Cynthia

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Mary Poppins
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Mansfield Park
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Antoine de Saint-Exupéry
“What is going on inside me I cannot tell. In the sky a thousand stars are magnetized, and I lie glued by the swing of the planet to the sand. A different weight brings me back to myself. I feel the weight of my body drawing me towards so many things. My dreams are more real than these dunes, than that moon, than these presences. My civilization is an empire more imperious than this empire. The marvel of a house is not that it shelters or warms a man, nor that its walls belong to him. It is that it leaves its trace on the language. Let it remain a sign. Let it form, deep in the heart, that obscure range from which, as waters from a spring, are born our dreams.”
Antoine de Saint-Exupéry, Wind, Sand and Stars

Mary Renault
“She thought: This is how all life should be accepted, in desireless wonder, reaching out for nothing and thrusting nothing away, rejoicing in the different essence of each moment as it blazes into the present from the folded future. But she was under no illusions; for a life of such moments one needed a heart without roots, a spirit free in the wind, and empty hands. Once she had had them. She would never know them again. She had committed too much to earth.”
Mary Renault, The Promise of Love

Nicole Krauss
“Narrative cannot sustain formlessness any more than light can sustain darkness - it is the antithesis of formlessness, and so it can never truly communicate it. Chaos is the one truth that narrative must always betray, for in the creation of its delicate structures that reveal many truths about life, the portion of truth that has to do with incoherence and disorder must be obscured. More and more, it had felt to me that in the things I wrote, the degree of artifice was greater than the degree of truth, that the cost of administering form to what was essentially formless was akin to the cost of breaking the spirit of an animal that is otherwise too dangerous to live with.”
Nicole Krauss, Forest Dark

Antoine de Saint-Exupéry
“One of the miracles of the airplane is that it plunges a man directly into the heart of mystery. You are a biologist studying, through your porthole, the human ant-hill, scrutinizing objectively those towns seated in their plain at the centre of their highways which go off like the spokes of a wheel and, like arteries, nourish them with the quintessence of the fields. A needle trembles on your manometer, and this green clump below you becomes a universe. You are the prisoner of a greensward in a slumbering park.”
Antoine de Saint-Exupéry, Wind, Sand and Stars

Philippe Besson
“I discover that absence has a consistency, like the dark water of a river, like oil, some kind of sticky dirty liquid that you can struggle and perhaps drown in. It has a thickness like night, an indefinite space with no landmarks, nothing to bang against, where you search for a light, some small glimmer, something to hang on to and guide you. But absence is, first and foremost, silence. A vast, enveloping silence that weighs you down and puts you in a state where any unforeseeable, identifiable sound can make you jump.”
Philippe Besson, Lie With Me

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