José > José's Quotes

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  • #1
    Tacitus
    “They have plundered the world, stripping naked the land in their hunger… they are driven by greed, if their enemy be rich; by ambition, if poor… They ravage, they slaughter, they seize by false pretenses, and all of this they hail as the construction of empire. And when in their wake nothing remains but a desert, they call that peace.”
    Tacitus, The Agricola and The Germania

  • #2
    W. Somerset Maugham
    “Almost all the people who’ve had the most effect on me I seem to have met by chance, yet looking back it seems as though I couldn’t but have met them.”
    W. Somerset Maugham, The Razor’s Edge

  • #3
    W. Somerset Maugham
    “I don’t think I shall ever find peace till I make up my mind about things,’ he said gravely. He hesitated. ‘It’s very difficult to put into words. The moment you try you feel embarrassed. You say to yourself: “Who am I that I should bother myself about this, that, and the other? Perhaps it’s only because I’m a conceited prig. Wouldn’t it be better to follow the beaten track and let what’s coming to you come?” And then you think of a fellow who an hour before was full of life and fun,and he’s lying dead; it’s all so cruel and meaningless. It’s hard not to ask yourself what life is all about and whether there’s any sense to it or whether it’s all a tragic blunder of blind fate.”
    W. Somerset Maugham, The Razor’s Edge

  • #4
    Don DeLillo
    “We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book.

    "No one sees the barn," he said finally.

    A long silence followed.

    "Once you've seen the signs about the barn, it becomes impossible to see the barn."

    He fell silent once more. People with cameras left the elevated site, replaced by others.

    We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies."

    There was an extended silence. The man in the booth sold postcards and slides.

    "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."

    Another silence ensued.

    "They are taking pictures of taking pictures," he said.”
    Don DeLillo, White Noise

  • #5
    Maurice Maeterlinck
    “As soon as we put something into words, we devalue it in a strange way. We think we have plunged into the depths of the abyss, and when we return to the surface the drop of water on our pale fingertips no longer resembles the sea from which it comes. We delude ourselves that we have discovered a wonderful treasure trove, and when we return to the light of day we find that we have brought back only false stones and shards of glass; and yet the treasure goes on glimmering in the dark, unaltered.”
    Maurice Maeterlinck, The Treasure of the Humble

  • #6
    Fernando Pessoa
    “There are inner sufferings so subtle and so diffuse that we can’t tell whether they belong to the body or the soul, whether they’re an anxiety that comes from our feeling that life is futile or an indisposition originating in some organic abyss such as the stomach, liver or brain. How often my normal self-awareness becomes turbid with the stirred dregs of an anguished stagnation! How often it hurts me to exist, with a nausea so indefinite I’m not sure if it’s tedium or a warning that I’m about to vomit! How often…”
    Fernando Pessoa, The Book of Disquiet

  • #7
    Samuel Taylor Coleridge
    “What if you slept
    And what if
    In your sleep
    You dreamed
    And what if
    In your dream
    You went to heaven
    And there plucked a strange and beautiful flower
    And what if
    When you awoke
    You had that flower in your hand
    Ah, what then?”
    Samuel Taylor Coleridge, The Complete Poems

  • #8
    Johann Wolfgang von Goethe
    “One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.”
    Johann Wolfgang von Goethe, Wilhelm Meister's Apprenticeship

  • #9
    Michel Houellebecq
    “Anything can happen in life, especially nothing.”
    Michel Houellebecq, Platform

  • #10
    Milan Kundera
    “Remembering our past, carrying it around with us always, may be the necessary requirement for maintaining, as they say, the wholeness of the self. To ensure that the self doesn’t shrink, to see that it holds on to its volume, memories have to be watered like potted flowers, and the watering calls for regular contact with the witnesses of the past, that is to say, with friends. They are our mirror; our memory; we ask nothing of them but that they polish the mirror from time to time so we can look at ourselves in it.”
    Milan Kundera, Identity

  • #11
    Milan Kundera
    “Darling, my darling, don't think that I don't love you or that I didn't love you, but it's precisely because I love you that I couldn't have become what I am today if you were still here. It's impossible to have a child and despise the world as it is, because that's the world we've put the child into. The child makes us care about the world, think about it's future, willingly join in its racket and its turmoils, take its incurable stupidity seriously.”
    Milan Kundera, Identity

  • #12
    J.M. Coetzee
    “His own opinion, which he does not air, is that the origin of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.”
    J.M. Coetzee, Disgrace

  • #13
    J.M. Coetzee
    “We must cultivate, all of us, a certain ignorance, a certain blindness, or society will not be tolerable.”
    J.M. Coetzee, Foe

  • #14
    J.M. Coetzee
    “He continues to teach because it provides him with a livelihood; also because it teaches him humility, brings it home to him who he is in the world. The irony does not escape him: that the one who comes to teach learns the keenest of lessons, while those who come to learn learn nothing.”
    J.M. Coetzee, Disgrace

  • #15
    Alan W. Watts
    “Man suffers only because he takes seriously what the gods made for fun.”
    Alan Wilson Watts

  • #16
    Ernesto Sabato
    “Muchas veces me ha sorprendido cómo vemos mejor los paisajes en las películas que en la realidad.”
    Ernesto Sabato, La resistencia

  • #17
    Ernesto Sabato
    “Frente a cuestiones inefables es infructuoso tratar de acercarnos por medio de definiciones. La incapacidad de los discursos filosóficos, teológicos o matemáticos para responder a estos grandes interrogantes revela que la condición última del hombre es trascendente, y por lo tanto, misteriosa, inasible.”
    Ernesto Sabato, La resistencia

  • #18
    Jorge Luis Borges
    “A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”
    Jorge Luis Borges, The Aleph and Other Stories

  • #19
    Marcel Proust
    “A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain”
    Marcel Proust, Swann’s Way

  • #20
    Graham Greene
    “You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace – and what did that produce? The cuckoo clock.”
    Graham Greene, The Third Man

  • #21
    Paul Valéry
    “Poems are never finished - just abandoned”
    Paul Valery

  • #22
    André Malraux
    “The great mystery is not that we should have been thrown down here at random between the profusion of matter and that of the stars; it is that from our very prison we should draw, from our own selves, images powerful enough to deny our own nothingness.”
    Andre Malraux

  • #23
    John Milton
    “Our cure, to be no more; sad cure! ”
    John Milton, Paradise Lost

  • #24
    Marcus Aurelius
    “Waste no more time arguing about what a good man should be. Be one.”
    Marcus Aurelius, Meditations

  • #25
    Voltaire
    “‎Life is a shipwreck, but we must not forget to sing in the lifeboats.”
    Voltaire

  • #26
    Voltaire
    “Judge a man by his questions rather than by his answers.”
    Voltaire

  • #27
    Friedrich Nietzsche
    “Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”
    Friedrich Nietzsche

  • #28
    Friedrich Nietzsche
    “I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses.”
    Friedrich Nietzsche, Thus Spoke Zarathustra

  • #29
    Albert Camus
    “An intellectual? Yes. And never deny it. An intellectual is someone whose mind watches itself. I like this, because I am happy to be both halves, the watcher and the watched. "Can they be brought together?" This is a practical question. We must get down to it. "I despise intelligence" really means: "I cannot bear my doubts.”
    Albert Camus

  • #30
    Albert Camus
    “O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.”
    Albert Camus, L’été



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