Alia Sultan > Alia's Quotes

“It's the possibility of having a dream come true that makes life interesting.”
― Paulo Coelho, The Alchemist

“The secret of life, though, is to fall seven times and to get up eight times.”
― Paulo Coelho, The Alchemist

“Remember that wherever your heart is, there you will find your treasure.”
― Paulo Coelho, The Alchemist

“So, I love you because the entire universe conspired to help me find you.”
― Paulo Coelho, The Alchemist

“People are capable, at any time in their lives, of doing what they dream of.”
― Paulo Coelho, The Alchemist

“We are travelers on a cosmic journey,stardust,swirling and dancing in the eddies and whirlpools of infinity. Life is eternal. We have stopped for a moment to encounter each other, to meet, to love, to share.This is a precious moment. It is a little parenthesis in eternity.”
― Paulo Coelho, The Alchemist

“When we strive to become better than we are, everything around us becomes better, too.”
― Paulo Coelho, The Alchemist

“I don’t live in either my past or my future. I’m interested only in the present. If you can concentrate always on the present, you’ll be a happy man. Life will be a party for you, a grand festival, because life is the moment we’re living now.”
― Paulo Coelho, The Alchemist

“Why do we have to listen to our hearts?" the boy asked.
"Because, wherever your heart is, that is where you will find your treasure.”
― Paulo Coelho, The Alchemist

“Those who dream by day are cognizant of many things which escape those who dream only by night.”
― Edgar Allan Poe, Eleonora

“I became insane, with long intervals of horrible sanity.”
― Edgar Allan Poe

“All that we see or seem is but a dream within a dream.”
― Edgar Allan Poe

“Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.”
― Edgar Allan Poe, The Raven

“From childhood's hour I have not been. As others were, I have not seen. As others saw, I could not awaken. My heart to joy at the same tone. And all I loved, I loved alone.”
― Edgar Allan Poe

“There is no exquisite beauty… without some strangeness in the proportion.”
― Edgar Allan Poe

“Sometimes I’m terrified of my heart; of its constant hunger for whatever it is it wants. The way it stops and starts.”
― Poe

“It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.”
― Edgar Allan Poe

“It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.”
― Edgar Allen Poe

“In the end things must be as they are and have always been--the great things remain for the great, the abysses for the profound, the delicacies and thrills for the refined, and, to sum up shortly, everything rare for the rare.”
― Friedrich Nietzsche, Beyond Good and Evil

“Madness is something rare in individuals — but in groups, parties, peoples, and ages, it is the rule.”
― Friedrich Nietzsche, Beyond Good and Evil

“You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.”
― Erin Morgenstern, The Night Circus

“Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.”
― Erin Morgenstern, The Night Circus

“Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.”
― Erin Morgenstern, The Night Circus

“The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not.”
― Erin Morgenstern, The Night Circus

“I would have written you, myself, if I could put down in words everything I want to say to you. A sea of ink would not be enough.' 'But you built me dreams instead.”
― Erin Morgenstern, The Night Circus

“He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen.
Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss.
Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.”
― Erin Morgenstern, The Night Circus

“Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.”
― Erin Morgenstern, The Night Circus

“Life takes us to unexpected places sometimes. The future is never set in stone, remember that.”
― Erin Morgenstern, The Night Circus

“فإذا وقفت أمام حسنك صامتاً

فالصمت في حرم الجمال جمال

كلماتنا في الحب .. تقتل حبنا

إن الحروف تموت حين تقال.”
― نزار قباني

“ربآآه أشياءه الصغرى تعذبني . . فكيف انجوا من الأشياء ربآآآهُ


هنا جريدته في الركن مهملة
هنا كتاب معا قد قرأناه
على المقاعد بعض من سجائره
وفي الزوايا بقايا من بقاياه
مالي أحدق في المرآة أسألها
بأي ثوب من الأثواب ألقاه
أأدعي أنني أصبحت أكرهه
وكيف أكره من في الجفن سكناه
وكيف أهرب منه إنه قدري
هل يملك النهر تغييرا لمجراه
أحبه لست أدري ما أحب به
حتى خطاياه ما عادت خطاياه
الحب في الأرض بعض من تخيلنا
لو لم نجده عليها لاخترعناه
ماذا أقول له لو جاء يسألني
إن كنت أهواه إني ألف أهواه”
― نزار قباني