Nancy > Nancy's Quotes

“But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
― George Eliot, Middlemarch

“Was it not youth, the feeling he experienced now, when, coming out to the edge of the wood again from the other side, he saw in the bright light of the sun’s slanting rays Varenka’s graceful figure, in a yellow dress and with her basket, walking with a light step past the trunk of an old birch, and when this impression from the sight of Varenka merged with the sight, which struck him with its beauty, of a yellowing field of oats bathed in the slanting light, and of an old wood far beyond the field, spotted with yellow, melting into the blue distance? He felt his heart wrung with joy. A feeling of tenderness came over him. He felt resolved. Varenka, who had just crouched down to pick a mushroom, stood up with a supple movement and looked over her shoulder.”
― Leo Tolstoy, Anna Karenina

“We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, "Oh, nothing!" Pride helps; and pride is not a bad thing when it only urges us to hide our hurts— not to hurt others.”
― George Eliot, Middlemarch

“...my writing, my desire to be many lives. I will be a little god in my small way. At home on my desk is the besttstory I've ever written. How can I tell Bob that my happiness streams from having wrenched a piece out of my life, a piece of hurt and beauty, and transformed it to typewritten words on paper? How can he know I am justifying my life, my keen emotion, my feeling, by turning it into print? ...Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“He had no longer free energy enough for spontaneous research and speculative thinking, but by the bedside of patients the direct external calls on his judgment and sympathies brought the added impulse needed to draw him out of himself. It was not simply that beneficent harness of routine which enables silly men to live respectably and unhappy men to live calmly - it was a perpetual claim on the immediate fresh application of thought, and on the consideration of another's need and trial. Many of us looking back through life would say that the kindest man we have ever known has been a medical man, or perhaps that surgeon whose fine tact, directed by deeply-informed perception, has come to us in our need with a more sublime beneficence than that of miracle-workers. Some of that twice-blessed mercy was always with Lydgate in his work at the Hospital or in private houses, serving better than any opiate to quiet and sustain him under anxieties and his sense of mental degeneracy.”
― George Eliot, Middlemarch

“My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me.
At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering.
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.
It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.”
― Richard Wright, Black Boy

“With ever watchful eyes and bearing scars, visible and invisible, I headed North, full of a hazy notion that life could be lived with dignity, that the personalities of others should not be violated, that men should be able to confront other men without fear or shame, and that if men were lucky in their living on earth they might win some redeeming meaning for the having struggled and suffered here beneath the stars.”
― Richard Wright, Black Boy

“If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.”
― George Eliot, Middlemarch

“It would have been impossible for me to have told anyone what I derived from these novels, for it was nothing less than a sense of life itself. [...] It had been only through books - at best, no more than vicarious cultural transfusions - that I had managed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books; consequently, my belief in books had risen more out of a sense of desperation than from any abiding conviction of their ultimate value.”
― Richard Wright

“Though the doctors treated him, let his blood, and gave him medications to drink, he nevertheless recovered.”
― Leo Tolstoy, War and Peace

“Kings are the slaves of history.”
― Leo Tolstoy, War and Peace

“The privilege of a lifetime is to become who you truly are.”
― Carl Gustav Jung

“Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”
― Gustave Flaubert, Madame Bovary

“What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright...Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?”
― Gustave Flaubert, Madame Bovary

“Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?”
― Oscar Wilde, The Picture of Dorian Gray

“Everybody is identical in their secret unspoken belief that way deep down they are different from everyone else.”
― David Foster Wallace, Infinite Jest

“I do things like get in a taxi and say, "The library, and step on it.”
― David Foster Wallace, Infinite Jest

“We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what’s brought the crowd into being. That we are, always, faces in a crowd.”
― David Foster Wallace, Girl with Curious Hair

“How come she never got sad?”
She did get sad, Booboo. She got sad in her way instead of yours and
mine. She got sad, I’m pretty sure.”
Hal?”
You remember how the staff lowered the flag to half-mast out front by
the portcullis here after it happened? Do you remember that? And it
goes to half-mast every year at Convocation? Remember the flag, Boo?”
Hey Hal?”
Don’t cry, Booboo. Remember the flag only halfway up the pole?
Booboo, there are two ways to lower a flag to half-mast. Are you
listening? Because no shit I really have to sleep here in a second. So
listen - one way to lower the flag to half mast is just to lower the
flag. There’s another way though. You can also just raise the pole.
You can raise the pole to like twice its original height. You get me?
You understand what I mean, Mario?”
Hal?”
She’s plenty sad, I bet.”
― David Foster Wallace, Infinite Jest

“Given the choice between the experience of pain and nothing, I would choose pain.”
― William Faulkner, The Wild Palms

“You cannot swim for new horizons until you have courage to lose sight of the shore.”
― William Faulkner

“If a story is in you, it has to come out.”
― William Faulkner

“I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”
― William Faulkner, Nobel Prize in Literature Acceptance Speech, 1949

“A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.”
― William Faulkner

“Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary”
― Pat Conroy, My Losing Season: A Memoir

“The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.”
― William Faulkner

“At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.

[Press conference, University of Virginia, May 20, 1957]”
― William Faulkner

“... That no single, individual moment is in and of itself unendurable.”
― David Foster Wallace, Infinite Jest

“It now lately sometimes seemed a black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe.”
― David Foster Wallace, Infinite Jest

“Abiding. No one single instant of it was unendurable. Here was the second right here: he endured it. What was undealable-with was the thought of all the instants all lined up and stretching ahead, glittering. [...] It's too much to think about. To Abide there. But none of it's as of now real. [...] He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What's unendurable is what his own head could make of it all. What his head could report to him, looking over and ahead and reporting. But he could choose not to listen; he could treat his head like G. Day or R. Lenz: clueless noise.”
― David Foster Wallace, Infinite Jest