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  • #1
    Charles Bukowski
    “I loved you like a man loves a woman he never touches, only writes to, keeps little photographs of.”
    Charles Bukowski, Love Is a Dog from Hell

  • #2
    Charles Bukowski
    “there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock”
    Charles Bukowski, Love Is a Dog from Hell

  • #3
    Charles Bukowski
    “I drive around the streets
    an inch away from weeping,
    ashamed of my sentimentality and
    possible love.”
    Charles Bukowski, Love Is a Dog from Hell

  • #4
    Charles Bukowski
    “I'm going, she said. I love you but you're
    crazy, you're doomed.”
    Charles Bukowski, Love Is a Dog from Hell

  • #5
    Charles Bukowski
    “she is no longer
    the beautiful woman
    she was. she sends
    photos of herself
    sitting upon a rock
    by the ocean
    alone and damned.
    I could have had
    her once. I wonder
    if she thinks I
    could have
    saved her?”
    Charles Bukowski, Love Is a Dog from Hell

  • #6
    Izumi Shikibu
    “Even when a river of tears
    courses through
    this body,
    the flame of love
    cannot be quenched.”
    Izumi Shikibu, The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan

  • #7
    Izumi Shikibu
    “Even if I now saw you
    only once,
    I would long for you
    through worlds,
    worlds.”
    Izumi Shikibu, The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan

  • #8
    Izumi Shikibu
    “Watching the moon
    at dawn,
    solitary, mid-sky,
    I knew myself completely,
    no part left out.”
    Izumi Shikibu, The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan

  • #9
    Ernest Hemingway
    “you can't get away from yourself by moving from one place to another.”
    Ernest Hemingway, The Sun Also Rises

  • #10
    Ernest Hemingway
    “I can't stand it to think my life is going so fast and I'm not really living it.”
    Ernest Hemingway, The Sun Also Rises

  • #11
    Ernest Hemingway
    “Isn't it pretty to think so.”
    Ernest Hemingway, The Sun Also Rises

  • #12
    Ernest Hemingway
    “It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.”
    Ernest Hemingway, The Sun Also Rises

  • #13
    Ernest Hemingway
    “Don't you ever get the feeling that all your life is going by and you're not taking advantage of it? Do you realize you've lived nearly half the time you have to live already?”
    Ernest Hemingway, The Sun Also Rises

  • #14
    Ernest Hemingway
    “I am always in love.”
    Ernest Hemingway, The Sun Also Rises

  • #15
    Yukio Mishima
    “Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.”
    Yukio Mishima, Spring Snow

  • #16
    John Keats
    “Beauty is truth, truth beauty,—that is all
    Ye know on earth, and all ye need to know”
    John Keats, The Complete Poems

  • #17
    John Keats
    “Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on.”
    John Keats, The Complete Poems

  • #18
    John Keats
    “Bright star, would I were steadfast as thou art—
    Not in lone splendour hung aloft the night
    And watching, with eternal lids apart,
    Like nature's patient, sleepless Eremite,
    The moving waters at their priestlike task
    Of pure ablution round earth's human shores,
    Or gazing on the new soft-fallen mask
    Of snow upon the mountains and the moors—
    No—yet still stedfast, still unchangeable,
    Pillow'd upon my fair love's ripening breast,
    To feel for ever its soft fall and swell,
    Awake for ever in a sweet unrest,
    Still, still to hear her tender-taken breath,
    And so live ever—or else swoon to death.

    Bright Star
    John Keats, The Complete Poems

  • #19
    John Keats
    “I bade good morrow,
    And thought to leave her far away behind;
    But cheerly, cheerly,
    She loves me dearly;
    She is so constant to me, and so kind.

    - To Sorrow
    John Keats, The Complete Poems

  • #20
    John Keats
    “And when thou art weary I'll find thee a bed,
    Of mosses and flowers to pillow thy head.”
    John Keats, The Complete Poems

  • #21
    John Keats
    “When I have fears that I may cease to be
    Before my pen has glean’d my teeming brain,
    Before high piled books, in charact’ry,
    Hold like rich garners the full-ripen’d grain;
    When I behold, upon the night’s starr’d face,
    Huge cloudy symbols of a high romance,
    And think that I may never live to trace
    Their shadows, with the magic hand of chance;
    And when I feel, fair creature of an hour!
    That I shall never look upon thee more,
    Never have relish in the faery power
    Of unreflecting love!—then on the shore
    Of the wide world I stand alone, and think
    Till Love and Fame to nothingness do sink.

    When I Have Fears That I May Cease To Be
    John Keats, The Complete Poems

  • #22
    John Keats
    “Darkling I listen; and, for many a time
    I have been half in love with easeful Death...”
    John Keats, The Complete Poems

  • #23
    John Keats
    “Ay, in the very temple of Delight
    Veil'd Melancholy has her sovran shrine,
    Though seen of none save him whose strenuous tongue
    Can burst Joy's grape against his palate fine;
    His soul shall taste the sadness of her might,
    And be among her cloudy trophies hung.”
    John Keats, The Complete Poems

  • #24
    John Keats
    “But here there is no light,
    Save what from heaven is with the breezes blown
    Through verdurous glooms and winding mossy ways

    I cannot see what flowers are at my feet,
    Nor what soft incense hangs upon the boughs,
    But, in embalmed darkness, guess each sweet

    ..Fast fading violets cover'd up in leaves
    The coming musk-rose, full of dewy wine,
    The murmurous haunt of flies on summer eves.”
    John Keats, The Complete Poems

  • #25
    John Keats
    “Can death be sleep, when life is but a dream,
    And scenes of bliss pass as a phantom by?
    The transient pleasures as a vision seem,
    And yet we think the greatest pain's to die.”
    John Keats, The Complete Poems

  • #26
    John Keats
    “O soft embalmer of the still midnight,
    Shutting, with careful fingers and benign,
    Our gloom-pleas'd eyes, embower'd from the light,
    Enshaded in forgetfulness divine:
    O soothest Sleep! if so it please thee, close
    In midst of this thine hymn my willing eyes,
    Or wait the "Amen," ere thy poppy throws
    Around my bed its lulling charities.
    Then save me, or the passed day will shine
    Upon my pillow, breeding many woes,—
    Save me from curious Conscience, that still lords
    Its strength for darkness, burrowing like a mole;
    Turn the key deftly in the oiled wards,
    And seal the hushed Casket of my Soul.

    To Sleep
    John Keats, The Complete Poems
    tags: sleep

  • #27
    John Keats
    “But what, without the social thought of thee,
    Would be the wonders of the sky and sea?”
    John Keats, The Complete Poems

  • #28
    John Keats
    “My heart aches, and a drowsy numbness pains
    My sense, as though of hemlock I had drunk,
    Or emptied some dull opiate to the drains
    One minute past, and Lethe-wards had sunk:
    'Tis not through envy of thy happy lot,
    But being too happy in thine happiness,—
    That thou, light-winged Dryad of the trees
    In some melodious plot
    Of beechen green, and shadows numberless,
    Singest of summer in full-throated ease.

    O for a beaker full of the warm South,
    Full of the true, the blushful Hippocrene,
    With beaded bubbles winking at the brim,
    And purple-stained mouth;
    That I might drink, and leave the world unseen,
    And with thee fade away into the forest dim:

    Fade far away, dissolve, and quite forget
    What thou among the leaves hast never known,
    The weariness, the fever, and the fret
    Here, where men sit and hear each other groan;
    Where palsy shakes a few, sad, last gray hairs,
    Where youth grows pale, and spectre-thin, and dies;
    Where but to think is to be full of sorrow
    And leaden-eyed despairs,
    Where Beauty cannot keep her lustrous eyes,
    Or new Love pine at them beyond to-morrow.

    Away! away! for I will fly to thee,
    Not charioted by Bacchus and his pards,
    But on the viewless wings of Poesy,
    Though the dull brain perplexes and retards:
    Already with thee! tender is the night,
    And haply the Queen-Moon is on her throne,
    Cluster'd around by all her starry Fays;
    But here there is no light,
    Save what from heaven is with the breezes blown
    Through verdurous glooms and winding mossy ways.

    I cannot see what flowers are at my feet,
    Nor what soft incense hangs upon the boughs,
    But, in embalmed darkness, guess each sweet
    Wherewith the seasonable month endows
    The grass, the thicket, and the fruit-tree wild;
    White hawthorn, and the pastoral eglantine;
    Fast fading violets cover'd up in leaves;
    And mid-May's eldest child,
    The coming musk-rose, full of dewy wine,
    The murmurous haunt of flies on summer eves.

    Darkling I listen; and, for many a time
    I have been half in love with easeful Death,
    Call'd him soft names in many a mused rhyme,
    To take into the air my quiet breath;
    Now more than ever seems it rich to die,
    To cease upon the midnight with no pain,
    While thou art pouring forth thy soul abroad
    Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
    The voice I hear this passing night was heard
    In ancient days by emperor and clown:
    Perhaps the self-same song that found a path
    Through the sad heart of Ruth, when, sick for home,
    She stood in tears amid the alien corn;
    The same that oft-times hath
    Charm'd magic casements, opening on the foam
    Of perilous seas, in faery lands forlorn.

    Forlorn! the very word is like a bell
    To toll me back from thee to my sole self!
    Adieu! the fancy cannot cheat so well
    As she is fam'd to do, deceiving elf.
    Adieu! adieu! thy plaintive anthem fades
    Past the near meadows, over the still stream,
    Up the hill-side; and now 'tis buried deep
    In the next valley-glades:
    Was it a vision, or a waking dream?
    Fled is that music:—Do I wake or sleep?

    - Ode to a Nightingale
    John Keats, The Complete Poems

  • #29
    John Keats
    “Have not the last three years been an utterly unprecedented, overwhelming and transforming experience for mankind? Will not the new world after the war be a new world indeed, on the one hand filled, nay, gorged, with recollections of doing and undergoing, of endurance and adventure, of daring and suffering and horror, of hellishness and heroism, beside which all the dreams of bygone romance must forever seem tame and vapid; and on the other hand straining with a hungry forecast towards a future of peace and justice such as mankind has not known before, which it will be its tremendous task to try and establish? Will not this world of so prodigiously intensified experiences and enlarged hopes and besetting anxieties require and produce new poets and a new poetry of its own that shall deal with the realities it has gone through and those it is striving for, and put away and cease to care for the old dreams and thrills and glamours of romance?”
    John Keats, Complete Works of John Keats

  • #30
    John Keats
    “forgotten? Yes, a schism
    Nurtured by foppery and barbarism,
    Made great Apollo blush for this his land.”
    John Keats, Complete Works of John Keats



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