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  • #1
    Vladimir Nabokov
    “Imagine me; I shall not exist if you do not imagine me; try to discern the doe in me, trembling in the forest of my own iniquity; let's even smile a little. After all, there is no harm in smiling.”
    Vladimir Nabokov, Lolita

  • #2
    Fyodor Dostoevsky
    “We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken.”
    Fyodor Dostoyevsky, Crime and Punishment

  • #3
    Fyodor Dostoevsky
    “Hush, Sonia! I am not laughing. I know myself that it was the devil leading me. Hush, Sonia, hush!” he repeated with gloomy insistence. “I know it all, I have thought it all over and over and whispered it all over to myself, lying there in the dark.… I've argued it all over with myself, every point of it, and I know it all, all! And how sick, how sick I was then of going over it all! I kept wanting to forget it and make a new beginning, Sonia, and leave off thinking. And you don’t suppose that I went into it headlong like a fool? I went into it like a wise man, and that was just my destruction. And you mustn't suppose that I didn't know, for instance, that if I began to question myself whether I had the right to gain power—I certainly hadn't the right—or that if I asked myself whether a human being is a louse it proved that it wasn't so for me, though it might be for a man who would go straight to his goal without asking questions.… If I worried myself all those days, wondering whether Napoleon would have done it or not, I felt clearly of course that I wasn't Napoleon. I had to endure all the agony of that battle of ideas, Sonia, and I longed to throw it off: I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder—that’s nonsense—I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider, catching men in my web and sucking the life out of men, I couldn't have cared at that moment.… And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.… I know it all now.… Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right …”

    “To kill? Have the right to kill?” Sonia clasped her hands.

    “Ach, Sonia!” he cried irritably and seemed about to make some retort, but was contemptuously silent. “Don’t interrupt me, Sonia. I want to prove one thing only, that the devil led me on then and he has shown me since that I had not the right to take that path, because I am just such a louse as all the rest. He was mocking me and here I've come to you now! Welcome your guest! If I were not a louse, should I have come to you? Listen: when I went then to the old woman’s I only went to try. … You may be sure of that!”

    “And you murdered her!”

    “But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.… But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!” he cried in a sudden spasm of agony, “let me be!”
    Fyodor Dostoyevsky, Crime and Punishment

  • #4
    Joseph Heller
    “They're trying to kill me," Yossarian told him calmly.
    No one's trying to kill you," Clevinger cried.
    Then why are they shooting at me?" Yossarian asked.
    They're shooting at everyone," Clevinger answered. "They're trying to kill everyone."
    And what difference does that make?”
    Joseph Heller, Catch-22

  • #5
    Joseph Heller
    “You have a morbid aversion to dying. You probably resent the fact that you're at war and might get your head blown off any second."

    "I more than resent it, sir. I'm absolutely incensed."

    "You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs, or hypocrites. Subconsciously there are many people you hate."

    "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously."

    "You're antagonistic to the idea of being robbed, exploited, degraded, humiliated, or deceived. Misery depresses you. Ignorance depresses you. Persecution depresses you. Violence depresses you. Corruption depresses you. You know, it wouldn't surprise me if you're a manic-depressive!"

    "Yes, sir. Perhaps I am."

    "Don't try to deny it."

    "I'm not denying it, sir," said Yossarian, pleased with the miraculous rapport that finally existed between them. "I agree with all you've said.”
    Joseph Heller, Catch-22

  • #6
    Joseph Heller
    “His heart cracked, and he fell in love. He wondered if she would marry him.

    “Tu sei pazzo,” she told him with a pleasant laugh.

    “Why am I crazy?” he asked.

    “Perché non posso sposare.”

    “Why can’t you get married?”

    “Because I am not a virgin,” she answered.

    “What has that got to do with it?”

    “Who will marry me? No one wants a girl who is not a virgin.”

    “I will. I’ll marry you.”

    “Ma non posso sposarti.”

    “Why can’t you marry me?”

    “Perché sei pazzo.”

    “Why am I crazy?”

    “Perché vuoi sposarmi.”

    Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?”

    “Si.”

    “Tu sei pazz’!” he told her loudly.

    “Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?”

    “Because you won’t marry me.”

    “Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.”

    “Oh, sure, I understand. And why can’t you marry me?”

    “Perché sei pazzo!”

    “And why am I crazy?”

    “Perché vuoi sposarmi.”

    “Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.”

    “Tu sei pazzo,” she murmured in reply, flattered.

    “Perché?”

    “Because you say you love me. How can you love a girl who is not a virgin?”

    “Because I can’t marry you.”

    She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?”

    “No, no, darling. Because you’re crazy.”
    Joseph Heller, Catch-22

  • #7
    Margaret Mitchell
    “I loved something I made up, something that's just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn't see what he really was. I kept on loving the pretty clothes—and not him at all.”
    Margaret Mitchell, Gone with the Wind

  • #8
    Emily Brontë
    “Catherine Earnshaw, may you not rest as long as I am living. You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”
    Emily Brontë, Wuthering Heights

  • #9
    Emily Brontë
    “I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”
    Emily Brontë, Wuthering Heights

  • #10
    Emily Brontë
    “You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave?”
    Emily Brontë, Wuthering Heights

  • #11
    Vladimir Nabokov
    “You can always count on a murderer for a fancy prose style.”
    Vladimir Nabokov, Lolita

  • #12
    Vladimir Nabokov
    “Life is short. From here to that old car you know so well there is a stretch of twenty, twenty-five paces. It is a very short walk. Make those twenty-five steps. Now. Right now. Come just as you are. And we shall live happily ever after. ”
    Vladimir Nabokov, Lolita
    tags: love

  • #13
    Vladimir Nabokov
    “We live not only in a world of thoughts, but also in a world of things. Words without experience are meaningless.”
    Vladimir Nabokov, Lolita

  • #14
    Fyodor Dostoevsky
    “We're always thinking of eternity as an idea that cannot be understood, something immense. But why must it be? What if, instead of all this, you suddenly find just a little room there, something like a village bath-house, grimy, and spiders in every corner, and that's all eternity is. Sometimes, you know, I can't help feeling that that's what it is.”
    Fyodor Dostoevsky, Crime and Punishment

  • #15
    Fyodor Dostoevsky
    “He did not know that the new life would not be given him for nothing, that he would have to pay dearly for it, that it would cost him great striving, great suffering.
    But that is the beginning of a new story -- the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended.”
    Fyodor Dostoevsky, Crime and Punishment

  • #16
    Charlotte Brontë
    “I am no bird; and no net ensnares me: I am a free human being with an independent will.”
    Charlotte Brontë, Jane Eyre

  • #17
    Charlotte Brontë
    “Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!”
    Charlotte Brontë, Jane Eyre

  • #18
    Charlotte Brontë
    I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”
    Charlotte Brontë, Jane Eyre

  • #19
    Charlotte Brontë
    “Do you think, because I am poor, obscure, plain and little, I am soulless and heartless? You think wrong! - I have as much soul as you, - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you!”
    Charlotte Brontë, Jane Eyre

  • #20
    Charlotte Brontë
    “I am not an angel," I asserted; "and I will not be one till I die: I will be myself.”
    Charlotte Brontë, Jane Eyre

  • #21
    Oscar Wilde
    “The books that the world calls immoral are books that show the world its own shame.”
    Oscar Wilde, The Picture of Dorian Gray

  • #22
    Oscar Wilde
    “You will always be fond of me. I represent to you all the sins you never had the courage to commit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #23
    Oscar Wilde
    “What of Art?
    -It is a malady.
    --Love?
    -An Illusion.
    --Religion?
    -The fashionable substitute for Belief.
    --You are a sceptic.
    -Never! Scepticism is the beginning of Faith.
    --What are you?
    -To define is to limit.”
    Oscar Wilde , The Picture of Dorian Gray

  • #24
    Oscar Wilde
    “Never marry at all, Dorian. Men marry because they are tired, women, because they are curious: both are disappointed.”
    Oscar Wilde, The Picture of Dorian Gray

  • #25
    Oscar Wilde
    “Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.”
    Oscar Wilde, The Picture of Dorian Gray

  • #26
    Oscar Wilde
    “Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?”
    Oscar Wilde, The Picture of Dorian Gray

  • #27
    Oscar Wilde
    “There is no such thing as a moral or an immoral book.
    Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #28
    Oscar Wilde
    “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.”
    Oscar Wilde, The Picture of Dorian Gray

  • #29
    Kurt Vonnegut Jr.
    “Everything was beautiful and nothing hurt.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #30
    Kurt Vonnegut Jr.
    “And so it goes...”
    Kurt Vonnegut, Slaughterhouse-Five



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