Stephen Rowland > Stephen's Quotes

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  • #1
    Ryūnosuke Akutagawa
    “I could have sworn that the man's eyes were no longer watching his daughter dying in agony, that instead the gorgeous colors of flames and the sight of a woman suffering in them were giving him joy beyond measure.”
    Ryūnosuke Akutagawa, Hell Screen

  • #2
    Osamu Dazai
    “Unhappiness. There are all kinds of unhappy people in the world. I suppose it would be no exaggeration to say that the world is composed entirely of unhappy people. But those people can fight their unhappiness with society fairly and squarly, and society for its part easily understands and sympathizes with such struggles. My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody.”
    Osamu Dazai, No Longer Human

  • #3
    Yasunari Kawabata
    “People have separated from each other with walls of concrete that blocked the roads to connection and love. and Nature has been defeated in the name of development.”
    Yasunari Kawabata

  • #4
    Osamu Dazai
    “I was afraid to go into a restaurant because I was intimidated by the waiters furtively hovering behind me waiting for my plate to be emptied. Most of all I dreaded paying a bill-my awkwardness when I handed over the money after buying something did not arise from my stinginess, but from excessive tension, excessive embarrassment, excessive uneasiness and apprehension.”
    Osamu Dazai

  • #5
    Natsume Sōseki
    “...He said defensively, "But from now on, Japan is sure to develop."

    "Japan's headed for a fall," the man said coolly.

    Say a thing like that in Kumamoto and you'd get a punch in the nose, or be called a traitor. The atmosphere Sanshiro grew up in left no room in his head for such an idea. Just because he was young, was the man having some fun at his expense? The man kept on grinning. Yet his way of talking was perfectly composed. Not knowing what to think, Sanshiro held his tongue.

    His companion went on, "Tokyo is bigger than Kumamoto. Japan is bigger than Tokyo. And what's bigger than Japan is..." He paused and looked at Sanshiro, who was listening intently. "...the inside of your head. That's bigger than Japan. Don't let yourself get bogged down. You may believe your way of thinking is for the good of the nation, but you could actually be bringing it down."

    When he heard this, Sanshiro felt he had indeed left Kumamoto. And he realized, too, what a small person his Kumamoto self had been.”
    Natsume Sōseki, Sanshirō

  • #6
    Ryūnosuke Akutagawa
    “As you can imagine, those who had fallen this far had been so worn down by their tortures in the seven other hells that they no longer had the strength to cry out.”
    Ryūnosuke Akutagawa, The Spider's Thread

  • #7
    Natsume Sōseki
    “Words are not meant to stir the air only: they are capable of moving greater things.”
    Natsume Soseki

  • #8
    Ryūnosuke Akutagawa
    “When I kill a man, I do it with my sword, but people like you don't use swords. You gentlemen kill with your power, with your money, and sometimes just with your words: you tell people you're doing them a favor. True, no blood flows, the man is still alive, but you've killed him all the same. I don't know whose sin is greater - yours or mine.”
    Ryūnosuke Akutagawa

  • #9
    Natsume Sōseki
    “Knowing that it is the earth we tread, we learn to tread carefully, lest it be rent open. Realizing that it is the heavens that hang above us, we come to fear the echoing thunderbolt. The world demands that we battle with others for the sake of our own reputation, and so we undergo the sufferings bred of illusion. While we live in this world with its daily business, forced to walk the tightrope of profit and loss, true love is an empty thing, and the wealth before our eyes mere dust.”
    Sōseki Natsume, The Three-Cornered World

  • #10
    Natsume Sōseki
    “I've been mistaken to assume that in this little village in the spring, so like a dream or a poem, life is a matter only of the singing birds, the falling blossoms, and the bubbling springs. The real world has crossed mountains and seas and is bearing down even on this isolated village, whose inhabitants have doubtless lived here in peace down the long stretch of years ever since they fled as defeated warriors from the great clan wars of the twelfth century. Perhaps a millionth part of the blood that will dye the wide Manchurian plains will gush from this young man's arteries, or seethe forth at the point of the long sword that hangs at his waist. Yet here this young man sits, beside an artist for whom the sole value of human life lies in dreaming. If I listen carefully, I can even hear the beating of his heart, so close are we. And perhaps even now, within that beat reverberates the beating of the great tide that is sweeping across the hundreds of miles of that far battlefield. Fate has for a brief and unexpected moment brought us together in this room, but beyond that it speaks no more.”
    Sōseki Natsume, The Three-Cornered World

  • #11
    Matsuo Bashō
    “The River Mogami has drowned
    Far and deep
    Beneath its surging waves
    The flaming sun of summer”
    Matsuo Bashō, The Narrow Road to the Deep North and Other Travel Sketches

  • #12
    Ryūnosuke Akutagawa
    “Isn't there someone kind enough to come strangle me in my sleep?”
    Ryunosuke Akutagawa

  • #13
    Natsume Sōseki
    “I am a lonely man,' Sensei said. 'And so I am glad that you come to see me. But I am also a melancholy man, and so I asked you why you should wish to visit me so often.”
    Natsume Sōseki, Kokoro

  • #14
    Ōgai Mori
    “I don't remember who spoke first, but I do recall the first words between us: "How often we meet among old books!"
    This was the start of our friendship.”
    Ōgai Mori, The Wild Geese

  • #15
    Ōgai Mori
    “An obstacle which would frighten discreet men is nothing to determined women. They dare what men avoid, and sometimes they achieve an unusual success.”
    Ōgai Mori, The Wild Geese

  • #16
    Natsume Sōseki
    “From then on, my thesis hung over me like a curse, and with bloodshot eyes, I worked like a madman.”
    Natsume Sōseki, Kokoro

  • #17
    Doppo Kunikida
    “He was beneath the waves, a creature crawling the ocean bottom.”
    Doppo Kunikida, Five Stories by Kunikida Doppo

  • #18
    Ryūnosuke Akutagawa
    “People used to say that on moonless nights Her Ladyship's broad-skirted scarlet trousers would glide eerily along the outdoor corridor, never touching the floor.”
    Ryūnosuke Akutagawa, Hell Screen

  • #19
    Ryūnosuke Akutagawa
    “He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.”
    Ryūnosuke Akutagawa, Hell Screen

  • #20
    Ryūnosuke Akutagawa
    “Still more horrible was the color of the flames that licked the latticed cabin vents before shooting skyward, as though - might I say? - the sun itself had crashed to earth, spewing its heavenly fire in all directions.”
    Ryūnosuke Akutagawa, Hell Screen

  • #21
    Ryūnosuke Akutagawa
    “He was said to have survived starvation by eating human flesh, after which he had the strength to tear out the antlers of a living stag with his bare hands.”
    Ryūnosuke Akutagawa, Hell Screen

  • #22
    Ryūnosuke Akutagawa
    “The pale whiteness of her upturned face as she choked on the smoke; the tangled length of her hair as she tried to shake the flames from it; the beauty of her cherry-blossom robe as it burst into flame: it was all so cruel, so terrible!”
    Ryūnosuke Akutagawa, Hell Screen

  • #23
    Kōbō Abe
    “When I look at small things, I think I shall go on living: drops of rain, leather gloves shrunk by being wet...When I look at something too big, I want to die: the Diet Building, or a map of the world...”
    Kobo Abe, The Box Man

  • #24
    Kōbō Abe
    “The most frightening thing in the world is to discover the abnormal in that which is closest to us.”
    Kobo Abe

  • #25
    Kōbō Abe
    “You don't need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself. I don't ever again want to return to such a desert of mirrors.”
    Kōbō Abe, The Face of Another

  • #26
    Kōbō Abe
    “Being free always involves being lonely.”
    Kōbō Abe

  • #27
    Kōbō Abe
    “Everyone has his own philosophy that doesn't hold good for anybody else.”
    Kōbō Abe, The Woman in the Dunes

  • #28
    Kōbō Abe
    “Suddenly a sorrow the color of dawn welled up in him. They might as well lick each other's wounds. But they would lick forever, and the wounds would never heal, and in the end their tongues would be worn away.”
    Kobo Abe

  • #29
    Kōbō Abe
    “He wanted to believe that his own lack of movement had stopped all movement in the world, the way a hibernating frog abolishes winter.”
    Kōbō Abe, The Woman in the Dunes

  • #30
    Kōbō Abe
    “Only the happy ones return to contentment. Those who were sad return to despair.”
    Kōbō Abe, The Woman in the Dunes



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