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  • #1
    Fyodor Dostoevsky
    “Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.”
    Fyodor Dostoevsky, The Brothers Karamazov

  • #2
    Socrates
    “To know thyself is the beginning of wisdom.”
    Socrates

  • #3
    Augustine of Hippo
    “Thou hast made us for thyself, O Lord, and our heart is restless until it finds its rest in thee.”
    Augustine of Hippo, Confessions

  • #4
    Oscar Wilde
    “Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.”
    Oscar Wilde, De Profundis

  • #5
    Vladimir Nabokov
    “Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, had you love me thus!”
    Vladimir Nabokov, Lolita

  • #6
    Simone de Beauvoir
    “The little girl’s sense of secrecy that developed at prepuberty only grows in importance. She closes herself up in fierce solitude: she refuses to reveal to those around her the hidden self that she considers to be her real self and that is in fact an imaginary character: she plays at being a dancer like Tolstoy’s Natasha, or a saint like Marie Leneru, or simply the singular wonder that is herself. There is still an enormous difference between this heroine and the objective face that her parents and friends recognise in her. She is also convinced that she is misunderstood: her relationship with herself becomes even more passionate: she becomes intoxicated with her isolation, feels different, superior, exceptional: she promises that the future will take revenge on the mediocrity of her present life. From this narrow and petty existence she escapes by dreams.”
    Simone de Beauvoir, The Second Sex

  • #7
    Fyodor Dostoevsky
    “I say let the world go to hell, but I should always have my tea.”
    Fyodor Dostoevsky, Notes from Underground

  • #8
    Fyodor Dostoevsky
    “Man is a mystery. It needs to be unravelled, and if you spend your whole life unravelling it, don't say that you've wasted time. I am studying that mystery because I want to be a human being.”
    Fyodor Dostoevsky

  • #9
    Fyodor Dostoevsky
    “And the more I drink the more I feel it. That's why I drink too. I try to find sympathy and feeling in drink.... I drink so that I may suffer twice as much!”
    Fyodor Dostoevsky, Crime and Punishment

  • #10
    Augustine of Hippo
    “The punishment of every disordered mind is its own disorder.”
    St. Augustine of Hippo, Confessions

  • #11
    Augustine of Hippo
    “It was foul, and I loved it. I loved to perish. I loved my own — not that for which I erred, but the itself. Base, falling from Your firmament to utter destruction — not seeking anything through the shame but the shame itself!”
    Saint Augustine of Hippo, Confessions

  • #12
    Fyodor Dostoevsky
    “Talking nonsense is the sole privilege mankind possesses over the other organisms. It's by talking nonsense that one gets to the truth! I talk nonsense, therefore I'm human”
    Fyodor Dostoevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #13
    Fyodor Dostoevsky
    “Perhaps I really regard myself as an intelligent man only because throughout my entire life I've never been able to start or finish anything.”
    Fyodor Dostoevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #14
    Fyodor Dostoevsky
    “I swear, gentlemen, that to be too conscious is an illness - a real thorough-going illness.”
    Fyodor Dostoyevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #15
    Fyodor Dostoevsky
    “The whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano key.”
    Fyodor Dostoyevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #16
    Augustine of Hippo
    “How high a price we pay for the burden of habit! I am fitted for life here where I do not want to be, I want to live there but am unfit for it, and on both counts I am miserable.”
    Augustine of Hippo, Confessions

  • #17
    Simone de Beauvoir
    “One is not born, but rather becomes, a woman.”
    Simone de Beauvoir, The Second Sex

  • #18
    Simone de Beauvoir
    “If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.

    In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.

    To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.”
    Simone de Beauvoir, The Second Sex

  • #19
    Simone de Beauvoir
    “It is perfectly natural for the future woman to feel indignant at the limitations posed upon her by her sex. The real question is not why she should reject them: the problem is rather to understand why she accepts them.”
    Simone de Beauvoir, The Second Sex

  • #20
    Simone de Beauvoir
    “Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.”
    Simone de Beauvoir, The Second Sex

  • #21
    Simone de Beauvoir
    “The curse which lies upon marriage is that too often the individuals are joined in their weakness rather than in their strength, each asking from the other instead of finding pleasure in giving. It is even more deceptive to dream of gaining through the child a plenitude, a warmth, a value, which one is unable to create for oneself; the child brings joy only to the woman who is capable of disinterestedly desiring the happiness of another, to one who without being wrapped up in self seeks to transcend her own existence.”
    Simone de Beauvoir, The Second Sex

  • #22
    Simone de Beauvoir
    “In particular those who are condemned to stagnation are often pronounced happy on the pretext that happiness consists in being at rest. This notion we reject, for our perspective is that of existentialist ethics. Every subject plays his part as such specifically through exploits or projects that serve as a mode of transcendence; he achieves liberty only through a continual reaching out towards other liberties. There is no justification for present existence other than its expansion into an indefinitely open future. Every time transcendence falls back into immanence, stagnation, there is a degradation of existence into the ‘en-sois’ – the brutish life of subjection to given conditions – and of liberty into constraint and contingence. This downfall represents a moral fault if the subject consents to it; if it is inflicted upon him, it spells frustration and oppression. In both cases it is an absolute evil. Every individual concerned to justify his existence feels that his existence involves an undefined need to transcend himself, to engage in freely chosen projects.”
    Simone de Beauvoir, The Second Sex

  • #23
    Simone de Beauvoir
    “...modern woman is everywhere permitted to regard her body as capital for exploitation.”
    Simone de Beauvoir, The Second Sex

  • #24
    Simone de Beauvoir
    “Women’s actions have never been more than symbolic agitation; they have won only what men have been willing to concede to them; they have taken nothing; they have received.5 It is that they lack the concrete means to organize themselves into a unit that could posit itself in opposition. They have no past, no history, no religion of their own; and unlike the proletariat, they have no solidarity of labor or interests; they even lack their own space that makes communities of American blacks, the Jews in ghettos, or the workers in Saint-Denis or Renault factories. They live dispersed among men, tied by homes, work, economic interests, and social conditions to certain men—fathers or husbands—more closely than to other women. As bourgeois women, they are in solidarity with bourgeois men and not with women proletarians; as white women, they are in solidarity with white men and not with black women.”
    Simone de Beauvoir, The Second Sex

  • #25
    Simone de Beauvoir
    “Woman has ovaries and a uterus; such are the particular conditions that lock her in her subjectivity; some even say she thinks with her hormones. Man vainly forgets that his anatomy also contains hormones and testicles. He grasps his body as a direct and normal link with the world that he believes he apprehends in all objectivity, whereas he considers woman's body an obstacle, a prison, burdened by everything that particularizes it.”
    Simone de Beauvoir, The Second Sex

  • #26
    Simone de Beauvoir
    “; the man who does not "understand" a woman is happy to replace his subjective deficiency with an objective resistance; instead of admitting his ignorance, he recognizes the presence of a mystery exterior to himself: here is an excuse that flatters his laziness and vanity at the same time.”
    Simone de Beauvoir, The Second Sex

  • #27
    Fyodor Dostoevsky
    “Your worst sin is that you have destroyed and betrayed yourself for nothing.”
    Fyodor Dostoevsky, Crime and Punishment

  • #28
    Fyodor Dostoevsky
    “I used to analyze myself down to the last thread, used to compare myself with others, recalled all the smallest glances, smiles and words of those to whom I’d tried to be frank, interpreted everything in a bad light, laughed viciously at my attempts ‘to be like the rest’ –and suddenly, in the midst of my laughing, I’d give way to sadness, fall into ludicrous despondency and once again start the whole process all over again – in short, I went round and round like a squirrel on a wheel.”
    Fyodor Dostoevsky, Crime and Punishment

  • #29
    Fyodor Dostoevsky
    “When reason fails, the devil helps!”
    Fyodor Dostoyevsky, Crime and Punishment

  • #30
    Fyodor Dostoevsky
    “We're always thinking of eternity as an idea that cannot be understood, something immense. But why must it be? What if, instead of all this, you suddenly find just a little room there, something like a village bath-house, grimy, and spiders in every corner, and that's all eternity is. Sometimes, you know, I can't help feeling that that's what it is.”
    Fyodor Dostoevsky, Crime and Punishment



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