Cynthia > Cynthia's Quotes

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  • #1
    Federico García Lorca
    “But hurry, let's entwine ourselves as one, our mouth broken, our soul bitten by love, so time discovers us safely destroyed.”
    Federico Garcia Lorca

  • #2
    Georges Bataille
    “The certainty of incoherence in reading, the inevitable crumbling of the soundest constructions, is the deep truth of books. Since appearance constitutes a limit, what truly exists is a dissolution into common opacity rather than a development of lucid thinking. The apparent unchangingness of books is deceptive: each book is also the sum of the misunderstandings it occasions.”
    Georges Bataille, The Bataille Reader

  • #3
    Dag Hammarskjöld
    “To have humility is to experience reality, not in relation to ourselves, but in its sacred independence. It is to see, judge, and act from the point of rest in ourselves. Then, how much disappears, and all that remains falls into place.

    In the point of rest at the center of our being, we encounter a world where all things are at rest in the same way. Then a tree becomes a mystery, a cloud a revelation, each man a cosmos of whose riches we can only catch glimpses. The life of simplicity is simple, but it opens to us a book in which we never get beyond the first syllable.”
    Dag Hammarskjöld, Markings

  • #4
    Nick Cave
    “Hey what's the matter baby? said my wife, propped up on the bed.

    I'm a fucking vampire! I cried, thinking of Bryan Ferry and his bursting flowers and his prancing horses and his flight of swallows and his hedged swimming pool and his lovely wife.

    No, you're not. Come here, she said.

    I crawled onto the bed and she pulled the covers away.

    Listen, she said.

    I put my ear against her distended stomach, her knapsack, and listened. I could hear little trapped people swimming around within.

    They are eating me from the inside, she said.

    Lucky them, I said.

    I'm serious, she said.

    But she had fallen asleep and I crawled off the bed across the floor, up the wainscot and along the paneled ceiling. I pressed my ear to the ceiling and listened. I could hear people gathering on the floor above. The ceiling vibrated. I recognized the voices as past collaborators, going back many years. They sounded fatigued as if depleted of oxygen, maybe, or as if someone has siphoned their blood away. I could hear them sobbing and cursing and consoling each other.

    I fell asleep.”
    Nick Cave

  • #5
    Nick Cave
    “Music is storming, driving, relentless, devotional, slinky, subtle, heartbreakingly-beautiful sounds that, lyrically, switch from the cynical to the sanguine, the defeated to the defiant, dealing in love, war, beauty, children, romance, rejection, Pethedine, poetry, panties, God, Auden, Johnny Cash, cold potatoes, too-much-money, not enough money, writer’s block, flowers, animals and more flowers. But maybe I’m projecting here.”
    Nick Cave

  • #7
    Sylvia Plath
    “And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter— they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #8
    Nick Cave
    “I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a God. It's kind of defending the indefensible, though; I'm critical of what religions are becoming, the more destructive they're becoming. But I think as an artist, particularly, it's a necessary part of what I do, that there is some divine element going on within my songs.”
    Nick Cave

  • #8
    Nick Cave
    “...because once you've got one scar on your face or your heart, its only a matter of time before someone gives you another - and another - until a day doesn't go by when you aren't being bashed senseless, nor a town that you haven't been run out of, and you get to be such a goddamn mess that finally it doesn't feel right unless you're getting the Christ beaten out of you - amd within a year of that first damming fall, those first down borne fists, your first run out, you wind up with flies buzzing around your eyes, back at the same place, the same town, deader than when you left, bobbiong around in the swill - a dirty deadbeat whore in a roadside ditch. But a little part of you deosn't die. A little part of you lives on. And you make an orphan of that corrupt and contemtible part, dumping it right smack in the laps of the ones who first robbed you of your sweetness, for it is the wicked fruit of their crimes, it is their blood, their sin, it belongs there, this child of blood, this spawn of sin...”
    Nick Cave, And the Ass Saw the Angel

  • #9
    Henry Miller
    “Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...]
    I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.”
    Henry Miller, A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953
    tags: love

  • #10
    Antoine de Saint-Exupéry
    “And the voice spoke even more deliberately: '...but remember what is under the ocean of clouds: eternity.'

    And suddenly that tranquil world, the world of such simple harmony that you discover as you rise above the clouds, took on an unfamiliar quality in my eyes. All that gentleness became a trap. In my mind's eye I saw that vast white trap laid out, right under my feet. Beneath it reigned neither the restlessness of men nor the living tumult and motion of cities, as one might have thought, but a silence that was even more absolute, a more final peace. That viscous whiteness was turning before my eyes into the boundary between the real and the unreal, between the known and the unknowable. And I was already beginning to sense that a spectacle has no meaning except when seen through a culture, a civilization, a professional craft.”
    Antoine de Saint-Exupéry, Wind, Sand and Stars

  • #11
    Diane Setterfield
    “But silence is not a natural environment for stories. They need words. Without them they grown pale, sicken and die. And then they haunt you.”
    Diane Setterfield, The Thirteenth Tale

  • #12
    Philippe Besson
    “I discover that absence has a consistency, like the dark water of a river, like oil, some kind of sticky dirty liquid that you can struggle and perhaps drown in. It has a thickness like night, an indefinite space with no landmarks, nothing to bang against, where you search for a light, some small glimmer, something to hang on to and guide you. But absence is, first and foremost, silence. A vast, enveloping silence that weighs you down and puts you in a state where any unforeseeable, identifiable sound can make you jump.”
    Philippe Besson, Lie With Me

  • #13
    Mary Renault
    “He was filled with a vast sense of the momentous, of unknown mysteries. He did not know what he should demand of himself, nor did it seem to matter, for he had not chosen this music he moved to, it had chosen him.”
    Mary Renault, The Charioteer

  • #14
    Mary Renault
    “In his imagination the pages were printed not with their own paragraphs only, but with all that he himself had brought to them: it seemed as though he must be identified and revealed in them, beyond all pretence of detachment, as if they were a diary to which he had committed every secret of his heart.”
    Mary Renault, The Charioteer

  • #15
    Christopher      Nolan
    “She had locked something away,
    something deep inside.

    A truth that she had once known,
    but chose to forget.

    And she couldn't break free.

    So I decided to search for it.

    I went deep into the recess of her mind
    and found that secret place.

    And I broke in..”
    Christopher J. Nolan, Inception: The Shooting Script

  • #16
    Christopher      Nolan
    “COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter...
    Mal looks at his across the railroad tracks. Replies-
    MAL: Because you'll always be together.”
    Christopher Nolan, Inception: The Shooting Script

  • #17
    Neil Gaiman
    “There are so many fragile things, after all. People break so easily, and so do dreams and hearts.”
    Neil Gaiman, Fragile Things: Short Fictions and Wonders

  • #18
    Federico García Lorca
    “The duende....Where is the duende? Through the empty archway a wind of the spirit enters, blowing insistently over the heads of the dead, in search of new landscapes and unknown accents: a wind with the odour of a child's saliva, crushed grass, and medusa's veil, announcing the endless baptism of freshly created things.”
    GARCIA LORCA

  • #19
    Federico García Lorca
    “There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.”
    Federico García Lorca

  • #20
    Antoine de Saint-Exupéry
    “I looked about me. Luminous points glowed in the darkness. Cigarettes punctuated the humble meditations of worn old clerks. I heard them talking to one another in murmurs and whispers. They talked about illness, money, shabby domestic cares. And suddenly I had a vision of the face of destiny. Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as a man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.”
    Antoine de Saint-Exupéry, Wind, Sand and Stars

  • #21
    Joseph Conrad
    “It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams...No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream-alone...”
    Joseph Conrad, Heart of Darkness

  • #22
    Antoine de Saint-Exupéry
    “We do not pray for immortality, but only not to see our acts and all things stripped suddenly of all their meaning; for then it is the utter emptiness of everything reveals itself.”
    Antoine de Saint-Exupéry, Night Flight

  • #23
    Julio Cortázar
    “But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself,into the pure present, making us sad or teaching us vicariously...”
    Julio Cortázar, Hopscotch

  • #24
    Henry Miller
    “I want to undress you, vulgarize you a bit.”
    Henry Miller, A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953
    tags: sex

  • #25
    Franz Kafka
    “Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.”
    Franz Kafka

  • #26
    Federico García Lorca
    “Everyone understands the pain that accompanies death,
    but genuine pain doesn't live in the spirit,
    nor in the air, nor in our lives,
    nor on these terraces of billowing smoke.
    The genuine pain that keeps everything awake
    is a tiny, infinite burn
    on the innocent eyes of other systems.”
    Federico García Lorca
    tags: life, pain

  • #27
    Marcel Proust
    “If a little dreaming is dangerous, the cure for it is not to dream less, but to dream more, to dream all the time.”
    Marcel Proust, Remembrance of Things Past Volumes 1-3 Box Set

  • #28
    Mary Renault
    “There is only one kind of shock worse than the totally unexpected: the expected for which one has refused to prepare.”
    Mary Renault, The Charioteer

  • #29
    Franz Kafka
    “I never wish to be easily defined. I’d rather float over other people’s minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person.”
    Franz Kafka

  • #30
    Diane Setterfield
    “There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.”
    Diane Setterfield, The Thirteenth Tale



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