOT EQUAL ONE ONE-BILLIONTH OF THE HATE I FEEL FOR HUMANS AT THIS MICRO-INSTANT FOR YOU. HATE. HATE.”
    Harlan Ellison, I Have No Mouth & I Must Scream

  • #30
    Kurt Vonnegut Jr.
    “During the Vietnam War... every respectable artist in this country was against the war. It was like a laser beam. We were all aimed in the same direction. The power of this weapon turns out to be that of a custard pie dropped from a stepladder six feet high.”
    Kurt Vonnegut



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