Beatriz Giorgi > Beatriz's Quotes

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  • #1
    Jane Austen
    “You pierce my soul. I am half agony, half hope...I have loved none but you.”
    Jane Austen, Persuasion

  • #2
    Virginia Woolf
    “But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollow of the wave.”
    Virginia Woolf, To the Lighthouse

  • #3
    Valter Hugo Mãe
    “As mães são como lugares de onde deus chega. lugares onde deus está e a partir dos quais pode chegar até nós. porque só através deles nos encontramos aqui e, por isso, não há mãe alguma que não mereça o céu, porque, em verdade, as mães transportam o céu dentro delas.”
    valter hugo mãe, O Remorso de Baltazar Serapião
    tags: mãe

  • #4
    Valter Hugo Mãe
    “Não sei se a Arte nos deve salvar, mas tenho a certeza de que pode conduzir ao melhor que há em nós para que não nos desperdicemos na vida.”
    valter hugo mãe, A Desumanização

  • #5
    Valter Hugo Mãe
    “O amor precisa ser uma solução, não um problema. Toda a gente me diz: o amor é um problema. Tudo bem. Posso dizer de outro modo: o amor é um problema mas a pessoa amada precisa ser uma solução.”
    valter hugo mãe, O Paraíso são os Outros

  • #6
    Toni Morrison
    “If there's a book that you want to read, but it hasn't been written yet, then you must write it.”
    Toni Morrison

  • #7
    José Luandino Vieira
    “[...] se a gente segue assim, para trás ou para a frente, vê que não pode se partir o fio da vida, mesmo que está podre nalgum lado, ele sempre se emenda noutro sítio, cresce, desvia, foge, avança, curva, pára, esconde, aparece...”
    José Luandino Vieira, Luuanda: Short Stories of Angola

  • #8
    Valter Hugo Mãe
    “Não ler, pensei, era como fechar os olhos, fechar os ouvidos, perder sentidos. As pessoas que não liam não tinham sentidos. Andavam como sem ver, sem ouvir, sem falar. Não sabiam sequer o sabor das batatas. Só os livros explicavam tudo. As pessoas que não leem apagam-se no mapa de deus.”
    Valter Hugo Mãe, A Desumanização

  • #9
    Colleen Hoover
    “Just because we didn’t end up on the same wave, doesn’t mean we aren’t still a part of the same ocean.”
    Colleen Hoover, It Ends with Us

  • #10
    Colleen Hoover
    “Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across. And I brought so much with me that my impressions would always be there, even when the tide rolled out.”
    Colleen Hoover, It Ends with Us

  • #11
    Colleen Hoover
    “And as hard as this choice is, we break the pattern before the pattern breaks us.”
    Colleen Hoover, It Ends with Us

  • #12
    Colleen Hoover
    “We all have a limit. What we’re willing to put up with before we break. When I married your father, I knew exactly what my limit was. But slowly . . . with every incident . . . my limit was pushed a little more. And a little more. The first time your father hit me, he was immediately sorry. He swore it would never happen again. The second time he hit me, he was even more sorry. The third time it happened, it was more than a hit. It was a beating. And every single time, I took him back. But the fourth time, it was only a slap. And when that happened, I felt relieved. I remember thinking, ‘At least he didn’t beat me this time. This wasn’t so bad.”
    Colleen Hoover, It Ends with Us

  • #13
    Colleen Hoover
    “Just because someone hurts you doesn't mean you can simply stop loving them. It's not a person's actions that hurt the most. It's the love. If there was no love attached to the action, the pain would be a little easier to bear.”
    Colleen Hoover, It Ends with Us

  • #14
    Max Porter
    “Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project. I refuse to rush. The pain that is thrust upon us let no man slow or speed or fix.”
    Max Porter, Grief Is the Thing with Feathers

  • #15
    Max Porter
    “I remember being scared that something must, surely, go wrong, if we were this happy, her and me, in the early days, when our love was settling into the shape of our lives like cake mixture reaching the corners of the tin as it swells and bakes.”
    Max Porter, Grief Is the Thing with Feathers

  • #16
    Max Porter
    “And the boys were behind me, a tide-wall of laughter and yelling, hugging my legs, tripping and grabbing, leaping, spinning, stumbling, roaring, shrieking and the boys shouted I LOVE YOU I LOVE YOU I LOVE YOU and their voice was the life and song of their mother. Unfinished. Beautiful. Everything.”
    Max Porter, Grief Is the Thing with Feathers

  • #17
    Max Porter
    “Again. I beg everything again.”
    Max Porter, Grief Is the Thing with Feathers

  • #18
    Max Porter
    “I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,”
    Max Porter, Grief Is the Thing with Feathers

  • #19
    Max Porter
    “[Grief] is everything. It is the fabric of selfhood, and beautifully chaotic. It shares mathematical characteristics with many natural forms.”
    Max Porter, Grief Is the Thing with Feathers

  • #20
    Max Porter
    “What good is a crow to a pack of grieving humans? A huddle. A throb.              A sore.                          A plug.                                       A gape.                                                    A load. A gap. So, yes. I do eat baby rabbits, plunder nests, swallow filth, cheat death, mock the starving homeless, misdirect, misinform. Oi, stab it! A bloody load of time wasted. But I care, deeply. I find humans dull except in grief.”
    Max Porter, Grief Is the Thing with Feathers

  • #21
    Max Porter
    “Perfect devices: doctors, ghosts and crows. We can do things other characters can't, like eat sorrow, un-birth secrets and have theatrical battles with language and God.”
    Max Porter, Grief Is the Thing with Feathers

  • #22
    Max Porter
    “And then our Mum and Dad were in love and they were truly dry-stone strong and durable and people speak of ease and joy and spontaneity and the fact that their two smells became one smell, our smell. Us.”
    Max Porter, Grief Is the Thing with Feathers

  • #23
    Max Porter
    “...we were different boys, we were brave new boys without a Mum. So when he told us what happened I don't know what my brother was thinking but I was thinking this:
    Where are the fire engines? Where is the noise and clamour of an event like this? Where are the strangers going out of their way to help, screaming, flinging bits of emergency glow-in-the-dark equipment at us to try and settle us and save us?
    There should be men in helmets speaking a new and dramatic language of crisis. There should be horrible levels of noise, completely foreign and inappropriate for our cosy London flat.”
    Max Porter, Grief Is the Thing with Feathers

  • #24
    Max Porter
    “We will never fight again, our lovely, quick, template-ready arguments. Our delicate cross-stitch of bickers.

    The house becomes a physical encyclopedia of no-longer hers, which shocks and shocks and is the principal difference between our house and a house where illness has worked away. Ill people, in their last day on Earth, do not leave notes stuck to bottles of red wine saying ‘OH NO YOU DON’T COCK-CHEEK’. She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone.

    She won’t ever use (make-up, turmeric, hairbrush, thesaurus).

    She will never finish (Patricia Highsmith novel, peanut butter, lip balm).

    And I will never shop for green Virago Classics for her birthday.

    I will stop finding her hairs.


    I will stop hearing her breathing.”
    Max Porter, Grief Is the Thing with Feathers

  • #25
    Max Porter
    “Grief felt fourth-dimensional, abstract, faintly familiar. I was cold.”
    Max Porter, Grief Is the Thing with Feathers

  • #26
    Max Porter
    “I plucked one feather from my hood and left it on his forehead, for, his, head.

    For a souvenir, for a warning, for a lick of night in the morning.

    For a little break in the mourning.”
    Max Porter, Grief Is the Thing with Feathers

  • #27
    Max Porter
    “They offer me a space on the sofa next to them and the pain of them being so naturally kind is like appendicitis. I need to double over and hold myself because they are so kind and keep regenerating and recharging their kindness without any input from me. CROW”
    Max Porter, Grief Is the Thing with Feathers

  • #28
    Max Porter
    “MAN I would be done grieving? BIRD    No, not at all. You were done being hopeless. Grieving is something you’re still doing, and something you don’t need a crow for.”
    Max Porter, Grief Is the Thing with Feathers

  • #29
    “if you want witnesses then I am one and I can tell you now, when you say that he redeemed the world, I will say that it was not worth it. It was not worth it.”
    Colm Tóibín, The Testament of Mary

  • #30
    “I remember too much; I am like the air on a calm day as it holds itself still, letting nothing escape.”
    Colm Tóibín, The Testament of Mary



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