Diwaker > Diwaker's Quotes

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  • #1
    Haruki Murakami
    “Hey, what is it with you? Why are you so spaced out? You still haven't answered me."

    I probably still haven't completely adapted to the world," I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me."

    Midori rested an elbow on the bar and looked at me. "There was something like that in a Jim Morrison song, I'm pretty sure."

    People are strange when you're a stranger.”
    Haruki Murakami, Norwegian Wood

  • #2
    Haruki Murakami
    “We're a lot alike, though, Watanabe and me," said Nagasawa.

    "Neither of us is interested, essentially, in any thing but ourselves. OK, so I'm arrogant and he's not, but neither of us is able to feel any interest in anything other than what we ourselves think or feel or do. That's why we can think about things in a way that's totally divorced from anybody else. That's what I like about him. The only difference is that he hasn't realized this about himself, and so he hesitates and feels hurt."

    "What human being doesn't hesitate and feel hurt?" Hatsumi demanded. "Are you trying to say that you have never felt those things?"

    "Of course I have, but I've disciplined myself to where I can minimize them. Even a rat will choose the least painful route if you shock him enough.”
    Haruki Murakami, Norwegian Wood

  • #3
    Haruki Murakami
    “Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.”
    Haruki Murakami, Kafka on the Shore

  • #4
    Haruki Murakami
    “That's why I like listening to Schubert while I'm driving. Like I said, it's because all his performances are imperfect. A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of - that a certain type of perfection can only be realized through a limitless accumulation of the imperfect. And personally I find that encouraging.”
    Haruki Murakami, Kafka on the Shore

  • #5
    Haruki Murakami
    “According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people.
    In ancient times people weren't simply male or female, but one of three types : male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangment and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half.”
    Haruki Murakami, Kafka on the Shore

  • #6
    Haruki Murakami
    “The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues.
    ...
    [But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.”
    Haruki Murakami, Kafka on the Shore

  • #7
    Haruki Murakami
    “But metaphors help eliminate what separates you and me.”
    Haruki Murakami, Kafka on the Shore

  • #8
    Haruki Murakami
    “When I was fifteen, all I wanted was to go off to some other world, a place beyond anybody’s reach. A place beyond the flow of time.”
    - But there’s no place like that in this world.
    - Exactly. Which is why I’m living here, in this world where things are continually damaged, where the heart is fickle, where time flows past without a break.”
    Haruki Murakami, Kafka on the Shore

  • #9
    Haruki Murakami
    “Listen, Kafka. What you’re experiencing now is the motif of many Greek tragedies. Man doesn’t choose fate. Fate chooses man. That’s the basic worldview of Greek drama. And the sense of tragedy—according to Aristotle—comes, ironically enough, not from the protagonist’s weak points but from his good qualities. Do you know what I’m getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results.”
    Haruki Murakami, Kafka on the Shore

  • #10
    Haruki Murakami
    “Any one who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’ like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s just a natural feeling. You’re not the person who discovered that feeling, so don’t try to patent it, okay?”
    Haruki Murakami, Kafka on the Shore

  • #11
    Douglas Adams
    “For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much—the wheel, New York, wars and so on—whilst all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man—for precisely the same reasons.”
    Douglas Adams, The Hitchhiker’s Guide to the Galaxy

  • #12
    Ernest Hemingway
    “No, that is the great fallacy: the wisdom of old men. They do not grow wise. They grow careful.”
    Ernest Hemingway, A Farewell to Arms

  • #13
    Edward Abbey
    “Growth for the sake of growth is the ideology of the cancer cell.”
    Edward Abbey, The Journey Home: Some Words in Defense of the American West

  • #14
    Noam Chomsky
    “How people themselves perceive what they are doing is not a question that interests me. I mean, there are very few people who are going to look into the mirror and say, 'That person I see is a savage monster'; instead, they make up some construction that justifies what they do. If you ask the CEO of some major corporation what he does he will say, in all honesty, that he is slaving 20 hours a day to provide his customers with the best goods or services he can and creating the best possible working conditions for his employees. But then you take a look at what the corporation does, the effect of its legal structure, the vast inequalities in pay and conditions, and you see the reality is something far different.”
    Noam Chomsky

  • #15
    Fyodor Dostoevsky
    “Break what must be broken, once for all, that's all, and take the suffering on oneself.”
    Fyodor Dostoyevsky, Crime and Punishment

  • #16
    Haruki Murakami
    “Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
    Haruki Murakami, Kafka on the Shore

  • #17
    Haruki Murakami
    “Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

    And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

    And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
    Haruki Murakami, Kafka on the Shore

  • #18
    Haruki Murakami
    “Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.”
    Haruki Murakami, Kafka on the Shore

  • #19
    Anne Lamott
    “Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life, and it is the main obstacle between you and a shitty first draft. I think perfectionism is based on the obsessive belief that if you run carefully enough, hitting each stepping-stone just right, you won't have to die. The truth is that you will die anyway and that a lot of people who aren't even looking at their feet are going to do a whole lot better than you, and have a lot more fun while they're doing it.”
    Anne Lamott, Bird by Bird

  • #20
    Anne Lamott
    “Perfectionism is a mean, frozen form of idealism, while messes are the artist’s true friend. What people somehow (inadvertently, I’m sure) forgot to mention when we were children was that we need to make messes in order to find out who we are and why we are here—and, by extension, what we’re supposed to be writing.”
    Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

  • #21
    Friedrich Nietzsche
    “In individuals, insanity is rare; but in groups, parties, nations and epochs, it is the rule.”
    Friedrich Nietzsche

  • #22
    Charles Bukowski
    “Nothing was ever in tune. People just blindly grabbed at whatever there was: communism, health foods, zen, surfing, ballet, hypnotism, group encounters, orgies, biking, herbs, Catholicism, weight-lifting, travel, withdrawal, vegetarianism, India, painting, writing, sculpting, composing, conducting, backpacking, yoga, copulating, gambling, drinking, hanging around, frozen yogurt, Beethoven, Back, Buddha, Christ, TM, H, carrot juice, suicide, handmade suits, jet travel, New York City, and then it all evaporated and fell apart. People had to find things to do while waiting to die. I guess it was nice to have a choice.”
    Charles Bukowski, Women

  • #23
    Carl Sagan
    “One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. We’re no longer interested in finding out the truth. The bamboozle has captured us. It’s simply too painful to acknowledge, even to ourselves, that we’ve been taken. Once you give a charlatan power over you, you almost never get it back.”
    Carl Sagan, The Demon-Haunted World: Science as a Candle in the Dark

  • #24
    Stephen  King
    “Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.”
    Stephen King , The Stand

  • #25
    Jeremy Clarkson
    “Speed has never killed anyone. Suddenly becoming stationary, that's what gets you.”
    Jeremy Clarkson



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