Mirian > Mirian's Quotes

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  • #1
    Friedrich Nietzsche
    “Beware that, when fighting monsters, you yourself do not become a monster... for when you gaze long into the abyss. The abyss gazes also into you.”
    Friedrich W. Nietzsche

  • #2
    Toni Morrison
    “Freeing yourself was one thing, claiming ownership of that freed self was another.”
    Toni Morrison, Beloved

  • #3
    Toni Morrison
    “Love is or it ain't. Thin love ain't love at all.”
    Toni Morrison, Beloved

  • #4
    Oscar Wilde
    “To live is the rarest thing in the world. Most people exist, that is all.”
    Oscar Wilde

  • #5
    Edgar Allan Poe
    “I became insane, with long intervals of horrible sanity.”
    Edgar Allan Poe

  • #6
    Edgar Allan Poe
    “We loved with a love that was more than love.”
    Edgar Allen Poe

  • #7
    Edgar Allan Poe
    “All that we see or seem is but a dream within a dream.”
    Edgar Allan Poe

  • #8
    Franz Kafka
    “I am a cage, in search of a bird.”
    Franz Kafka

  • #9
    Vincent van Gogh
    “...and then, I have nature and art and poetry, and if that is not enough, what is enough?”
    Vincent Willem van Gogh

  • #10
    Vincent van Gogh
    “I put my heart and soul into my work, and I have lost my mind in the process.”
    Vincent Willem van Gogh

  • #11
    Vincent van Gogh
    “What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low. All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart. That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.”
    Vincent Van Gogh

  • #12
    Vincent van Gogh
    “Close friends are truly life's treasures. Sometimes they know us better than we know ourselves. With gentle honesty, they are there to guide and support us, to share our laughter and our tears. Their presence reminds us that we are never really alone.”
    Vincent van Gogh

  • #13
    Vincent van Gogh
    “At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.”
    Vincent van Gogh

  • #14
    Vincent van Gogh
    “Your profession is not what brings home your weekly paycheck, your profession is what you're put here on earth to do, with such passion and such intensity that it becomes spiritual in calling.”
    Vincent van Gogh

  • #15
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #16
    Donna Tartt
    “Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
    Donna Tartt, The Goldfinch

  • #17
    Donna Tartt
    “That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.”
    Donna Tartt, The Goldfinch

  • #18
    Donna Tartt
    “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
    Donna Tartt, The Goldfinch

  • #19
    Donna Tartt
    “And as much as I’d like to believe there’s a truth beyond illusion, I’ve come to believe that there’s no truth beyond illusion. Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic.”
    Donna Tartt, The Goldfinch

  • #20
    John Berger
    “When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.”
    John Berger, Keeping a Rendezvous: Essays

  • #21
    John Berger
    “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
    John Berger, Ways of Seeing

  • #22
    John Berger
    “The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich. Consequently, the modern poor are not pitied...but written off as trash. The twentieth-century consumer economy has produced the first culture for which a beggar is a reminder of nothing.”
    John Berger, Keeping a Rendezvous: Essays

  • #23
    John Berger
    “What any true painting touches is an absence - an absence of which without the painting, we might be unaware. And that would be our loss.”
    John Berger, The Shape of a Pocket

  • #24
    John Berger
    “Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.”
    John Berger
    tags: poets

  • #25
    Edgar Allan Poe
    “The death of a beautiful woman is, unquestionably, the most poetical topic in the world.”
    Edgar Allan Poe

  • #26
    Henri Bergson
    “The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.”
    Henri Bergson, Matter and Memory

  • #27
    “Pylades: I’ll take care of you.
    Orestes: It’s rotten work.
    Pylades: Not to me. Not if it’s you.”
    Anne Carson, Euripides

  • #28
    Emily Brontë
    “I gave him my heart, and he took and pinched it to death; and flung it back to me. People feel with their hearts, Ellen, and since he has destroyed mine, I have not power to feel for him.”
    Emily Brontë, Wuthering Heights

  • #29
    Anne Sexton
    “Do you like me?”
    No answer.
    Silence bounced, fell off his tongue
    and sat between us
    and clogged my throat.
    It slaughtered my trust.
    It tore cigarettes out of my mouth.
    We exchanged blind words,
    and I did not cry,
    I did not beg,
    but blackness filled my ears,
    blackness lunged in my heart,
    and something that had been good,
    a sort of kindly oxygen,
    turned into a gas oven.”
    Anne Sexton

  • #30
    Sayaka Murata
    “The long-forgotten silence sounded like music I’d never heard before.”
    Sayaka Murata, Convenience Store Woman



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