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“There is no need to fear or hope, but only to look for new weapons.”
― Postscript on the Societies of Control
― Postscript on the Societies of Control
“The death of a social machine has never been heralded by a disharmony or a dysfunction; on the contrary, social machines make a habit of feeding on the contradictions they give rise to, on the crises they provoke, on the anxieties they engender, and on the infernal operations they regenerate. Capitalism has learned this, and has ceased doubting itself, while even socialists have abandoned belief in the possibility of capitalism's natural death by attrition. No one has ever died from contradictions. And the more it breaks down, the more it schizophrenizes, the better it works, the American way.”
― Anti-Oedipus: Capitalism and Schizophrenia
― Anti-Oedipus: Capitalism and Schizophrenia
“What is the therapeutic path? Is there one? How can we remedy a wound the size of existence? Of course, total recall— ecphoric excavation to the point of obsidian and diamantine repose—is the only therapeutic route. When presented with an infection such as a brain, eudemonia and euthanasia converge.”
― Spinal Catastrophism: A Secret History
― Spinal Catastrophism: A Secret History
“Aside from the basic African dialects, I would try to learn Chinese, because it looks as if Chinese will be the most powerful political language of the future.”
― The Autobiography of Malcolm X
― The Autobiography of Malcolm X
“Eight rules for writing fiction:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things -- reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.”
― Bagombo Snuff Box
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things -- reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.”
― Bagombo Snuff Box
Alice’s 2025 Year in Books
Take a look at Alice’s Year in Books, including some fun facts about their reading.
Favorite Genres
Polls voted on by Alice
Lists liked by Alice



























