Jane MB > Jane's Quotes

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  • #1
    Osamu Dazai
    “Mornings are grey. Always the same. Absolutely empty.”
    Osamu Dazai, Schoolgirl

  • #2
    Osamu Dazai
    “Tomorrow will probably be another day like today. Happiness will never come my way. I know that. But it's probably best to go to sleep believing that it will surely come, tomorrow it will come. I purposely made a loud thump as I fell into bed. Ah, that feels good. The futon was cool, just the right temperature against my back, and it was simply delightful. Sometimes happiness arrives one night too late. The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late. Happiness... I”
    Osamu Dazai, Schoolgirl

  • #3
    Osamu Dazai
    “I hope I meet lots of people with lovely eyes.”
    Osamu Dazai, Schoolgirl

  • #4
    Mieko Kawakami
    “Everything was beautiful. Not that there was anyone to share it with, anyone to tell. Just the beauty.”
    Mieko Kawakami, Heaven

  • #5
    Mieko Kawakami
    “her voice was amazing, like a 6B pencil”
    Mieko Kawakami, Heaven

  • #6
    Mieko Kawakami
    “The light at night is special because the overwhelming light of day has left us, and the remaining half draws on everything it has to keep the world around us bright.”
    Mieko Kawakami, All the Lovers in the Night

  • #7
    Mieko Kawakami
    “Without school, I could get by without seeing anyone or being seen by anyone. It was like being a piece of furniture in a room that nobody uses. I can't express how safe it felt never being seen.”
    Mieko Kawakami, Heaven

  • #8
    Mieko Kawakami
    “As I passed below the haloes of the green and red traffic signals, I was taken by this strange view of the evening, the city streets full of people— people waiting, the people they were waiting for, people out to eat together, people going somewhere together, people heading home together. I allowed my thoughts to settle on the brightness filling their hearts and lungs, squinting as I walked along and counted all the players of this game I would never play.”
    Mieko Kawakami, All the Lovers in the Night

  • #9
    Mieko Kawakami
    “Light spilled off every surface. The light of day. I meditated on this phrase and stared into the radiance.”
    Mieko Kawakami, Breasts and Eggs

  • #10
    Mieko Kawakami
    “At first, suicide was just a word, a vague idea separate from reality. It pointed at a way that other people chose to die, people I didn't even know. But once the word became my own, it took on the strangest shape. I could feel it growing deep inside of me. Suicide wasn't something that happened to strangers. I could make it happen, if I wanted to.”
    Mieko Kawakami, Heaven

  • #11
    Mieko Kawakami
    “The sleep was like as it had been cut out from a slab of clay, round and clean.”
    Mieko Kawakami, Breasts and Eggs

  • #12
    Mieko Kawakami
    “How many summers had I been alive? The obvious answer was as many summers as my age; but for some reason I felt the presence of another number, a different, realer number somewhere out there in the world. I thought about this as I gazed into the summer glare.”
    Mieko Kawakami, Breasts and Eggs
    tags: time

  • #13
    Mieko Kawakami
    “You think about how other people feel. You're so kind. It makes sense. Because we're always in pain, we know exactly what it means to hurt somebody else.”
    Mieko Kawakami, Heaven

  • #14
    Mieko Kawakami
    “Behind my eyelids, I saw dancing patterns mix and break apart.”
    Mieko Kawakami, Breasts and Eggs

  • #15
    Kenzaburō Ōe
    “Right now you're about the least attractive Bird I've ever seen...But I'll sleep with you just the same. I haven't been fastidious about morality since my husband committed suicide; besides, even if you intend to have the most disgusting kind of sex with me, I'm sure I'll discover something genuine in no matter what we do.”
    Kenzaburō Ōe, A Personal Matter

  • #16
    Kenzaburō Ōe
    “Hiroshima is like a nakedly exposed wound inflicted on all mankind.”
    Kenzaburō Ōe, Hiroshima Notes

  • #17
    Kenzaburō Ōe
    “If I'm a monster then I want to be a real monster. I'll become a monster and explode.”
    Kenzaburō Ōe

  • #18
    Kenzaburō Ōe
    “They gave the impression of unnaturally halted motion, like film caught in a projector.”
    Kenzaburō Ōe, A Personal Matter

  • #19
    Kenzaburō Ōe
    “In introducing himself, he had said, "I'm the father," and the doctors had winced. Because something else must have echoed in their ears- I'm the monster's father.”
    Kenzaburo Oe

  • #20
    Kenzaburō Ōe
    “His eyes, filled with tears and his own blood, are already blind to all things in reality, but the colossal chrysanthemum topped with a purple aurora illuminates the darkness behind his closed lids more radiantly than any light he has ever seen. His head nothing more than a dark void now, the blood all drained away, he is no longer certain whether the person awaiting him at the top of the stone steps is a certain party, but if he can crawl just one yard more, digging at the hot ground with his bullet-broken hands, he will reach the feet of the person unmistakably awaiting him, whoever he may be, and his blood and his tears will be wiped away.”
    Kenzaburō Ōe, Teach Us to Outgrow Our Madness

  • #21
    Kenzaburō Ōe
    “Probably the sky a hundred yards or so above your head is still nothing more than sky to you. But all that means is that the storehouse happens to be empty at the moment.”
    Kenzaburō Ōe, Teach Us to Outgrow Our Madness

  • #22
    Polly Barton
    “Oh, my son loves Japan!" she says, her voice soaring. "He's been studying Japanese, all by himself, and he went there recently actually for the first time, and he said he just felt immediately at home there, you know really comfortable. I mean with him it's mostly the, the, the-"
    My brain silently fills in the next word: anime.
    "The animation and so on, you know he's really into technology. I mean he's only seventeen, you know so who knows what is going to happen. But it does seem like, you know, a real thing for him."
    "Right," I say, and I nod. "That's great."
    Sometimes at times like these, what fills my head is the things I do not and could not ever say. For example: "You have no idea how many stories I've heard exactly like that one!" Or: "You know, even though I'm generally reluctant to admit the existence of 'types' among people, I'm often shocked by the parallels that exist between the kind of young men who like anime and all things Japanese, to the extent that I sometimes struggle to believe that a group of people with such intensely similar interests are in fact individuals." Certainly I do not say: "And what would you like to bet that he ends up marrying a Japanese woman and becomes an academic teaching the world about Japanese culture while she gives up her job to bring up his children?" But even if these things flicker through my mind, I'm not anywhere near as rageful as any of that makes me sound.
    In fact, if anything, what I feel in this particular moment is something like envy, for this son of hers that I've never met, I understand that taking refuge in Japan and being shielded from the demands of full adulthood is a privilege offered to predominantly white, educated, Anglophone men, because they are deemed the most desirable that the world has to offer; that it feeds off power relations that date back to the American occupation and beyond, and which hew closely to the colonial paradigm even if there are important differences (and even if Japan also has a history of colonialism of its own to reckon with); and that even leaving all of this aside, this Peter Pan status is not something I am interested in. And yet I can't help but look at the sort of person who feels "immediately" comfortable in Japan and wish that I had felt like that, only because it might validate the way I've dedicated a lot of my life to the country, but because the security of that sensation in itself feels like something I would love to experience.”
    Polly Barton, Fifty Sounds

  • #23
    Bae Suah
    “You were born with a knife in your heart.”
    Bae Suah, Nowhere to Be Found
    tags: knife

  • #24
    Bae Suah
    “Whatever the intention or aim of the photographer, every photograph is a unique proof of identify, firmly declaring that human beings are ghosts.”
    Bae Suah, Untold Night and Day

  • #25
    Bae Suah
    “She headed straight to the heart of the darkness, which lacked even a single point of light, and where not even the road beneath her feet could be seen. Like a blind owl, she walked as one with the darkness, undisturbed by it.”
    Bae Suah, Untold Night and Day

  • #26
    Bae Suah
    “Objects, matter itself, were softly disintegrating. All identity became ambiguous, semi-opaque.”
    Bae Suah, Untold Night and Day

  • #27
    Bae Suah
    “Asleep, I heard the sound of sleeping breath. Of one sleeping breath fumbling for another. They must be tangles with you, my breathing, my sleep, and my dreams. And I wanted to keep dreaming.”
    Bae Suah, North Station
    tags: sleep

  • #28
    Bae Suah
    “I escaped out of the pitch-black customs area, and in the darkness everybody merged with their bags and suitcases, fusing together like shadows worn thin; they looked like ghosts, passing through a station to the other world. Carrying backpacks and pushing trolleys, as though the weight and bulk of their luggage were a final, definitive record of who they had been in life, like a funeral guestbook.”
    Bae Suah, Untold Night and Day

  • #29
    Bae Suah
    “Every now and then I picture a subway train at night packed with people I used to know and random people whom I will meet by chance in some distant future. Most of the people I knew a long time ago now live their lives without me, and those whom I will meet by chance one day do not know me now. They walk by apathetically, their faces gloomy beneath the dim lights of the city hall subway station, jostling my shoulders as they pass.”
    Bae Suah, Nowhere to Be Found

  • #30
    Bae Suah
    “Sleep drifted about over lukewarm waves, like an anesthetic leaching in through veins, seized by sleep's phantoms... held within sleep, on eye make a simultaneous record of what the other sees. Sleep, the soul's gelatinous component, the made-visible half-form of that which is unsee. Dreams and the embrace of dreams, which always stir up such sluggish, stunned sensations. This things that stimulates my sleep, the respiration and waves of dreams, waves of breath, and waves of water, that chord and note.”
    Bae Suah, North Station



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