Bessy > Bessy's Quotes

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  • #1
    Azar Nafisi
    “You get a strange feeling when you're about to leave a place...like you'll not only miss the people you love but you'll miss the person you are now at this time and this place, because you'll never be this way ever again.”
    Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books

  • #2
    “I wish there was a way to know you're in the good old days before you've actually left them.”
    Andy Bernard

  • #3
    NoViolet Bulawayo
    “Leaving everything that makes them who and what they are, leaving because it is no longer possible to stay. They will never be the same again because you just cannot be the same once you leave behind who and what you are, you just cannot be the same.”
    NoViolet Bulawayo, We Need New Names

  • #4
    Chinelo Okparanta
    “...as if in rebellion, certain emotions become amplified at the exact moments when you are expected not to feel them at all.”
    Chinelo Okparanta, Happiness, Like Water

  • #5
  • #6
  • #7
    Pico Iyer
    “If you grow up between cultures, if you get accustomed to traveling, it’s easy to find yourself always on the outside of things, looking in. This can be ideal for a writer—or a spy; you’ve always got, analytically, a ticket out.”
    Pico Iyer, The Man within My Head

  • #8
    Karen Marie Moning
    “I wasn't prepared for death. Nobody is. You lose someone you love more than you love yourself, and you get a crash course in mortality. You lie awake night after night, wondering if you really believe in heaven and hell and finding all kinds of reasons to cling to faith, because you can't bear to believe they aren't out there somewhere, a few whispered words of a prayer away.”
    Karen Marie Moning, Shadowfever

  • #9
    Karen Marie Moning
    “If only [love] could be turned off. It's not a faucet. Love's a bloody river with level-five rapids. Only a catastrophic act of nature or a dam has any chance of stopping it- and then only succeeds in diverting it. Both measures are extreme and change the terrain so much you end up wondering why you bothered. No landmarks to gauge your position when it's done. Only way to survive is to devise new ways to map out life.”
    Karen Marie Moning, Shadowfever
    tags: love

  • #10
    Karen Marie Moning
    “Silence isn't golden, it's deadly. It's a vacuum that fills up with ghosts.”
    Karen Marie Moning, Shadowfever

  • #11
    Karen Marie Moning
    “Those who were so long imprisoned in ice and darkness seem to find the sunlight jarring, painful. The longer I walk around with this grief inside me, the more I understand that. It’s as if sunshine is a slap in the face that says, Look, the world’s all bright and shiny! Too bad you’re not.”
    Karen Marie Moning, Shadowfever

  • #12
    Karen Marie Moning
    “I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.”
    Karen Marie Moning, Shadowfever

  • #13
    Karen Marie Moning
    “There was pain, but there was also joy. It was in the tension between the two that life happened. Imperfect as it was, this world was real. Illusion was no substitute. I'd rather live a hard life of fact than a sweet life of lies.”
    Karen Marie Moning, Shadowfever

  • #14
    Karen Marie Moning
    “The illusions it had woven for me had taken place only in my head. The battle had been invisible to the naked eye, but the hardest ones are.”
    Karen Marie Moning, Shadowfever
    tags: pnr, uf

  • #15
    Karen Marie Moning
    “It's funny the things people say when someone dies.
    He's in a better place.
    How do you know that?
    Life goes on.
    That's supposed to comfort me? I'm excruciatingly aware that life goes on. It hurts every damned second. How lovely to know it's going to continue like this. Thank you for reminding me.
    Time heals.
    No, it doesn't. At best, time is the great leveler, sweeping us all into coffins. We find ways to distract ourselves from the pain. Time is neither scalpel nor bandage. It is indifferent. Scar tissue isn't a good thing. It's merely the wound's other face.”
    Karen Marie Moning, Shadowfever

  • #16
    Karen Marie Moning
    “Life is too hard, too much to handle. Nobody told me there’d be days like these. How could nobody tell me there’d be days like these? How could they let me grow up like that—happy and pink and stupid?”
    Karen Marie Moning, Shadowfever

  • #17
    Karen Marie Moning
    “Everywhere I looked, I could see only shades of gray. Black and white were nothing more than lofty ideals in our minds, the standards by which we tried to judge things and map out our place in the world in relevance to them. Good and evil, in their purest form, were as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We could only aim at them, aspire to them, and hope not to get so lost in the shadows that we could no longer see the light.”
    Karen Marie Moning, Shadowfever

  • #18
    Karen Marie Moning
    “When he'd pushed inside me and I'd feel him begin to penetrate, it had turned me into a wild thing-hot, wet, and desperate for more of him. With every kiss, every caress, every thrust, I'd just needed more. He'd touched me, I went nuts. The world dwindled down to one thing: him.”
    Karen Marie Moning, Shadowfever

  • #19
    Karen Marie Moning
    “My heart has jet lag.”
    Karen Marie Moning, Shadowfever

  • #20
    Karen Marie Moning
    “He'd made her feel what Barrons made me feel. Bigger than I could possibly be, larger than life, on fire with possibilities, ecstatic to be breathing, impatient for the next moment together. She'd been happy in those last months, so alive and happy.”
    Karen Marie Moning, Shadowfever

  • #21
    Karen Marie Moning
    “You choose what you can live with and what you can't live without.”
    Karen Marie Moning, Shadowfever

  • #22
    Karen Marie Moning
    “As he fills me, I wonder if—in the same way that sex makes its own unique perfume—we don’t really “make” love. As in create, manufacture, evoke an independent element in the air around us, and if enough of us did it really well, for real, not just for the hell of it, we could change the world. Because when he’s in me, I feel the space around us changing, charging, and it seems to set off some kind of feedback loop, where the more he touches me, the more I need him to.”
    Karen Marie Moning, Shadowfever

  • #23
    Karen Marie Moning
    “You and I more than anyone else in the universe are perfect for each other.”
    Karen Marie Moning, Shadowfever

  • #24
    Colette
    “I felt my soul overwhelmed with sorrow because, though I'm not in the least fond of dancing, I should have liked to dance with someone whom I adored with all my heart: I should have liked to have that someone there so that I could relieve my tension by telling him everything that I confided only to Fanchette or to my pillow (and not even to my diary) because I so wildly needed that someone, and this humiliated me, and I would never surrender myself except to the someone whom I should completely love and completely know - dreams, in short, that would never be realized!”
    Colette, Sido ;Le Pur Et L'impur ; L'étoile Vesper ; Le Fanal Bleu

  • #25
    Colette
    “Minne, pâle comme une nuit de lune, se réchauffe, un peu blessée, à ce feu de couleurs, et parfois, toute nue au soleil, un miroir à la main, cherche en vain, à travers son corps mince, l'ombre plus noire de son squelette élégant.”
    Colette, L'ingénue libertine

  • #26
    Colette
    “Her nature is like a demonstrative cat's; she is delicate, acutely sensitive to cold, and incredibly caressing in her ways.”
    Colette, Claudine at School

  • #27
    Colette
    “Je sais très bien, depuis longtemps, que j’ai un cœur déraisonnable, mais, de le savoir, ça ne m’arrête pas du tout.”
    Colette, Claudine at School

  • #28
    Colette
    “I have lived ten years of wild rovings, of conquests and discoveries, in those woods; the day when I have to leave them my heart will be very heavy.”
    Colette, Claudine at School

  • #29
    Colette
    “After three years of music-hall and theatre I'm still the same: always ready too soon.

    Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say:

    "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?"

    Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.

    Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.”
    Sidonie-Gabrielle Collette

  • #30
    Colette
    “The better we feel about ourselves, the fewer times we have to knock someone down to feel tall.”
    Colette



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