Craftsmanship Quotes

Quotes tagged as "craftsmanship" Showing 1-30 of 74
Criss Jami
“A poet should be so crafty with words that he is envied even for his pains.”
Criss Jami, Killosophy

Martin Luther
“The Christian shoemaker does his duty not by putting little crosses on the shoes, but by making good shoes, because God is interested in good craftsmanship.”
Martin Luther

William Faulkner
“At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.

[Press conference, University of Virginia, May 20, 1957]”
William Faulkner

Tom Stoppard
“Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.”
Tom Stoppard, Artist Descending a Staircase

Lloyd Alexander
“Craftsmanship isn't like water in an earthen pot, to be taken out by the dipperful until it's empty. No, the more drawn out the more remains.”
Lloyd Alexander, Taran Wanderer

Bill Watterson
“We don't value craftsmanship anymore! All we value is ruthless efficiency, and I say we deny our own humanity that way! Without appreciation for grace and beauty, there's no pleasure in creating things and no pleasure in having them! Our lives are made drearier, rather than richer! How can a person take pride in his work when skill and care are considered luxuries! We're not machines! We have a human need for craftsmanship!”
Bill Watterson, There's Treasure Everywhere

Roman Payne
“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”
Roman Payne

Eileen Chang
“She wasn’t a bird in a cage. A bird in a cage, when the cage is opened, can still fly away. She was a bird embroidered onto a screen — a white bird in clouds of gold stitched onto a screen of melancholy satin. The years passed; the bird’s feathers darkened, mildewed, and were eaten by moths, but the bird stayed on the screen even in death.”
Eileen Chang, Love in a Fallen City

Anthony Bourdain
“Practicing your craft in expert fashion is noble, honorable, and satisfying. And I'll generally take a stand-up mercenary who takes pride in his professionalism over an artist any day.”
Anthony Bourdain, Kitchen Confidential: Adventures in the Culinary Underbelly

Harry G. Frankfurt
“The notion of carefully wrought bullshit involves, then, a certain inner
strain. Thoughtful attention to detail requires discipline and objectivity. It entails accepting standards and limitations that forbid the indulgence of impulse or whim. It is this selflessness that, in connection with bullshit, strikes us as inapposite. But in fact it is not out of the question at all. The realms of advertising and of public relations, and the nowadays closely related realm of politics, are replete with instances of bullshit so unmitigated that they can serve among the most indisputable and classic paradigms of the concept. And in these realms there are exquisitely sophisticated craftsmen who - with the help of advanced and demanding techniques of market research, of public opinion polling, of psychological testing, and so forth - dedicate themselves tirelessly to getting every word and image they produce exactly right.”
Harry G. Frankfurt, On Bullshit

John Joclebs Bassey
“Oftentimes, our hands are more creative than our minds.”
John Joclebs Bassey, Night of a Thousand Thoughts

“Unspun wool stands for the cosmic gas from which stars and galaxies are formed.”
Jessica Hemmings, Cultural Threads: Transnational Textiles Today

“A small compromise leads to another small compromise, and finally we wind up doing something that we do not really love. It's a sneaky thing.”
James Krenov, Cabinet Maker's Notebook by James Krenov

“Oculus[2,3,8,12,8,6] = [14,2,10,7,5] = [12,2,3,17]
= [14,12,13] = [1,15] = 14, Box Model For Paisbox Molecular Portal [phirand, ring, circlet, diadem, itemizer, abstracter]
Attributes= pi= Modulation, phi= Abstraction, HP[health], MP[mana]
Elements= Hexagonal Sphere= HP, MP;
Mana Prism= pi, phi
Finally,

POAMULET[3,2,1,13,8,12,5,7]= "The (Oculus) Is Injected Into (Paisbox) To Create The Amulet”
Jonathan Roy Mckinney Gero EagleO2

“He [John Summerson] wrote that Georgian buildings, in particular, did not rely on an 'irrecoverable sense of craftsmanship for the pleasure they give. Personally I find great enhancement in reconstructed classical architecture. I like the new, sharp-cut masonry of Peckwater quadrangle at Christ Church, and wish that much more of Oxford's scrofulous architecture could be "touched for the King's evil" in the same way'. 59

...

Part of his objection to their restoration rested on the fact that although the fabric could be rebuilt their furnishings were irreplaceable: 'You can re-build the structure of a building of the Wren type without losing much - expect in the way of sentiment. But once you start faking craftsmanship - Grinling Gibbons screens and wrought iron rails - you are doing a poor service to art and a positive disservice to archaeology'. 61

61. RIBA SUJ 10/3 Typescript 'Answering You' BBC Home Service 25 Jan. 1941 - 'Ariel in Wartime'.”
Geoffrey Tyack, The Georgian Group Journal Volume XXXI 2023

“A quipu depends on the interaction of breath and thread, hand and voice. To write with breath is to see the body and the cosmos in a continuous reciprocal exchange.”
Jessica Hemmings, Cultural Threads: Transnational Textiles Today

C.E. McGill
“There is a precise moment which everyone who has ever drawn or sewn or sculpted a thing will recognize, and that is the moment at which it becomes the thing it was meant to be. For hours, one’s work may look only like lines upon a page; for days, like a pile of fabric; for months, a misshapen rock. And then, one day, when one holds it up to the light and takes a single step back – there it is! The myriad pieces come together into a coherent whole.”
C.E. McGill, Our Hideous Progeny

Ivan Goncharov
“Art is its own thing, and so is craft — and creativity is common to both, in the same way as its absence. Without it, the craftsman is nothing, but just that: a craftsman; and not creative; and an artist without that creative spark is no poet: he is just someone who writes things.”
Ivan Goncharov, The Same Old Story

“A kilt swings with the wind and stands firm in spirit—Scottish soul in every fold.”
Haider Ali Bajwa

“A man in a kilt carries his heritage on his hips and courage in his heart.”
Haider Ali Bajwa

“A kilt is more than fabric—it’s a love letter to tradition, stitched with the tenderness of history and worn with the devotion of a lover’s embrace. Each pleat whispers tales of Scotland’s rugged hills, each tartan thread a vow to honor the past. For me, crafting kilts at Liberty Kilts is an act of love: a dance of hands and heart, weaving pride into every fold, so when you wear one, you feel the warmth of heritage hugging your soul.”
Haider Ali Shahid

“Every cigar rolled by hand carries the pressure of labor, the signature of culture, and the shadow of politics.”
Sebastian Saviano, America's Cigar Story: The History, Politics, and Legacy of Cigars from 1762 to the Modern Era

“A door is not just an entry—it’s the first impression of a space and the statement of your style.”
AspireDoors

Michael Bassey Johnson
“True artists do not create to fish for compliments and praises. They create to express the love they have for their craft.”
Michael Bassey Johnson, Sips And Little Portions

Michael Bassey Johnson
“Postpone, not because you are being lazy. Postpone, only because you want to appear in a grand style.”
Michael Bassey Johnson, Sips And Little Portions

Michael Bassey Johnson
“Your craft needs not just your effort to thrive, but the entirety of your heart.”
Michael Bassey Johnson, Sips And Little Portions

Ronen Dancziger
“True craft isn’t in holding tight, but in release: letting wood reveal its wild grain, letting self dissolve into the hum beneath all things.”
Ronen Dancziger, The Boxmaker’s Apprentice

Ronen Dancziger
“Every craft is just breath made visible.”
Ronen Dancziger, The Boxmaker’s Apprentice

“Heroes aren’t born on screen — they’re made when you wear the right armor.”
Alex carter

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