Spencer Godwin > Spencer's Quotes

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  • #1
    John Waters
    “Cheer up. You never know — maybe something awful will happen tomorrow.”
    John Waters, Shock Value: A Tasteful Book about Bad Taste

  • #2
    Langston Hughes
    “I am so tired of waiting.
    Aren’t you,
    for the world to become good
    and beautiful and kind?
    Let us take a knife
    and cut the world in two—
    and see what worms are eating
    at the rind.”
    Langston Hughes, Good Morning, Revolution: Uncollected Social Protest Writings

  • #3
    W.B. Yeats
    “The best lack all conviction, while the worst are full of passionate intensity.”
    William Butler Yeats, The Collected Poems of W.B. Yeats

  • #4
    Albert Camus
    “The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.”
    Albert Camus

  • #5
    John Waters
    “Sometimes I wish I was a woman, just so I could have an abortion.”
    John Waters

  • #6
    Sylvia Plath
    “Out of the ash
    I rise with my red hair
    and I eat men like air.”
    Sylvia Plath, Ariel: The Restored Edition

  • #7
    “[on sound] It's just the one most all-embracing, forgiving, understanding thing there is. Just in the full abstraction of it, it doesn't ask any questions and you don't have to explain yourself. And it's the one world where...that can cover all the ... emotional levels of you. At least, I'm the kind of person who when it comes to, say, something like language or just communicating on a daily basis, I feel like I'm trying to put an ocean through a straw.”
    Björk

  • #8
    Guy Debord
    “The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.”
    Guy Debord, The Society of the Spectacle

  • #9
    Jean Baudrillard
    “When the real no longer is what it used to be, nostalgia assumes its full meaning.”
    Jean Baudrillard

  • #10
    Guy Debord
    “The more powerful the class, the more it claims not to exist.”
    Guy Debord, The Society of the Spectacle

  • #11
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #12
    Halle Butler
    “should read a book, I should make some friends, I should write some emails, I should go to the movies, I should get some exercise, I should unclench my muscles, I should get a hobby, I should buy a plant, I should call my exes, all of them, and ask them for advice, I should figure out why no one wants to be around me, I should start going to the same bar every night, become a regular, I should volunteer again, I should get a cat or a plant or some nice lotion or some Whitestrips, start using a laundry service, start taking myself both more and less seriously.”
    Halle Butler, The New Me

  • #13
    Chuck Palahniuk
    “Your handwriting. The way you walk. Which china pattern you choose. It’s all giving you away. Everything you do shows your hand. Everything is a self portrait. Everything is a diary.”
    Chuck Palahniuk

  • #14
    Carrie Brownstein
    “It’s hard to express how profound it is to have your experience broadcast back to you for the first time, how shocking it feels to be acknowledged, as if your own sense of realness had only existed before as a concept.”
    Carrie Brownstein, Hunger Makes Me a Modern Girl: A Memoir

  • #15
    Emily Dickinson
    “I am out with lanterns, looking for myself.”
    Emily Dickinson

  • #16
    Agnès Varda
    “The first feminist gesture is to say: “OK, they're looking at me. But I'm looking at them.” The act of deciding to look, of deciding that the world is not defined by how people see me, but how I see them.”
    Agnès Varda

  • #17
    Mary Oliver
    “You do not have to be good.
    You do not have to walk on your knees
    for a hundred miles through the desert, repenting.
    You only have to let the soft animal of your body
    love what it loves.
    Tell me about despair, yours, and I will tell you mine.
    Meanwhile the world goes on.
    Meanwhile the sun and the clear pebbles of the rain
    are moving across the landscapes,
    over the prairies and the deep trees,
    the mountains and the rivers.
    Meanwhile the wild geese, high in the clean blue air,
    are heading home again.
    Whoever you are, no matter how lonely,
    the world offers itself to your imagination,
    calls to you like the wild geese, harsh and exciting –
    over and over announcing your place
    in the family of things.”
    Mary Oliver

  • #18
    Langston Hughes
    Harlem

    What happens to a dream deferred?

    Does it dry up
    like a raisin in the sun?
    Or fester like a sore--
    And then run?
    Does it stink like rotten meat?
    Or crust and sugar over--
    like a syrupy sweet?

    Maybe it just sags
    like a heavy load.

    Or does it explode?”
    Langston Hughes, The Collected Poems

  • #19
    Ralph Waldo Emerson
    “The earth laughs in flowers.”
    Ralph Waldo Emerson

  • #20
    Guy Debord
    “Just as early industrial capitalism moved the focus of existence from being to having, post-industrial culture has moved that focus from having to appearing.”
    Guy Debord, The Society of the Spectacle

  • #21
    Melissa Broder
    “Did anyone genuinely like anything? So much art was bad. I preferred the work of dead people. At least the dead weren't on Twitter”
    Melissa Broder, Milk Fed

  • #22
    John Waters
    “The thing is, all the stuff that people hate about the art world, I love. I embrace all the elitism. I think it’s hilarious. I love impenetrable art writing. I make fun of it, but I make fun of things I love. I don’t hate the art world at all. I find it fascinating. It’s a secret club; you have to learn the rules.”
    John Waters

  • #23
    Joan Didion
    “The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”
    Joan Didion, Slouching Towards Bethlehem

  • #24
    Joan Didion
    “It is the phenomenon somethings called "alienation from self." In its advanced stages, we no longer answer the telephone, because someone might want something; that we could say no without drowning in self-reproach is an idea alien to this game. Every encounter demands too much, tears the nerves, drains the will, and the specter of something as small as an unanswered letter arouses such disproportionate guilt that answering it becomes out of the question. To assign unanswered letters their proper weight, to free us from the expectations of others, to give us back to ourselves - there lies the great, the singular power of self-respect. Without it, one eventually discovers the final turn of the screw: one runs away to find oneself, and finds no one at home.”
    Joan Didion, Slouching Towards Bethlehem

  • #25
    Sylvia Plath
    “That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.”
    Sylvia Plath, The Bell Jar

  • #26
    Halle Butler
    “I note this woman’s shape-shifting performance. How by saying a thing, she becomes it. As she complains about how boring it is to hear her friend complain about her mother, as she goes into detail, masterfully reenacting specific boring conversations (both between her and her friend, and her friend and her friend’s mother), she is essentially becoming them both, becoming the boredom she claims to want to remove from her life and mind, but which have complete control of her, and she doesn’t notice that by saying “I don’t like this” over and over she is just drawing herself closer to it, essentially becoming her friend and subjecting us all to what she claims to hate.”
    Halle Butler, The New Me

  • #27
    Sylvia Plath
    “I shut my eyes and all the world drops dead;
    I lift my lids and all is born again.
    (I think I made you up inside my head.)”
    Sylvia Plath

  • #28
    Halle Butler
    “I cry for a second, but I’m faking it. Waaaaaaahhhhhh. Poor me, poor me, who cares. This is what I wanted. To sit here and not have someone judging me. I’m fat, I smell, no one likes me, my clothes suck, I’ll never amount to anything, everyone around me is an idiot, self‑involved, judgmental, stupid, too dumb to know the harm they’re doing, too dumb to know they’re not happy inside, not like me, I know. Ha‑ha‑ha.”
    Halle Butler, The New Me

  • #29
    Melissa Broder
    “They say the perfect is the enemy of the good, that if you strive for perfection you will overlook the good. But I did not agree. I didn't like the good. The good was just mediocre. I wanted to go beyond mediocre. I wanted to be exceptional. I did not want to be medium-size. I wanted to be perfect. And by perfect, I meant less.”
    Melissa Broder, Milk Fed

  • #30
    Francesca Woodman
    “I feel like I am floating in plasma
    I need a teacher or a lover
    I need someone to risk being involved with me.
    I am so vain
    and I am so masochistic.
    How can they coexist?”
    Francesca Woodman



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