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  • #1
    Madeline Miller
    “Name one hero who was happy."
    I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
    "You can't." He was sitting up now, leaning forward.
    "I can't."
    "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
    "Tell me." I loved it when he was like this.
    "I'm going to be the first." He took my palm and held it to his. "Swear it."
    "Why me?"
    "Because you're the reason. Swear it."
    "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
    "I swear it," he echoed.
    We sat like that a moment, hands touching. He grinned.
    "I feel like I could eat the world raw.”
    Madeline Miller, The Song of Achilles

  • #2
    Donna Tartt
    “For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.”
    Donna Tartt, The Secret History

  • #3
    Ernest Hemingway
    “I've been wondering about Dostoyevsky. How can a man write so badly, so unbelievably badly, and make you feel so deeply?”
    Ernest Hemingway, A Moveable Feast

  • #4
    Madeline Miller
    “Achilles' eyes were bright in the firelight, his face drawn sharply by the flickering shadows. I would know it in dark or disguise, I told myself. I would know it even in madness.”
    Madeline Miller, The Song of Achilles

  • #5
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #6
    Madeline Miller
    “And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
    Madeline Miller, The Song of Achilles

  • #7
    Madeline Miller
    “He is half of my soul, as the poets say.”
    Madeline Miller, The Song of Achilles

  • #8
    Alida Nugent
    “When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.

    You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe.

    When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself.

    When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.”
    Alida Nugent, You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism

  • #9
    Charles Bukowski
    “I had no interests. I had no interest in anything. I had no idea how I was going to escape. At least the others had some taste for life. They seemed to understand something that I didn’t understand. Maybe I was lacking. It was possible. I often felt inferior. I just wanted to get away from them. But there was no place to go. Suicide? Jesus Christ, just more work. I felt like sleeping for five years but they wouldn’t let me.”
    Charles Bukowski

  • #10
    Khaled Hosseini
    “You say you felt a presence, but I only sensed an absence. A vague pain without a source. I was like a patient who cannot tell the doctor where it hurts, only that it does.”
    Khaled Hosseini, And the Mountains Echoed

  • #11
    Jane Austen
    “I cannot make speeches, Emma...If I loved you less, I might be able to talk about it more. But you know what I am. You hear nothing but truth from me. I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.”
    Jane Austen, Emma

  • #12
    Allen Ginsberg
    “I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of the night.”
    Allen Ginsberg, Howl, Kaddish and Other Poems

  • #13
    Allen Ginsberg
    “I really would like to stop working forever–never work again, never do anything like the kind of work I’m doing now–and do nothing but write poetry and have leisure to spend the day outdoors and go to museums and see friends. And I’d like to keep living with someone — maybe even a man — and explore relationships that way. And cultivate my perceptions, cultivate the visionary thing in me. Just a literary and quiet city-hermit existence.”
    Allen Ginsberg

  • #14
    Allen Ginsberg
    “I touch your book and dream of our odyssey in the supermarket and feel absurd.”
    Allen Ginsberg, Howl and Other Poems

  • #15
    Allen Ginsberg
    “I'm alone in the sky
    where there's nothing to lose
    The Sun's not eternal
    That's why there's the blues
    Majestical jailhouse
    our Joy's in the Cage
    Hearts full of hatred
    will outlast my old age”
    Allen Ginsberg, White Shroud

  • #16
    Henry David Thoreau
    “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”
    Henry David Thoreau

  • #17
    Madeline Miller
    “I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin.”
    Madeline Miller, The Song of Achilles

  • #18
    Madeline Miller
    “There was more to say, but for once we did not say it. There would be other times for speaking, tonight and tomorrow and all the days after that. He let go of my hand.”
    Madeline Miller, The Song of Achilles

  • #19
    Madeline Miller
    “I conjure the boy I knew. Achilles, grinning as the figs blur in his hands. His green eyes laughing into mine. Catch, he says. Achilles, outlined against the sky, hanging from a branch over the river. The thick warmth of his sleepy breath against my ear. If you have to go, I will go with you. My fears forgotten in the golden harbor of his arms.
    The memories come, and come. She listens, staring into the grain of the stone. We are all there, goddess and mortal and the boy who was both.”
    Madeline Miller, The Song of Achilles

  • #20
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.
    If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
    As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
    “Patroclus,” he said. He was always better with words than I.”
    Madeline Miller, The Song of Achilles

  • #21
    Madeline Miller
    “He smiled, and his face was like the sun.”
    Madeline Miller, The Song of Achilles

  • #22
    Madeline Miller
    “This, I say. This and this. The way his hair looked in summer sun. His face when he ran. His eyes, solemn as an owl at lessons. This and this and this. So many moments of happiness, crowding forward.”
    Madeline Miller, The Song of Achilles

  • #23
    Madeline Miller
    “Patroclus, he says, Patroclus. Patroclus. Over and over until it is sound only.”
    Madeline Miller, The Song of Achilles

  • #24
    “It's a terrifying feeling.
    It's easy to lust after someone, to match their face to a missed heartbeat or a sharp intake of breath. It's easy to say, I want them because of the color of their eyes, the lines of their body.

    It's something entirely different to say, I want them because of the way they rest their hands on the steering wheel, the way they gaze out a window, the way they say my name.”
    Eleventy7, Running on Air

  • #25
    Charles Dickens
    “In a word, I was too cowardly to do what I knew to be right, as I had been too cowardly to avoid doing what I knew to be wrong.”
    Charles Dickens, Great Expectations

  • #26
    R.F. Kuang
    “Nice comes from the Latin word for “stupid”,’ said Griffin. ‘We do not want to be nice.”
    R.F. Kuang, Babel

  • #27
    R.F. Kuang
    “He hated this place. He loved it. He resented how it treated him. He still wanted to be a part of it – because it felt so good to be a part of it, to speak to its professors as an intellectual equal, to be in on the great game.”
    R.F. Kuang, Babel

  • #28
    Donna Tartt
    “It is is better to know one book intimately than a hundred superficially.”
    Donna Tartt, The Secret History

  • #29
    R.F. Kuang
    “Be selfish," he whispered. "Be brave.”
    R.F. Kuang, Babel

  • #30
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken



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