Matthew White > Matthew's Quotes

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  • #1
    David Foster Wallace
    “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #2
    David Foster Wallace
    “I read," I say. "I study and read. I bet I've read everything you read. Don't think I haven't. I consume libraries. I wear out spines and ROM-drives. I do things like get in a taxi and say, "The library, and step on it." My instincts concerning syntax and mechanics are better than your own, I can tell, with all due respect. But it transcends the mechanics. I'm not a machine. I feel and believe. I have opinions. Some of them are interesting. I could, if you'd let me, talk and talk.”
    David Foster Wallace

  • #3
    David Foster Wallace
    “What the really great artists do is they're entirely themselves. They're entirely themselves, they've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.”
    David Foster Wallace

  • #4
    David Foster Wallace
    “You will become way less concerned with what other people think of you when you realize how seldom they do.”
    David Foster Wallace, Infinite Jest

  • #5
    David Foster Wallace
    “If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

    Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

    We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.

    You burn with hunger for food that does not exist.

    A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.”
    David Foster Wallace

  • #6
    David Foster Wallace
    “There's good self-consciousness, and then there's toxic, paralyzing, raped-by-psychic-Bedouins self-consciousness.”
    David Foster Wallace

  • #7
    David Foster Wallace
    “It did what all ads are supposed to do: create an anxiety relievable by purchase.”
    David Foster Wallace, Infinite Jest

  • #8
    David Foster Wallace
    “I had kind of a midlife crisis at twenty which probably doesn’t augur well for my longevity”
    David Foster Wallace

  • #9
    David Foster Wallace
    “You have decided being scared is caused mostly by thinking. ”
    David Foster Wallace

  • #10
    Don DeLillo
    “Sometimes I see something so moving I know I’m not supposed to linger. See it and leave. If you stay too long, you wear out the wordless shock. Love it and trust it and leave.”
    Don DeLillio, Underworld

  • #11
    Don DeLillo
    “Writing is a concentrated form of thinking. I don’t know what I think about certain subjects, even today, until I sit down and try to write about them. Maybe I wanted to find more rigorous ways of thinking. We’re talking now about the earliest writing I did and about the power of language to counteract the wallow of late adolescence, to define things, define muddled experience in economical ways. Let’s not forget that writing is convenient. It requires the simplest tools. A young writer sees that with words and sentences on a piece of paper that costs less than a penny he can place himself more clearly in the world. Words on a page, that’s all it takes to help him separate himself from the forces around him, streets and people and pressures and feelings. He learns to think about these things, to ride his own sentences into new perceptions.”
    Don DeLillo

  • #12
    Jean-Paul Sartre
    “Man is condemned to be free; because once thrown into the world, he is responsible for everything he does.
    It is up to you to give [life] a meaning.”
    Jean-Paul Sartre

  • #13
    Jean-Paul Sartre
    “We are our choices.”
    Jean-Paul Sartre

  • #14
    Jean-Paul Sartre
    “Man can will nothing unless he has first understood that he must count on no one but himself; that he is alone, abandoned on earth in the midst of his infinite responsibilities, without help, with no other aim than the one he sets himself, with no other destiny than the one he forges for himself on this earth.”
    Jean-Paul Sartre

  • #15
    Jean-Paul Sartre
    “Life has no meaning a priori… It is up to you to give it a meaning, and value is nothing but the meaning that you choose.”
    Jean-Paul Sartre

  • #16
    Jean-Paul Sartre
    “I have crossed the seas, I have left cities behind me,
    and I have followed the source of rivers towards their
    source or plunged into forests, always making for other
    cities. I have had women, I have fought with men ; and
    I could never turn back any more than a record can spin
    in reverse. And all that was leading me where ?
    To this very moment...”
    Jean-Paul Sartre, Nausea

  • #17
    Joseph Conrad
    “No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone.”
    Joseph Conrad, Heart of Darkness

  • #18
    Joseph Conrad
    “Droll thing life is -- that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself -- that comes too late -- a crop of inextinguishable regrets.”
    Joseph Conrad, Heart of Darkness

  • #19
    Joseph Conrad
    “It’s extraordinary how we go through life with eyes half shut, with dull ears, with dormant thoughts. Perhaps it’s just as well; and it may be that it is this very dullness that makes life to the incalculable majority so supportable and so welcome.”
    Joseph Conrad

  • #20
    Charles Bukowski
    “Nothing was ever in tune. People just blindly grabbed at whatever there was: communism, health foods, zen, surfing, ballet, hypnotism, group encounters, orgies, biking, herbs, Catholicism, weight-lifting, travel, withdrawal, vegetarianism, India, painting, writing, sculpting, composing, conducting, backpacking, yoga, copulating, gambling, drinking, hanging around, frozen yogurt, Beethoven, Back, Buddha, Christ, TM, H, carrot juice, suicide, handmade suits, jet travel, New York City, and then it all evaporated and fell apart. People had to find things to do while waiting to die. I guess it was nice to have a choice.”
    Charles Bukowski, Women

  • #21
    Charles Bukowski
    “Poetry is what happens when nothing else can.”
    Charles Bukowski

  • #22
    Charles Bukowski
    “what matters most is how well you walk through the fire”
    Charles Bukowski

  • #23
    Charles Bukowski
    “there is a loneliness in this world so great
    that you can see it in the slow movement of
    the hands of a clock.

    people so tired
    mutilated
    either by love or no love.

    people just are not good to each other
    one on one.

    the rich are not good to the rich
    the poor are not good to the poor.

    we are afraid.

    our educational system tells us
    that we can all be
    big-ass winners.

    it hasn't told us
    about the gutters
    or the suicides.

    or the terror of one person
    aching in one place
    alone

    untouched
    unspoken to

    watering a plant.”
    Charles Bukowski, Love Is a Dog from Hell

  • #24
    Charles Bukowski
    “If you're losing your soul and you know it, then you've still got a soul left to lose”
    Charles Bukowski and Carl Weissner

  • #25
    Charles Bukowski
    “Real loneliness is not necessarily limited to when you are alone.”
    Charles Bukowski

  • #26
    Charles Bukowski
    “there are worse things
    than being alone
    but it often takes
    decades to realize this
    and most often when you do
    it's too late
    and there's nothing worse
    than too late”
    Charles Bukowski

  • #27
    William Faulkner
    “The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.”
    William Faulkner

  • #28
    William Faulkner
    “A gentleman accepts the responsibility of his actions and bears the burden of their consequences.”
    William Faulkner

  • #29
    William Faulkner
    “It's not when you realise that nothing can help you - religion, pride, anything - it's when you realise that you don't need any aid.”
    William Faulkner, The Sound and the Fury
    tags: help

  • #30
    William Faulkner
    “It is the writer's privilege to help man endure by lifting his heart.”
    William Faulkner



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