Mateja Nikolic > Mateja's Quotes

“We lose ourselves in what we read, only to return to ourselves, transformed and part of a more expansive world.”
― Judith Butler

“If Lacan presumes that female homosexuality issues from a disappointed heterosexuality, as observation is said to show, could it not be equally clear to the observer that heterosexuality issues from a disappointed homosexuality?”
― Judith Butler, Gender Trouble: Feminism and the Subversion of Identity

“What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
― J.D. Salinger, The Catcher in the Rye

“Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.”
― J.D. Salinger, The Catcher in the Rye

“Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”
― J.D. Salinger

“If you hate a person, you hate something in him that is part of yourself. What isn't part of ourselves doesn't disturb us.”
― Hermann Hesse, Demian: Die Geschichte von Emil Sinclairs Jugend

“Sometimes when I look at you, I feel I'm gazing at a distant star.
It's dazzling, but the light is from tens of thousands of years ago.
Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.”
― Haruki Murakami, South of the Border, West of the Sun

“No matter where i go, i still end up me. What's missing never changes. The scenery may change, but i'm still the same incomplete person. The same missing elements torture me with a hunger that i can never satisfy. I think that lack itself is as close as i'll come to defining myself.”
― Haruki Murakami, South of the Border, West of the Sun

“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
― Haruki Murakami, Norwegian Wood

“I think you still love me, but we can’t escape the fact that I’m not enough for you. I knew this was going to happen. So I’m not blaming you for falling in love with another woman. I’m not angry, either. I should be, but I’m not. I just feel pain. A lot of pain. I thought I could imagine how much this would hurt, but I was wrong.”
― Haruki Murakami, South of the Border, West of the Sun

“I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
― Kazuo Ishiguro, Never Let Me Go

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
― James Baldwin

“Perhaps home is not a place but simply an irrevocable condition.”
― James Baldwin, Giovanni’s Room

“Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.”
― James Baldwin, The Fire Next Time

“Mnogo samuješ i dugo ćutiš, sine moj, zatravljen si snovima, izmoren putevima duha. Lik ti je pognut i lice blijedo, duboko spuštene vjeđe i glas kao škripa tamničkih vrata. Iziđi u ljetni dan, sine moj!
- Šta si vidio u ljetni dan, sine moj?
Vidio sam da je zemlja jaka i nebo vječno, a čovjek slab i kratkovjek.
- Šta si vidio, sine moj, u ljetni dan?
Vidio sam da je ljubav kratka, a glad vječna.
- Šta si vidio, sine moj, u ljetni dan?
Vidio sam da je ovaj život stvar mučna, koja se sastoji od nepravilne izmjene grijeha i nesreće, da živjeti znači slagati varku na varku.
- Hoćeš da usneš, sine moj?
Ne, oče, idem da ž i v i m.”
― Ivo Andrić, Ex Ponto, Nemiri, Lirika

“Ne voli čovek jednog pisca samo zato što ga zabavlja, ili ga pred dileme stavlja, nego što ponekad slučajnošću otvara put njegovim sopstvenim idejama.
Pomaže mu da se izrazi, sam sebe razume, aktivira mentalno.
To može biti i suprotstavljanjem i prihvatanjem.
U svakom slučaju, posredi je nemušti dijalog.
Čitanje mojih knjiga zamišljam kao razgovor sa mnom, ne kao puko slušanje.”
― Borislav Pekić

“‎Ako neko ljubav prema svojoj zemlji, partiji, pokretu, ideji, stavi načelno iznad istine o njoj, ma kakva da je, to nije pravi patriotizam, to nije pravi borac jedne ideje. To je moralna kukavica u potrazi za alibijem.”
― Borislav Pekić

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― Sylvia Plath, The Bell Jar

“Everything was beautiful and nothing hurt.”
― Kurt Vonnegut, Slaughterhouse-Five

“And so it goes...”
― Kurt Vonnegut, Slaughterhouse-Five

“How nice -- to feel nothing, and still get full credit for being alive.”
― Kurt Vonnegut, Slaughterhouse-Five

“Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.”
― Kurt Vonnegut, Slaughterhouse-Five

“Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
― Margaret Atwood, The Robber Bride

“Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it.”
― Mary Shelley, Frankenstein

“I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.”
― Mary Shelley, Frankenstein

“Books are mirrors: you only see in them what you already have inside you.”
― Carlos Ruiz Zafón, The Shadow of the Wind

“Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.”
― Carlos Ruiz Zafón, The Shadow of the Wind

“Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return.”
― Carlos Ruiz Zafon, The Shadow of the Wind

“I dreamed I saw my maternal grandmother sitting by the bank of a swimming pool, that was also a river. In real life, she had been a victim of Alzheimer’s disease, and had regressed, before her death, to a semi-conscious state. In the dream, as well, she had lost her capacity for self-control. Her genital region was exposed, dimly; it had the appearance of a thick mat of hair. She was stroking herself, absent-mindedly. She walked over to me, with a handful of pubic hair, compacted into something resembling a large artist’s paint-brush. She pushed this at my face. I raised my arm, several times, to deflect her hand; finally, unwilling to hurt her, or interfere with her any farther, I let her have her way. She stroked my face with the brush, gently, and said, like a child, “isn’t it soft?” I looked at her ruined face and said, “yes, Grandma, it’s soft.”
― Jordan B. Peterson, Maps of Meaning: The Architecture of Belief

“The feeling that she had never really lived in this world caught her by surprise. It was a fact. She had never lived. Even as a child, as far back as she could remember, she had done nothing but endure. She had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. Her devotion to doing things the right way had been unflagging, all her successes had depended on it, and she would have gone on like that indefinitely. She didn't understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived.”
― Han Kang, The Vegetarian