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  • #1
    Henry Wadsworth Longfellow
    “A feeling of sadness and longing,
    That is not akin to pain,
    And resembles sorrow only
    As the mist resembles the rain.

    Come, read to me some poem,
    Some simple and heartfelt lay,
    That shall soothe this restless feeling,
    And banish the thoughts of day.

    ‘The Day is Done”
    HENRY WADSWORTH LONGFELLOW, The Day is Done

  • #2
    Anton Chekhov
    “Will those who will be living a hundred, two hundred years from now, those for whom we are now laying down the road to the future, will they remember us in their prayers? . . ."

    "Man may not remember, but God will.”
    Anton Chekhov, Uncle Vanya

  • #3
    Jacques Derrida
    “The difference between the who and the what at the heart of love, separates the heart. It is often said that love is the movement of the heart. Does my heart move because I love someone who is an absolute singularity, or because I love the way that someone is? Often love starts with some type of seduction. One is attracted because the other is like this or like that. Inversely, love is disappointed and dies when one comes to realize the other person doesn’t merit our love. The other person isn’t like this or that. So at the death of love, it appears that one stops loving another not because of who they are but because they are such and such. That is to say, the history of love, the heart of love, is divided between the who and what. The question of being, to return to philosophy, because the first question of philosophy is: What is it to be? What is “being”? The question of being is itself always already divided between who and what. Is “Being” someone or something? I speak of it abstractly, but I think that whoever starts to love, is in love or stops loving, is caught between this division of the who and the what. One wants to be true to someone—singularly, irreplaceably—and one perceives that this someone isn’t x or y. They didn’t have the properties, the images, that I thought I’d loved. So fidelity is threatened by the difference between the who and the what.”
    Jacques Derrida

  • #4
    ابن الفارض
    “⁠⁠⁠عذِّب بما شئت غيرَ البعدِ عنكَ تجدْ
    أوفى محبٍّ بما يرضيكَ مبتهِجِ
    و خذْ بقيَّةَ ما أبقيتَ من رمقٍ
    لا خيرَ في الحبِّ إن أبقى على المُهجِ
    لله أجفانُ عينٍ ، فيكَ ، ساهرةً
    شوقاً إليكَ ، وقلبٌ بالغرامِ ، شجِِ
    أصبحت فيكَ كما أمسيتُ مكتئباً
    و لم أقل جَزَعاً : يا أزمةُ انفَرجي
    ما بينَ معتركِ الأحداق و المهجِ
    أنا القتيلُ بلا إثمٍ و لا حرَجِ
    ودَّعت ، قبل الهوى ، روحي ، لما نظَرَت
    عيناي من حسنِ ذاكَ المنظرِ البهجِ
    أعوامُ إقبالهِ كاليومِ في قصرٍ
    و يومُ إعراضه في الطولِ كالحججِ
    فإن نأى سائراً يا مُهجتي ارتحلي
    و إنْ دنا زائراً يا مقلتي ابتهجي
    قُلْ للذي لامني فيهِ ، وعنّفَني :
    دعني و شأني وعدْ عنْ نصحكَ السَّمجِ
    فاللّوْمُ لُؤمٌ ، و لم يُمدَحْ بهِ أحدٌ
    وهل رأيتَ مُحِبّاً بالغرَامِ هُجي
    تراهُ إن غاب عنِّي كلُّ جارحةٍ
    في كلِّ معنى لطيفٍ ، رائقٍ ، بهِجِ
    لم أدرِ ما غُربةُ الأوطان و هو معي
    و خاطِري ، أينَ كُنَّا ، غيرُ منزعجِ”
    ابن الفارض, ديوان ابن الفارض

  • #5
    نزار قباني
    “رسالة من تحت الماء

    إن كنتَ صديقي.. ساعِدني

    كَي أرحَلَ عَنك..

    أو كُنتَ حبيبي.. ساعِدني

    كَي أُشفى منك

    لو أنِّي أعرِفُ أنَّ الحُبَّ خطيرٌ جِدَّاً

    ما أحببت

    لو أنِّي أعرفُ أنَّ البَحرَ عميقٌ جِداً

    ما أبحرت..

    لو أنِّي أعرفُ خاتمتي

    ما كنتُ بَدأت...

    إشتقتُ إليكَ.. فعلِّمني

    أن لا أشتاق

    علِّمني

    كيفَ أقُصُّ جذورَ هواكَ من الأعماق

    علِّمني

    كيف تموتُ الدمعةُ في الأحداق

    علِّمني

    كيفَ يموتُ القلبُ وتنتحرُ الأشواق

    *

    إن كنت نبياً .. خلصني

    من هذا السحر..

    من هذا الكفر

    حبك كالكفر.. فطهرني

    من هذا الكفر..

    إن كنتَ قويَّاً.. أخرجني

    من هذا اليَمّ..

    فأنا لا أعرفُ فنَّ العوم

    الموجُ الأزرقُ في عينيك.. يُجرجِرُني نحوَ الأعمق

    وأنا ما عندي تجربةٌ

    في الحب.. ولا عندي زورق..

    إن كنت أعز عليك .. فخذ بيديّ

    فأنا عاشقةٌ من رأسي .. حتى قدميّ

    إني أتنفَّسُ تحتَ الماء..

    إنّي أغرق..

    أغرق..

    أغرق..”
    نزار قباني, أحلى قصائدي

  • #6
    لميعة عباس عمارة
    “أكبر مني كان الحب
    فكان الصمت
    وكان هروباً للأحلام

    شبهتك

    أحببت شبيهك

    أدركت لماذا أجدادي
    عبدوا الأصنام”
    لميعة عباس عمارة, يسمونه الحب

  • #7
    لميعة عباس عمارة
    “وحدك
    يُخيَّل لي أنني لم أُحِبُّ سواك
    تقول دموعي إذا ما قرأتك
    للمرة الألف بين السطور
    وأنت تموه ، أنت تثور
    وأنت تئن كسيحا
    وأنت تموت مسيحا
    وأنتَ تَشَفَّى ، لأني سُجنتُ
    وتفخرُ أَنَّكَ « لم تبكِ لي
    وأني بكيت »
    ألا قد تشفيت مني ،
    تشفيت مني
    فهلاً شفيت ؟
    حببتك أكثر حين الهوى لا يُنال
    وأنت محال
    وكنتُ أعينك في البعد عني”
    لميعة عباس عمارة, يسمونه الحب

  • #8
    لميعة عباس عمارة
    “لو أنبأني العرّاف
    أنّي سألاقيكَ بهذا التّيه
    لم أبكِ لشيءٍ في الدّنيا
    وجمعتُ دموعي
    كلّ الدّمع
    ليومٍ قد تهجرني فيه.”
    لميعة عباس عمارة, لو أنبأني العراف

  • #9
    Fyodor Dostoevsky
    “I am a dreamer. I know so little of real life that I just can't help re-living such moments as these in my dreams, for such moments are something I have very rarely experienced. I am going to dream about you the whole night, the whole week, the whole year. I feel I know you so well that I couldn't have known you better if we'd been friends for twenty years. You won't fail me, will you? Only two minutes, and you've made me happy forever. Yes, happy. Who knows, perhaps you've reconciled me with myself, resolved all my doubts.

    When I woke up it seemed to me that some snatch of a tune I had known for a long time, I had heard somewhere before but had forgotten, a melody of great sweetness, was coming back to me now. It seemed to me that it had been trying to emerge from my soul all my life, and only now-

    If and when you fall in love, may you be happy with her. I don't need to wish her anything, for she'll be happy with you. May your sky always be clear, may your dear smile always be bright and happy, and may you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn't such a moment sufficient for the whole of one's life?”
    Fyodor Dostoevsky, White Nights

  • #10
    Fyodor Dostoevsky
    “Somehow I cannot help
    being reminded of a frail, consumptive girl, at whom one sometimes looks
    with compassion, sometimes with sympathetic love, whom sometimes one
    simply does not notice; though suddenly in one instant she becomes, as
    though by chance, inexplicably lovely and exquisite, and, impressed and
    intoxicated, one cannot help asking oneself what power made those sad,
    pensive eyes flash with such fire? What summoned the blood to those
    pale, wan cheeks? What bathed with passion those soft features? What set
    that bosom heaving? What so suddenly called strength, life and beauty
    into the poor girl's face, making it gleam with such a smile, kindle
    with such bright, sparkling laughter? You look round, you seek for some
    one, you conjecture.... But the moment passes, and next day you meet,
    maybe, the same pensive and preoccupied look as before, the same pale
    face, the same meek and timid movements, and even signs of remorse,
    traces of a mortal anguish and regret for the fleeting distraction....
    And you grieve that the momentary beauty has faded so soon never to
    return, that it flashed upon you so treacherously, so vainly, grieve
    because you had not even time to love her....”
    fyodor dostoyevsky , White Nights

  • #11
    Ryūnosuke Akutagawa
    “He wanted to live life so intensely that he could die at any moment without regrets.”
    Ryūnosuke Akutagawa, The Life of a Stupid Man

  • #12
    Ryūnosuke Akutagawa
    “You fellows still have a strong will to live, I suppose?’
    ‘Yes, of course, but you, too…’
    ‘Not anymore,’ he said. He was telling the truth. At some point he had lost interest in life. ‘I do have the will to create, though.’
    ‘But surely the will to create is a form of the will to live…?”
    Ryūnosuke Akutagawa, The Life of a Stupid Man

  • #13
    Fyodor Dostoevsky
    “I suddenly felt that it was all the same to me whether the world existed or whether there had never been anything at all: I began to feel with all my being that there was nothing existing. At first I fancied that many things had existed in the past, but afterwards I guessed that there never had been anything in the past either, but that it had only seemed so for some reason. Little by little I guessed that there would be nothing in the future either. Then I left off being angry with people and almost ceased to notice them. Indeed this showed itself even in the pettiest trifles: I used, for instance, to knock against people in the street. And not so much from being lost in thought: what had I to think about? I had almost given up thinking by that time; nothing mattered to me. If at least I had solved my problems! Oh, I had not settled one of them, and how many there were! But I gave up caring about anything, and all the problems disappeared.”
    Fyodor Dostoyevsky, The Dream of a Ridiculous Man

  • #14
    Fyodor Dostoevsky
    “On our earth we can only love sincerely with suffering and through suffering. We do not know how to love any other way and know no other love. I want to suffer so that I can love. I desire, I thirst in this moment to kiss, weeping tears, that very earth which I left and I do not desire or accept life on any other! . . .”
    Fyodor Dostoyevsky, The Dream of a Ridiculous Man

  • #15
    Fyodor Dostoevsky
    “I was overpowered by the mere sensation of that dream and it alone survived in my sorely wounded heart.”
    Fyodor Dostoyevsky, The Dream of a Ridiculous Man

  • #16
    Alexander Pushkin
    “Two fixed ideas can no more exist together in the moral world than two bodies can occupy one and the same place in the physical world.”
    Alexander Pushkin, The Queen of Spades

  • #17
    Kay Redfield Jamison
    “Love, like life, is much stranger and far more complicated than one is brought up to believe.”
    Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness
    tags: love

  • #18
    O. Henry
    “And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest.”
    O. Henry , The Gift of the Magi

  • #19
    O. Henry
    “She started to try to cover the sad marks of what she had done. Love and large-hearted giving, when added together, can leave deep marks. It is never easy to cover these marks, dear friends, never easy.”
    O. Henry, The Gift of the Magi

  • #20
    Verlyn Klinkenborg
    “One purpose of writing—its central purpose—is to offer your testimony About the character of existence at this moment. It will be part of your job to say how things are, To attest to life as it is. This will feel strange at first. You’ll wonder whether you’re allowed to say things that sound Not merely observant but true, And not only true in carefully framed, limited circumstances, But true for all of us and, perhaps, for all time. Who asked you to say how things are? Where do you get the authority to do any of this? The answer is yours to find.”
    Verlyn Klinkenborg, Several Short Sentences About Writing

  • #21
    Mahmoud Darwish
    “الحُبُّ مِثْلُ المَوْتِ وَعَدٌ لا يُرَدُّ .. ولا يَزولُ”
    Mahmoud Darwish-محمود درويش, أحد عشر كوكبا

  • #22
    René Descartes
    “Like a prisoner who dreams that he is free, starts to
    suspect that it is merely a dream, and wants to go on
    dreaming rather than waking up, so I am content to
    slide back into my old opinions; I fear being shaken out
    of them because I am afraid that my peaceful sleep may
    be followed by hard labour when I wake, and that I
    shall have to struggle not in the light but in the
    imprisoning darkness of the problems I have raised.”
    René Descartes, Meditations on First Philosophy, with Selections from the Objections and Replies

  • #23
    Søren Kierkegaard
    “Life can only be understood backwards; but it must be lived forwards.”
    Søren Kierkegaard

  • #24
    روضة الحاج
    “لماذا تفردت في كل شيء
    فعزّ عليّ القياس عليك
    لماذا جمعت ملامح صحبي
    و جمعت شوقي لهم في يديك
    لماذا ارتديت عيون بلادي
    و حبات نيلي في مقلتيك
    لماذا سكنت بكل دروبي
    .. فبات ارتحالي عنك
    ..! إليك”
    روضة الحاج, مدن المنافي

  • #25
    روضة الحاج
    “و احتجت أن ألقَاك
    حين تربع الشوق المسافر و استراح
    و طفقت أبحث عنك
    في مُدن المنافي السافرات
    بلا جناح

    .. كان احتياجي
    أن تُضمخ حولي الأرجاء
    يا عطرا يُزاور في الصباح”
    روضة الحاج, مدن المنافي

  • #26
    روضة الحاج
    “لأجلك أنتزع الحرف قسراً
    فينفرط الآن عقد الكلام
    لأجلك أسكت نبض الخلايا
    أصم عن السمع أذني
    و أغمض عيني علي أنام
    أراك البشارات في الأفق تبدو
    أراك الغمامات بالحب تعدو
    تحدّثُ وجهي ببوح الغمام
    أراك الرحيق النقي الثنايا
    إلى القلب يسعى ..
    و بين المسام”
    روضة الحاج, مدن المنافي

  • #27
    روضة الحاج
    “اليوم دعنا نتفق
    لافرقَ عندكَ إنْ بقيتُ أو مضيتْ
    لافرق عندك إن ضحكنا هكذا كذباً
    وإن وحدي بكيتْ!
    فأنا تركتُ أحبتي ولديكَ أحبابٌ وبيتْ..
    وأنا هجرتُ مدينتي , وإليكَ يابعضي أتيتْ
    وأنا اعتزلتُ الناسَ والدنيا
    فما أنفقتَ لي من أجل أن أبقى؟!
    وماذا قد جنيتْ؟؟!!
    ..
    وأنا وهبتُكَ مُهجتي جهراً
    فهل سراً نويتْ؟؟!!”
    روضة الحاج, عش للقصيد

  • #28
    روضة الحاج
    “خوفي صديق العمر إن طال السفر
    خوفي إذا جاء المساء
    وماأتيت مع القمر
    وغاب عن وجهي القمر
    خوفي إذا عاد الخريف ومارجعت مع المطر
    ...
    خوفي إذا ماالشوق عربد داخلي
    وبرغم إخفائي ظهر
    خوفي إذا مارحت أبحث عنك ولهى
    ذات يوم ياصديق
    ولم أجد لك من أثر”
    روضة الحاج, عش للقصيد

  • #29
    روضة الحاج
    “أواه منك غداً ستمضي معجلا
    وأظل أقتات الأسى
    كيف احتباس الدمع بعدك
    عندما يأتي المساء
    كيف اصطبار القلب عنك وبالحنين قد اكتسى
    بل كيف يبحر قارب
    في اليم تاه ومارسى”
    روضة الحاج, عش للقصيد

  • #30
    روضة الحاج
    “ولربما استحييت لو أدركت
    كم أكبو على طول الطريق إليك
    كم ألقى من الرهق المذل من العياء..
    ولربما .. ولربما.. ولربما
    خطئي ـأنا
    أني نسيت معالم الطريق التي لاأنتهي فيها إليك!!”
    روضة الحاج, عش للقصيد



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